Gluck: Opera serias which have been fragmentarily handed down: Artaserse (Milan 1741) / Il Tigrane (Crema 1743) / La Sofonisba (Milan 1744) / L'Ippolito (Milan 1745)
Expected to ship in about a week.
- Composer: Christoph Willibald Gluck (1714-1787)
- Format: Full Score – Complete Edition
- Binding: Hardcover
- Work Language: Italian
- ISMN:
- Size: 10.4 x 13.0 inches
- Pages: 339
- Urtext / Critical Edition
Description
Contents:
- Vorwort
- Bildbeigaben:
- Beginn der Arien aus Artaserse "Mi scacci sdegnato" in der Full Scoreabschrift Wgm1 and "Se del fiume altera l'onda" in der Abschrift L (Canto e Basso-Auszug)
- Beginn der Arien "Sì ben mio, morrò, se il vuoi" and "Parto da te, mio bene" aus Il Tigrane in der Full Scoreabschrift P
- Beginn der Arie "Tornate sereni" aus La Sofonisba in der Full Scoreabschrift B and im Stimmensatz Wgm3 (Oboe solo)
- Beginn der Arien "Se in campo armato" and "Nobil onda" aus La Sofonisba in der Full Scoreabschrift P
- Beginn der Arie "Nobil onda" in der Full Scoreabschrift Wgm2 and Wn1
- Beginn der Arien "Varca il mar superba nave" and "Ah! già parmi" aus L'Ippolito in der Full Scoreabschrift P
- Titelseite and Ausschnitt der Arie "Quando ruina con le sue spume" aus dem Pasticcio Arsace in der Full Scoreabschrift P
- Beginn der Arie "Ch'io mai vi possa" aus dem Pasticcio La finta schiava in der Full Scoreabschrift P and P1
- Beginn der Arie "Ch'io mai vi possa" in der Abschrift V (Canto e Basso-Auszug) and in der Full Scoreabschrift Ma
- Porträt des Kastraten Felice Salimbeni, Stich von Georg Friedrich Schmidt, Berlin 1751
- Der Tenor Angelo Amorevoli als Antigono, Figurine von Francesco Ponte, Dresden 1744
- Porträt des Kastraten Giovanni Carestini, Mezzotinto von George Knapton, London 1735
- Karikatur Carestinis, Zeichnung von Anton Maria Zanetti, Venedig 1743
- Porträts der Kastraten Giuseppe Appiani and Angelo Maria Monticelli, Zeichnungen von Charles van Loo
- Sonette für die Sopranistin Caterina Aschieri, Stiche von Marc'Antonio dal Re, Mailand 1745
- Il Tigrane, Textbuch der Uraufführung, Brescia (1743)
- La Sofonisba, Textbuch der Uraufführung, Mailand 1744
- L'Ippolito, Textbuch der Uraufführung, Mailand 1745
- Arsace (Pasticcio), Textbuch der Uraufführung, Mailand (1743)
- La finta schiava (Pasticcio), Textbuch der Uraufführung, Venedig 1744
- Artaserse
- Il Tigrane
- La Sofonisba
- L'Ippolito
- Anhang:
- I: Arie "Tema quell'alma audace" (I/4) aus dem Pasticcio Arsace (Mailand 1743)
- II: Arie "Quando ruina con le sue spume" (I/6) aus dem Pasticcio Arsace (Mailand 1743)
- III: Arie "Ch'io mai vi possa" (III/5) aus dem Pasticcio La finta schiava (Venedig 1744)
- Kritischer Bericht:
- Abkürzungsverzeichnis:
- A. Quellen
- B. Allgemeines
- C. Einzelbemerkungen
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
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Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
