Forns: Symphony "Elisea"
Expected to ship in 1-2 weeks.
- Composer: Francesc Forns (1824-1910)
- Format: Full Score
- Instrumentation: Orchestra
- Work: Symphony "Elisea"
- ISMN:
- Size: 8.9 x 12.0 inches
Description
The work we present is a symphony in a single movement, written in the key of in D Major, with moments of strong presence of brass instruments. in fact, in addition to horns and trumpets, the instrumentation includes flugelhorns and trombones. Although we cannot date the work with the information we have, the use of more brass instruments leads us to believe that it must have been composed in the 1860s.
The themes that make up this symphony suggest the German and French influence that the musicians who were part of the operatic scene in Barcelona must have had. Wagnerian and Beethovenian sounds are clearly perceptible in the first two themes of the symphony. in contrast, in the third, more playful theme, a certain Mozartian or Rossinian influence can be appreciated.
In the score we present here, we have chosen to write the transposing instruments in their current transposition: that is, clarinets and trumpets in B-flat, and horns in F. We have also altered the order of the staves in the orchestral template. Specifically, we have placed the string sections in the lower positions of the score, as is customary today.
At bar 120, there is a change of key to A Major. Around bar 145, a rhythmic cell consisting of an eighth note and two sixteenth notes appears for the first time, followed by a tied quarter note with a repetition of the same cell, accompanied by eight eighth notes in the following bar. This rhythmic cell is accompanied by a long orchestral crescendo.
Although we do not know if it was performed during the composer's lifetime, we can imagine that it is a work that could have been used at some point during the Liceu evenings, when the works were shorter, and there was a need for brief, well-written pieces that would make the wait more pleasant for the bourgeoisie who were waiting to hear the works.
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
