24 Songs & Arias in Spanish
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Shipping Policy- Editor: Patricia Caicedo
- Instrumentation: Piano, Medium-High Voice
- Work Language: Spanish
- ISBN:
- Size: 8.3 x 11.6 inches
Description
The book 24 Songs and Arias in Spanish presents a thoughtfully curated and diverse collection of songs and arias for voice and piano in Spanish from the 15th to the 21st centuries. Carefully selected for their melodic beauty and technical intricacies, these pieces are ideal for vocal training and performance. This collection is excellent for developing vocal and language proficiency and interpretation abilities in Spanish.
With its phonetic characteristics, Spanish inherently lends itself to singing, even more so than Italian. This, combined with Spanish being the second most spoken language globally and widely spoken in the United States, makes this repertoire and the accompanying book indispensable for voice teachers and singers.
Edited by Patricia Caicedo, a soprano and musicologist renowned as the authority on Spanish language songs worldwide, the book brings unparalleled expertise and insight to this essential collection.
Contents:
Más vale trocar, Juan Del Encina (1468 - 1529), España
El viejo hogar argentino, Leopoldo Corretjer (1862 - 1941), Argentina
Virgencita del alma, Canción mexicana, México
Madrigal, Hans Federico Neuman (1917-1992), Colombia
Aldita, Luis Humberto Salgado (1903 - 1977), Ecuador
La niña y el arpa, Jaime Mendoza Nava (1925-2005), Bolivia
Para vivir, Patricia Caicedo (1969), Colombia
La mala suerte, Patricia Caicedo (1969), Colombia
Más que nunca, Jaime Leon (1921 - 2015), Colombia
La vieja Mesa, Jaime Leon (1921 - 2015), Colombia
El nido, Alfonso Broqua (1876 - 1946), Uruguay
El tango, Alfonso Broqua (1876 - 1946), Uruguay
Kori Killa, Eduardo Caba (1890 - 1953), Bolivia
La vicuñita, Theodoro Valcárcel (1898 - 1942), Perú
Tristes ecos, Theodoro Valcárcel (1898 - 1942), Perú
Eclipse de Belleza, L. A. Calvo (1882-1945), Colombia
La imagen de tu perfil, Pedro Biava Ramponi (1902 - 1972), Colombia
Corazón, Eduardo Sánchez de Fuentes (1874 - 1944), Cuba
El canto del cisne, Fernando Soria Cárpena (1860-1937), México
Más cerca de mi te siento, Julio Osma (1888-1938), España
Ester, Nicolas Gutierrez (1993), USA
Vocalización, Pedro Biava Ramponi (1902 - 1972), Colombia
Romanza de Dolorosa, Eduardo Sánchez de Fuentes (1874 - 1944), Cuba
De mi amor... Ay misera!, Felipe Villanueva (1862-1893), México
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Digital Download
Digital, PDF version of the score.

