Best of Piano Classics - Book 2
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- Composers: George Frideric Handel (1685-1759), Wolfgang Amadeus Mozart (1756-1791), Johann Sebastian Bach (1685-1750), Johann Pachelbel (1653-1706), Gustav Mahler (1860-1911), Ludwig van Beethoven (1770-1827), Edvard Grieg (1843-1907), Luigi Boccherini (1743-1805), Joseph Haydn (1732-1809), George Gershwin (1898-1937), Robert Schumann (1810-1856), Giuseppe Verdi (1813-1901), Marc-Antoine Charpentier (1643-1704), Carl Orff (1895-1982), Richard Wagner (1813-1883), Edward Elgar (1857-1934), Engelbert Humperdinck (1854-1921), Pyotr Ilyich Tchaikovsky (1840-1893), Charles Gounod (1818-1893), Franz Schubert (1797-1828), Jacques Offenbach (1819-1880), Camille Saint-Saëns (1835-1921), Jeremiah Clarke (1674-1707), Antonín Dvořák (1841-1904), Ion Ivanovici (1845-1902), Antonio Vivaldi (1678-1741)
- Arranger: Hans-Günter Heumann (1955-)
- Instrumentation: Piano
- ISMN:
- Size: 9.1 x 11.9 inches
- Pages: 124
Description
The contents include great works from Bach to Gershwin, ranging from chamber music, symphonies and concertos through to opera. This selection of musical favorites presents the best known and loveliest pieces of classical music from the Baroque era through to the 20th Century, from ‘Air' to ‘Rhapsody in Blue'. with fingerings, tempo and pedal suggestions added, these appealing arrangements for advanced players are in easy to read modern printed scores.
Recommended not only for tuition purposes, but for all those who enjoy playing the piano in their leisure time.
Contents:
- J. S. Bach: Air in D Major BWV 1068
- J. S. Bach: Badinerie B Minor BWV 1067
- J. S. Bach: Jesus, Joy of Man's Desiring from Cantate No 147
- J. Clarke: Trumpet Voluntary
- G. F. Handel: Ombra mai fù, from "Xerxes", HWV 40
- G. F. Handel: Alla Hornpipe, from "Water Music", Suite No 2, HWV 349
- M-A. Charpentier: Prélude from Te Deum H 146
- A. Vivaldi: Spring from "The Four Seasons", Op. 8, No. 1
- J. Pachelbel: Canon
- J. Haydn: Sérénade, Op. 3, No. 5
- J. Haydn: Symphony "Surprise", 2nd movement
- W. A. Mozart: A Little Night Music, 2nd movement
- W. A. Mozart: Clarinet Concerto, K. 622, 2nd movement
- W. A. Mozart: Symphony No 40, K. 550, 1st movement
- W. A. Mozart: Piano Concerto No 21, K. 467, 2nd movement
- L. van Beethoven: Symphony No 5, Op. 67 / 1st movement
- L. van Beethoven: Piano Concerto No 5, Op. 73 / 2nd movement
- L. van Beethoven: Song of Joy, Op. 125
- L. Boccherini: Minuet from String Quintet, Op. 13 / 5
- F. Schubert: Serenade
- F. Schubert: Ave Maria, Op. 52 / 6, D 839
- G. Verdi: Va pensiero, from "Nabucco"
- G. Verdi: Triumphal March from "Aida"
- C. Gounod: Ave Maria
- R. Wagner: Song to the Evening Star from "Tannhäuser"
- I. IVanovici: Waves of Danube
- J. Offenbach: Belle nuit, ô nuit d'amour (Barcarole)
- E. Humperdinck: Abends, will ich schlafen gehen, from "Hansel and Gretel"
- C. Saint- Saëns: The Swan from "Le Carneval des animaux"
- R. Schumann: Piano Concerto A Minor, Op. 54 / 1st movement
- P. I. Tchaikovsky: Waltz of the Flowers from "The Nutcracker"
- P. I. Tchaikovsky: Piano Concerto No 1, Op. 23 / 1st movement
- A. Dvořák: "Symphony from the New World" No. 95, Op. 95, 2nd movement
- E. Grieg: Piano Concerto, Op. 16, 1st movement
- E. Grieg: Solvejg's Song from Peer-Gynt Suite No 2, Op. 55
- E. Elgar: Land of Hope and Glory, from "Pomp and Circumstance", Op. 39 / 1 (Trio)
- E. Elgar: Salut d'amour, Op. 12
- G. Mahler: Adagietto from Symphony No. 5 C# Minor, 4th movement
- C.Orff: O fortuna from "Carmina Burana"
- G. Gershwin: Rhapsody in Blue
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
