Arnesen: Stabat Mater (for upper voices)
Expected to ship in 1-2 weeks.
- Composer: Kim André Arnesen (1980-)
- Format: Vocal Score
- Instrumentation (this edition): Organ, Female Choir
- Originally for: Chamber Orchestra, Female Choir
- Work: Stabat Mater
- Work Language: Latin
- ISMN:
- Size: 7.2 x 10.2 inches
- Pages: 88
Description
Kim André Arnesen's Stabat Mater breathes new life into the 13th-century Latin hymn, which portrays the Virgin Marys suffering at the crucifixion of her son, Jesus Christ. Amongst the traditional stanzas are two movements setting contemporary poems: Euan Tait's A Mother's Prayer, which was commissioned for this work, and a moving poem written by a child hospitalised with cancer. Arnesen's characteristic rich harmonies and memorable melodic lines combine to create a powerful and emotional Major new work.
This vocal score, which includes accompaniment for organ, can also be used for performing the version of Stabat Mater with chamber orchestra accompaniment available on hire from Boosey & Hawkes. A version for mixed voices (SATB) is also available.
Kim André Arnesen is one of the most frequently performed composers from Norway today. He grew up in Trondheim where he was a chorister in the Nidaros Cathedral Boys' Choir, later being educated at the Music Conservatory in Trondheim. As a composer, he had his first performance at the age of 18 with the boys' choir. Since then he has written music that has been performed by choirs all over the world and piano pieces that have topped Apple Music's classical charts. Recordings of Kim's works include the Infinity collection on Naxos and the Holy Spirit Mass on Decca. Alongside choral gems including Flight Song and Ubi caritas et amor his recent output has featured larger-scale works such as Stabat Mater and The Stranger.
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Arnesen: Stabat Mater (for upper voices)
