Shostakovich: Orchestral Compositions of Different Years
New Collected Works Volume 31
Expected to ship in 1-2 weeks.
- Composer: Dmitri Shostakovich (1906-1975)
- Format: Full Score
- Instrumentation: Orchestra
- Binding: Hardcover
- ISBN:
- Size: 9 x 12.0 inches
- Urtext / Critical Edition
Description
This volume includes two Scherzos, Op. 1 and, Op. 7, Theme and Variations, Op. 3, and Five Fragments, Op. 42. Although these compositions are unlike each other in terms of their musical attributes and different periods of Shostakovich's creative work, they have something in common inasmuch as all of them are marked with two crosses in the list the composer included in a letter to Grigori Shneerson of 28 January 1941.
In a letter to Dmitri Rogal-Levitsky of 22 September 1927, Shostakovitch explained these marks as follows: "A cross (+) after the year means that this work has not been published because I do not consider it of high enough quality to be published, but I think it can be performed. Two crosses (++) mean that the work is not fit for publication or performance for the same reason. So you may be asking why I am including the work in my list, if it is not of high enough quality to even be performed, and why I give it an opus number? The answer is—once written, it remains forever." The "quality" Shostakovitch writes about fell into different categories: the composer used this method to mark both earlier compositions he considered "entirely unsuccessful" and mature works, on which he placed a "veto".
Works:
- Scherzo, Op. 1
- Theme and Variations, Op. 3
- Scherzo, Op. 7
- Five Fragments for Orchestra, Op. 42
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Shostakovich: Orchestral Compositions of Different Years
