{"product_id":"weber-laccoglienza-wev-b12-schott","title":"Weber: L'Accoglienza, WeV B.12","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/carl-maria-von-weber\"\u003eCarl Maria von Weber (1786-1826)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Full Score with Critical Commentary\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eSATB Choir, Orchestra\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: L'Accoglienza, WeV B.12\u003c\/li\u003e \u003cli class=\"binding\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Hardcover\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork Language\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eItalian\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790001137850\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.6\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.8\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 180\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eCarl Maria von Weber‘s fame rests mainly on ‚Der Freischütz‘. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as ‚Preciosa‘, ‚Oberon‘, and ‚Euryanthe‘, the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber‘s influential and substantial oeuvre was wasted in the 1920s, when a complete edition – begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss – failed after the third volume.\nEver since there have been numerous attempts to restart a complete edition of Weber‘s works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.\u003c\/p\u003e\n\u003cp\u003eSince the German re-unification both working-parties concerned – at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold\/Paderborn – have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6–8 vols.) are edited in Berlin and the letters (8–10 vols.) and other writings (2 vols.) in Detmold.\u003c\/p\u003e\n\u003cp\u003eThis complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber‘s music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references.\u003c\/p\u003e\n\u003cp\u003eContents:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe Edition\u003c\/li\u003e\n\u003cli\u003eThe present volume\u003c\/li\u003e\n\u003cli\u003eAbbreviations and library sigla\u003c\/li\u003e\n\u003cli\u003eCast and Instrumentation\u003c\/li\u003e\n\u003cli\u003eA. Text of the Work\u003c\/li\u003e\n\u003cli\u003eL'Accoglienza (WeV B. 12)\u003c\/li\u003e\n\u003cli\u003eScena I:\u003c\/li\u003e\n\u003cli\u003eNo. 1 Inno (l'Agricoltura, la Scienza, l'Arte, il Commercio) \"Benigno eccelso fato\"\u003c\/li\u003e\n\u003cli\u003eNo. 2 Recitativo (l'Arte, la Scienza, l'Arte, il Commercio, l'Agricoltura) \"Qual pace! qual delizia!\u003c\/li\u003e\n\u003cli\u003eNo. 3 Quartetto (l'Agricoltura, la Scienza, l'Arte, il Commercio) \"Sente l'alma un che divino\u003c\/li\u003e\n\u003cli\u003eScena II:\u003c\/li\u003e\n\u003cli\u003eNo. 4 Recitativo (Genio) \"Il cielo alfin ai tanti prieghi arrise!\"\u003c\/li\u003e\n\u003cli\u003eNo. 5 Aria (Genio) \"La Donna grata ai Numi\"\u003c\/li\u003e\n\u003cli\u003eScena III: No. 6: Coro (Popolo, il Decano) \"Di Mirti e d'ulivo\"\u003c\/li\u003e\n\u003cli\u003eNo. 7 Coro (Popolo) \"Conservate o giusti Dei\"\u003c\/li\u003e\n\u003cli\u003eAppendix Coro No. 7, vocal parts with alternative text \"Ström o Himmel deinen Segen\"\u003c\/li\u003e\n\u003cli\u003eB. Critical Notes\u003c\/li\u003e\n\u003cli\u003eI. Origins and transmission of the Work\u003c\/li\u003e\n\u003cli\u003eOrigins of the work\u003c\/li\u003e\n\u003cli\u003eThe performacnes and their reception\u003c\/li\u003e\n\u003cli\u003eThe transmission of the work\u003c\/li\u003e\n\u003cli\u003eThe planned publication\u003c\/li\u003e\n\u003cli\u003eII. Summary of sources, description and evaluation\u003c\/li\u003e\n\u003cli\u003eSummary of sources\u003c\/li\u003e\n\u003cli\u003eDescription of sources\u003c\/li\u003e\n\u003cli\u003eEvaluation of sources on which the present edition is based\u003c\/li\u003e\n\u003cli\u003eIII. Editorial Report\u003c\/li\u003e\n\u003cli\u003eThe Musical Text\u003c\/li\u003e\n\u003cli\u003ePreliminary remarks\u003c\/li\u003e\n\u003cli\u003eThe autograph score\u003c\/li\u003e\n\u003cli\u003eThe numbering\u003c\/li\u003e\n\u003cli\u003ePerforming of appggiaturas\u003c\/li\u003e\n\u003cli\u003eEditorail notes\u003c\/li\u003e\n\u003cli\u003eThe Vocal Text\u003c\/li\u003e\n\u003cli\u003eIntroductory remarks\u003c\/li\u003e\n\u003cli\u003eVariants, alternative regardings and notes\u003c\/li\u003e\n\u003cli\u003eC. Appendices\u003c\/li\u003e\n\u003cli\u003eReview of the first performance, from Allgemeine musikalische Zeitung\u003c\/li\u003e\n\u003cli\u003eText for first performance (Facsimiles)\u003c\/li\u003e\n\u003cli\u003eIndex and notes on the illustration I-IX\u003c\/li\u003e\n\u003cli\u003eFacsimiles, plates I-IX\u003c\/li\u003e\n\u003cli\u003eD. Indices\u003c\/li\u003e\n\u003cli\u003eIndex of names and works\u003c\/li\u003e\n\u003cli\u003eIndex of sources\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Schott","offers":[{"title":"Default Title","offer_id":42667843813455,"sku":"WGA1023","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/3a7a23d3662f0376403e4674ccb88583.jpg?v=1752423772","url":"https:\/\/www.ficksmusic.com\/zh\/products\/weber-laccoglienza-wev-b12-schott","provider":"Ficks Music","version":"1.0","type":"link"}