{"product_id":"tartini-twelve-sonatas-and-one-pastorale-barenreiter","title":"Tartini: Twelve Sonatas and One Pastorale","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/giuseppe-tartini\"\u003eGiuseppe Tartini (1692-1770)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Juan Mariano Porta\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Full Score\u003c\/li\u003e \u003cli class=\"binding\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Hardcover\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790006574995\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e13.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e10.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 128\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eThe \"Sonata a violino e cello o cimbalo, Opera prima\" – published in Amsterdam in 1734 by Michel Charles Le Cène – constitute the first authorized edition of the violin sonatas of Giuseppe Tartini. Despite their opus number, they belong fully to the composer's artistic maturity. In the preceding decade, Tartini had consolidated his reputation, secured a stable professional position, and reached the height of his technical and expressive powers.\u003c\/p\u003e\n\u003cp\u003eBegun at least by 1731, the preparation of the collection also responded to the need to counter the circulation of unauthorized prints of his sonatas by offering instead a collection that fully reflected his mature style. The dedication to Girolamo Ascanio Giustiniani, his pupil and son of Venice's Procurator Ascanio, recalls a significant connection: In 1721 Giustiniani father had interceded on Tartini's behalf for the new appointment of \"primo violino e capo di concerto\" at the orchestra of the Basilica of Saint Anthony in Padua.\u003c\/p\u003e\n\u003cp\u003eOp. I represents the most widely disseminated of Tartini's collections. It circulated throughout Europe in reprints and manuscript copies, contributing to the composer's international fame. The influence of the collection emerges in violin treatises printed in France and Germany: several sonatas – such as the \"Sonata prima\" (A14), the so-called \"Didone abbandonata\" (g10), and the \"Pastorale\" (A16) – became firmly established in the teaching repertoire of conservatories from the nineteenth century onward. The remainder of the collection, by contrast, was less widely known, although it displays excellent compositional quality and a remarkable technical variety.\u003c\/p\u003e\n\u003cp\u003eFrom a formal perspective, the collection is organized into three sections implicitly corresponding to different stylistic types: the church sonatas (nos. 1–6), still linked to a style more closely bound to late Baroque polyphony and characterized by the presence of a fugue in the second movement; the chamber sonatas (nos. 7–12), in which the new melodic style emerges clearly, often enriched by movements marked \"affettuoso\" or \"cantabile,\" symptoms of a modern lyricism; and finally the \"Pastorale\", probably added to the traditional set of twelve as a tribute to the dedicatee and distinctive for its use of \"scordatura\" and pedal notes.\u003c\/p\u003e\n\u003cp\u003eIn this balance between contrapuntal tradition and new cantabile expression, between formal rigor and expressive exploration, the Opera prima stands as a decisive first climax in Tartini's development. This critical edition provides a state-of-the-art historical account and a reliable text that, besides marking a fundamental step in the history of the violin sonata, continues to offer extraordinary interpretative possibilities today.\u003c\/p\u003e\n\u003cp\u003eContents:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePrefazione all'edizione\u003c\/li\u003e\n\u003cli\u003ePreface to the edition\u003c\/li\u003e\n\u003cli\u003eCriteri editoriali\u003c\/li\u003e\n\u003cli\u003eEditorial policies\u003c\/li\u003e\n\u003cli\u003eIntroduzione\u003c\/li\u003e\n\u003cli\u003eIntroduction\u003c\/li\u003e\n\u003cli\u003eAspetti generali di prassi esecutiva e organologia\u003c\/li\u003e\n\u003cli\u003eGeneral aspects of performance practice and organology\u003c\/li\u003e\n\u003cli\u003eFacsimiles\u003c\/li\u003e\n\u003cli\u003eTwelve sonatas and one pastorale, Op. 1\u003c\/li\u003e\n\u003cli\u003eParte prima\u003c\/li\u003e\n\u003cli\u003eSonata prima A14\u003c\/li\u003e\n\u003cli\u003eSonata seconda F9\u003c\/li\u003e\n\u003cli\u003eSonata terza C11\u003c\/li\u003e\n\u003cli\u003eSonata quarta G17\u003c\/li\u003e\n\u003cli\u003eSonata quinta e6\u003c\/li\u003e\n\u003cli\u003eSonata sesta D12\u003c\/li\u003e\n\u003cli\u003eParte seconda\u003c\/li\u003e\n\u003cli\u003eSonata settima D6\u003c\/li\u003e\n\u003cli\u003eSonata ottava c2\u003c\/li\u003e\n\u003cli\u003eSonata nona A15\u003c\/li\u003e\n\u003cli\u003eSonata decima g10\u003c\/li\u003e\n\u003cli\u003eSonata undicesima E5\u003c\/li\u003e\n\u003cli\u003eSonata dodicesima F4\u003c\/li\u003e\n\u003cli\u003ePastorale A16\u003c\/li\u003e\n\u003cli\u003eAppendix I\u003c\/li\u003e\n\u003cli\u003ePastorale A16a\u003c\/li\u003e\n\u003cli\u003ePre-print version\u003c\/li\u003e\n\u003cli\u003eApparato critico\u003c\/li\u003e\n\u003cli\u003eDescrizione e critica dei testimoni\u003c\/li\u003e\n\u003cli\u003eElenco delle varianti\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Default Title","offer_id":46314109468751,"sku":"BA11674-01","price":252.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/2dd890dd240206d76fea6cccdd021c65.jpg?v=1785444637","url":"https:\/\/www.ficksmusic.com\/zh\/products\/tartini-twelve-sonatas-and-one-pastorale-barenreiter","provider":"Ficks Music","version":"1.0","type":"link"}