{"product_id":"fuchs-evensong-marks","title":"Fuchs: Evensong","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/kenneth-fuchs\"\u003eKenneth Fuchs (1956-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Set of Performance Scores\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eHorn, Guitar\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Evensong (2010)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISBN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9781705192498\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 16\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eFrom the composer: \u003cem\u003eEvensong\u003c\/em\u003e was composed at the request of my friend David Wick, principal hornist of the Virginia Symphony Orchestra. He asked that I compose a recital piece for him to play with the orchestra's music director, JoAnn Falletta, who is also a virtuoso guitarist. The only stipulation he made was that the work include fragments of one of his favorite melodies, \"Lasst mich alle\", from \u003cem\u003eFour Songs\u003c\/em\u003e , Op. 82, by Antonín Dvořák. The melody is also quoted in the Adagio movement of Dvořák's Cello Concerto in B Minor, Op. 104, B. 191. The music is absolute in nature and cast in the form of a single movement fantasy based loosely on Dvořák's melody, which is stated at the outset and at the conclusion.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Edward B. Marks Music Company","offers":[{"title":"Default Title","offer_id":42301777051727,"sku":"MP625001","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/1669df74ec5c8bba57c087577281e439.jpg?v=1750842445","url":"https:\/\/www.ficksmusic.com\/zh\/products\/fuchs-evensong-marks","provider":"Ficks Music","version":"1.0","type":"link"}