{"product_id":"berlioz-orphee-barenreiter","title":"Berlioz: Orphée","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/hector-berlioz\"\u003eHector Berlioz (1803-1869)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Vocal Score\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eOpera\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Orphée\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Paperback\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork Languages\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eFrench, German\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790006526017\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e7.5\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e10.6\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 144\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eHector Berlioz was enthralled by Gluck and heard his masterpieces Iphigénie en Tauride, Orphée, Alceste, and Armide in Paris.\u003c\/p\u003e\n\u003cp\u003eThe original Italian version of Orphée gives the title role to a castrato. Gluck rewrote the part for high tenor for the performances in France . in 1859 Berlioz arranged the opera so that Orpheus could be sung by the great mezzo-soprano Pauline Viardot , with whom he worked closely at that time. He changed the formal design by dividing the work into four instead of three acts and placing the scenes in Hades and the Elysian Fields in separate acts.\u003c\/p\u003e\n\u003cp\u003eHe also changed certain sections of Orpheus's part, mainly in the recitatives, and fundamentally reworked Gluck's orchestration.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Default Title","offer_id":12231245463625,"sku":"BA5462-90","price":39.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/3757640a2871c2eb9b41a3b721388fa9.jpg?v=1780457634","url":"https:\/\/www.ficksmusic.com\/zh\/products\/berlioz-orphee-barenreiter","provider":"Ficks Music","version":"1.0","type":"link"}