{"product_id":"albert-het-beestenspel-hoflich","title":"Albert: Het beestenspel","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: Karel Albert (1901-1987)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003ePiano reduction\u003c\/strong\u003e: Karel Albert (1901-1987)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Full Score \u0026amp; Piano Reduction\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eOrchestra\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Het beestenspel (1933)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.6\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 94\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eHet beestenspel for orchestra, including transcription for piano by the composer\u003c\/p\u003e\n\u003cp\u003eKarel Albert studied at the Royal Flemish Conservatory in the town of his birth, and took private lessons with pianist and composer Marinus de Jong. After the First World War he emerged together with August L. Baeyens as a champion of the avant-garde, holding concerts, lectures and conferences and publishing articles in numerous journals. in the 1920s, he made a name for himself as a composer of stage music for productions put on by Het Vlaamse Volkstoneel (The Flemish People's Theatre) and the Théâtre du Marais. Though his stage music leaned heavily towards expressionism, in the latter part of the 1920s his style evolved into what he referred to as ‘constructivism': ‘This was music that strove to be music in its purest form, lines that represent nothing more or less than a plastic value.'\u003c\/p\u003e\n\u003cp\u003eAfter spending some time teaching at the Stedelijke Normaalschool, a teacher training school in Antwerp, in 1933 he started working for the Belgian National Institute for Radio Broadcasting (NIR). Aside from a brief interlude during World War Two, Albert continued working for the NIR (which changed its name to Belgian Radio and Television or ‘BRT' in 1960) until he retired in 1961. in this role he acted as a powerful advocate for Flemish music, for example by including Dutch translations of operettas in his programme. Prior to World War Two he wrote a number of plays for radio, starting with De mijnramp (‘The Mining Disaster').\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Musikproduktion Höflich","offers":[{"title":"Default Title","offer_id":42231707435087,"sku":"MPH2646","price":50.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/0b992db083055dae1f679cf2a579b4b0.jpg?v=1752094315","url":"https:\/\/www.ficksmusic.com\/zh\/products\/albert-het-beestenspel-hoflich","provider":"Ficks Music","version":"1.0","type":"link"}