{"product_id":"akiho-kintsugi-akiho","title":"Akiho: Kintsugi","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/andy-akiho\"\u003eAndy Akiho (1979-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Full Score\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eOrchestra\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/akiho-sculptures-2023\"\u003eNo. 5 from Sculptures (2023)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eAttempting to musically catalog the breadth of artist Jun Kaneko's work might have been Sisyphean in scope. As composer Andy Akiho began writing, however, certain pieces and processes sifted out, ultimately making Sculptures a showcase of ideas that are uniquely Kaneko's own. First, as art historian Glen R. Brown writes, \"his interest to repeat the same idea in a different material to see how it looked.\" Second, specific material choices that create inherent relationships between the piece and the viewer. Third, space itself, in all its meanings, or ma: where questions of inches – whether in relation to another sculpture, the viewer, the density of the work, a pattern, or a form – create ripples of consequence.\u003c\/p\u003e\n\u003cp\u003eSculptures is a collection of nine compositions, alternating between full-orchestra, percussion, digital, and in one case, the symphony brass section. Some of the compositions reference particular art works by Kaneko; others, whole swaths of the artist's output. in addition to constant support from Ree and Jun Kaneko and access to Kaneko's work in Omaha and Portland, Oregon, Glen R. Brown's Jun Kaneko: The Space Between was integral to the composer's process and these notes.\u003c\/p\u003e\n\u003cp\u003eKintsugi refers to the Japanese traditional art of repairing precious ceramics with cashew lacquer and gold. Rather than hiding brokenness or mistakes, kintsugi brings those elements to the eye immediately, becoming a prominent feature. Kaneko selectively uses this technique in his ceramic work.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDani Meier\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Andy Akiho","offers":[{"title":"Default Title","offer_id":43762486214735,"sku":"ARP0018","price":135.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/cd627e1a2994bbbc4ca1ed956e716529.jpg?v=1761936945","url":"https:\/\/www.ficksmusic.com\/zh\/products\/akiho-kintsugi-akiho","provider":"Ficks Music","version":"1.0","type":"link"}