{"title":"Sheet music composed by Sebastian Bodinus (1700-1759)","description":"Sebastian Bodinus (1700-1759) was a composer from Germany. Read more on \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Sebastian_Bodinus\" target=\"_blank\"\u003eWikipedia\u003c\/a\u003e.","products":[{"product_id":"the-solo-flute-volume-1-the-baroque-era-peters","title":"The Solo Flute - Volume 1 (The Baroque Era)","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposers\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/carl-philipp-emanuel-bach\"\u003eCarl Philipp Emanuel Bach (1714-1788)\u003c\/a\u003e, Charles De Lusse (1720-1774), \u003ca href=\"\/zh\/collections\/johann-sebastian-bach\"\u003eJohann Sebastian Bach (1685-1750)\u003c\/a\u003e, \u003ca href=\"\/zh\/collections\/jacques-martin-hotteterre\"\u003eJacques-Martin Hotteterre (1674-1763)\u003c\/a\u003e, \u003ca href=\"\/zh\/collections\/georg-philipp-telemann\"\u003eGeorg Philipp Telemann (1681-1767)\u003c\/a\u003e, \u003ca href=\"\/zh\/collections\/michel-blavet\"\u003eMichel Blavet (1700-1768)\u003c\/a\u003e, \u003ca href=\"\/zh\/collections\/johann-joachim-quantz\"\u003eJohann Joachim Quantz (1697-1773)\u003c\/a\u003e, \u003ca href=\"\/zh\/collections\/marin-marais\"\u003eMarin Marais (1656-1728)\u003c\/a\u003e, \u003ca href=\"\/zh\/collections\/joseph-bodin-de-boismortier\"\u003eJoseph Bodin de Boismortier (1689-1755)\u003c\/a\u003e, Jean-Daniel Braun (1703-1738), Antoine Mahaut (1719-1785), \u003ca href=\"\/zh\/collections\/sebastian-bodinus\"\u003eSebastian Bodinus (1700-1759)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Mirjam Nastasi\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation (this edition)\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eFlute\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong class=\"original-instrumentation-title\"\u003eOriginally for\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eBasso continuo, Flute, Flute I, Flute II, Recorder, Viol\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eText languages\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eEnglish, German\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790014069605\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eSolo Flute (no accompaniment)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMarin Marais: Les Folies d'Espangne\u003c\/li\u003e\n\u003cli\u003eJacques Hotteterre: Echo's, Prelude dm, Prelude bm, Prelude em, Prelude CM, Prelude CM, Prelude em, Prelude DM, Prelude GM, Prelude am, Prelude FM\u003c\/li\u003e\n\u003cli\u003eJoseph Bodin de Boismortier: Suite fm, Op. 35, No. 5, Suite am, Op. 35, No. 6\u003c\/li\u003e\n\u003cli\u003eMichel Blavet: Gigue en Rondeau\u003c\/li\u003e\n\u003cli\u003eJean Daniel Braun: Suite em, Suite bm, Suite em\u003c\/li\u003e\n\u003cli\u003eAntoine Mahaut: Allegro GM\u003c\/li\u003e\n\u003cli\u003eTelemann: Fantasia DM, Fantasia em, Fantasia F-sharp m, Fantasia dm\u003c\/li\u003e\n\u003cli\u003eJohann Sebastian Bach: Partita am BWV 1013\u003c\/li\u003e\n\u003cli\u003eSebastian Bodinus: Capricia en Gigue\u003c\/li\u003e\n\u003cli\u003eJohann Joachim Quantz: Alla francese, Capriccio BM, Preludio DM, Capriccio GM, Fantasia em, Fantasia CM\u003c\/li\u003e\n\u003cli\u003eCarl Philipp Emanuel Bach: Sonata am Wq. 132\u003c\/li\u003e\n\u003cli\u003eCharles Delusse: Caprice AM, Caprice AM\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003e\u003ca href=\"\/zh\/collections\/marais-les-folies-despagne-1701\"\u003eMarais: Les Folies d'Espagne (1701)\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003eHotteterre: Echoes, Op. 2, No. 8\u003c\/li\u003e\n\u003cli\u003eHotteterre: 10 Préludes from L'art de Préluder, Op. 7\u003c\/li\u003e\n\u003cli\u003eBoismortier: Suite in B Minor, Op. 35, No. 5\u003c\/li\u003e\n\u003cli\u003eBoismortier: Suite in A Major, Op. 35, No. 6\u003c\/li\u003e\n\u003cli\u003eBlavet: Gigue en Rondeau \u0026amp; Rondeau from Premier recueil de pieces\u003c\/li\u003e\n\u003cli\u003eBraun: 3 Suites (E Minor [1], B Minor, E Minor [2]) from Sonata de Mr. Braun (1740)\u003c\/li\u003e\n\u003cli\u003eMahaut: Allegro in G Major from Nouvelle Méthode pour jouer la Flûte Traversière (1759)\u003c\/li\u003e\n\u003cli\u003eNos 7, 8, 9, 11 from \u003ca href=\"\/zh\/collections\/telemann-12-fantasias-for-solo-flute-twv-402-13\"\u003eTelemann: 12 Fantasias for Solo Flute, TWV 40:2-13\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/zh\/collections\/bach-partita-in-a-minor-bwv-1013\"\u003eBach: Partita in A Minor, BWV 1013\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003eBodinus: Caprice \u0026amp; Gigue\u003c\/li\u003e\n\u003cli\u003eAlla francese from \u003ca href=\"\/zh\/collections\/quantz-caprices-fantasies-and-pieces-qv-31\"\u003eQuantz: Caprices, Fantasies and Pieces, QV 3:1\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eCapriccio in B-Flat Major from \u003ca href=\"\/zh\/collections\/quantz-caprices-fantasies-and-pieces-qv-31\"\u003eQuantz: Caprices, Fantasies and Pieces, QV 3:1\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003ePrelude in D Major from \u003ca href=\"\/zh\/collections\/quantz-caprices-fantasies-and-pieces-qv-31\"\u003eQuantz: Caprices, Fantasies and Pieces, QV 3:1\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eCapriccio in G Major from \u003ca href=\"\/zh\/collections\/quantz-caprices-fantasies-and-pieces-qv-31\"\u003eQuantz: Caprices, Fantasies and Pieces, QV 3:1\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eFantasia in E Minor from \u003ca href=\"\/zh\/collections\/quantz-caprices-fantasies-and-pieces-qv-31\"\u003eQuantz: Caprices, Fantasies and Pieces, QV 3:1\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eFantasia in C Major from \u003ca href=\"\/zh\/collections\/quantz-caprices-fantasies-and-pieces-qv-31\"\u003eQuantz: Caprices, Fantasies and Pieces, QV 3:1\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/zh\/collections\/cpe-bach-flute-sonata-in-a-minor-wq-132\"\u003eC.P.E. Bach: Flute Sonata in A Minor, Wq. 132\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003eDe Lusse: Caprice in A Major, No. 4 from 12 Caprices (From L'art De La Flute Traversiere) (1760)\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"Edition Peters","offers":[{"title":"Default Title","offer_id":39318402924623,"sku":"EP8641A","price":25.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/dd9685e05290d863426fe7d35eca059f.jpg?v=1784287389"},{"product_id":"bodinus-6-sonatas-for-oboe-violin-basso-continuo-edition-hh","title":"Bodinus: 6 Sonatas for Oboe, Violin, \u0026 Basso continuo","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/sebastian-bodinus\"\u003eSebastian Bodinus (1700-1759)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Michael Elphinstone\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Score \u0026amp; Set of Parts - \u003ca href=\"\/zh\/pages\/format-descriptions\"\u003eFormat guide\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eViolin, Basso continuo, Oboe\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Musicalischen Divertissiments - Part 3 (6 Sonatas for Oboe, Violin, \u0026amp; Basso continuo) (1728)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790708213772\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003ePart III of the Musicalischen Divertissiments (1728) comprises six trio sonatas for oboe, violin and basso — an almost inevitable combination, given that Bodinus began his career as an oboist before effectively setting the instrument aside in favour of the violin. These works promulgate the sonata model established in Part I of the Musicalischen Divertissiments: fundamentally sonate da chiesa, yet several introduce dance movements foreign to the Corellian prototype, including the menuet, bourrée and siciliana, while others feature imitative movements entitled ‘fuga'. Given the scarcity of trio-sonata sets written specifically for oboe, violin and continuo, the publication of this first modern edition of Part III should be welcomed by performers on these instruments.\u003c\/p\u003e\n\u003cp\u003eTaken together, these works represent a significant yet long-overlooked contribution to the early 18th-century German repertoire for double reeds, just as they testify to Bodinus' inventive engagement with contemporary sonata forms.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Edition HH","offers":[{"title":"Default Title","offer_id":46058344972367,"sku":"hh661.fsp","price":119.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/efe2de3638eaa24faf1e81dbbcf337a3.gif?v=1784141685"},{"product_id":"bodinus-6-sonatas-for-2-violins-basso-continuo-edition-hh","title":"Bodinus: 6 Sonatas for 2 Violins \u0026 Basso continuo","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/sebastian-bodinus\"\u003eSebastian Bodinus (1700-1759)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Michael Elphinstone\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Score \u0026amp; Set of Parts - \u003ca href=\"\/zh\/pages\/format-descriptions\"\u003eFormat guide\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eBasso continuo, Violin I, Violin II\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Musicalischen Divertissiments - Part 1 (6 Sonatas for 2 Violins \u0026amp; Basso continuo) (1726)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790708213666\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003ePart I of the Musicalischen Divertissiments (1726) contains six highly original trio sonatas for two violins and basso continuo which, in spite of their scoring, owe less to Corelli than to Bodinus' German contemporaries, notably Molter and Telemann. with their predilection for several dance forms, in particular the menuet, bourrée and siciliana, and their inclusion of imitative ‘fuga' movements, these sonatas not only provide an introduction to Bodinus' style but also anticipate the music to be found in the following five parts of the collection. They furthermore contain several surprises, not the least of which is possibly the earliest documented example of notated polymeter — a passage in which the individual parts bear different time signatures — in published Western music!\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Edition HH","offers":[{"title":"Default Title","offer_id":46058365976655,"sku":"hh652.fsp","price":162.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/9bdcd89ea3c63807d7564511efc9c385.jpg?v=1784141983"},{"product_id":"bodinus-3-quartet-sonatas-edition-hh","title":"Bodinus: 3 Quartet Sonatas","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/sebastian-bodinus\"\u003eSebastian Bodinus (1700-1759)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Michael Elphinstone\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Score \u0026amp; Set of Parts - \u003ca href=\"\/zh\/pages\/format-descriptions\"\u003eFormat guide\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eViolin, Basso continuo, Flute, Viola\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Musicalischen Divertissiments - Part 6 (3 Quartet Sonatas) (1730)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790708213536\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003ePart VI, like its immediate predecessor, comprises three quartet sonatas, or quadri, scored for transverse flute, violin, basso continuo and a third treble instrument that differs for each work — a second flute in Sonata No. 1, a viola in No. 2 and a horn in No. 3.\u003c\/p\u003e\n\u003cp\u003eThese very fine compositions are without doubt some of the earliest published quadri — they may even anticipate Telemann's famous Quadri (1730) for flute, violin, viola da gamba \/ cello and continuo. They are also Sonatan auf Concertenart, that is to say they incorporate features of the concerto genre, including the fast-slow-fast movement scheme, ritornello form in the first movement, and ‘solo' episodes. Owing to the scarcity of existing copies of these works, they are almost completely unknown today; it is hoped that this first modern edition will lead to them receiving the recognition they deserve.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Edition HH","offers":[{"title":"Default Title","offer_id":46058392354895,"sku":"hh639.fsp","price":107.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/4ac644117e27b0375a32bcccf8c93a64.gif?v=1784142465"},{"product_id":"bodinus-3-quartet-sonatas-edition-hh-2","title":"Bodinus: 3 Quartet Sonatas","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/sebastian-bodinus\"\u003eSebastian Bodinus (1700-1759)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Michael Elphinstone\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Score \u0026amp; Set of Parts - \u003ca href=\"\/zh\/pages\/format-descriptions\"\u003eFormat guide\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eViolin, Basso continuo, Flute, Horn\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Musicalischen Divertissiments - Part 5 (3 Quartet Sonatas) (1729)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790708213468\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003ePart V (?1729) comprises three quartet sonatas, or quadri, scored for transverse flute, violin, basso continuo and a third treble instrument that differs for each work — a horn in Sonata No. 1, a second flute in No. 2, and a viola in No. 3.\u003c\/p\u003e\n\u003cp\u003eThese fine compositions are among the earliest quadri to be published, possibly anticipating Telemann's famous Quadri for flute, violin, viola da gamba\/cello and continuo dating from 1730. They are also ‘Sonatan auf Concertenart', that is, they incorporate features of the concerto genre, including the fast–slow–fast movement scheme, ritornello form in the first movement, and ‘solo' episodes. Owing to the scarcity of extant copies, these works are almost completely unknown today. Hopefully, with the appearance of this first modern edition, they will at last gain the recognition they deserve.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Edition HH","offers":[{"title":"Default Title","offer_id":46058402644047,"sku":"hh632.fsp","price":111.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/61969beb03f51d65fddf23485aec3204.gif?v=1784142706"},{"product_id":"bodinus-6-sonatas-for-flute-violin-basso-continuo-edition-hh","title":"Bodinus: 6 Sonatas for Flute, Violin, \u0026 Basso continuo","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/sebastian-bodinus\"\u003eSebastian Bodinus (1700-1759)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Michael Elphinstone\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Score \u0026amp; Set of Parts - \u003ca href=\"\/zh\/pages\/format-descriptions\"\u003eFormat guide\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eViolin, Basso continuo, Flute\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Musicalischen Divertissiments - Part 2 (6 Sonatas for Flute, Violin, \u0026amp; Basso continuo) (1727)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790708213369\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003ePart II (1727) contains six sonatas for transverse flute, violin and basso continuo, all of them ‘Sonatan auf Concertenart', that is, they incorporate features of the concerto genre, including the fast–slow–fast movement scheme, ritornello form in the first movement, and ‘solo' episodes.\u003c\/p\u003e\n\u003cp\u003eThe sonatas are dedicated to Crown Prince Friedrich Ludwig, duke of Württemberg, who was an avid flautist and recorder player. But while the ‘solos' tend to favour the flute, the demands on the player are limited, perhaps an indication of the duke's technical abilities. Whatever the case, these interesting and appealing works are very accessible to amateur musicians. Like several chamber concertos by Vivaldi, Telemann and Boismortier, they offer flautists and violinists the opportunity to perform ‘concertos' without having to organize an accompanying orchestra!\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Edition HH","offers":[{"title":"Default Title","offer_id":46058416537679,"sku":"hh622.fsp","price":105.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/071ee0b7610e29dd7b25716743cbfa73.gif?v=1784142943"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/collections\/Bodinus.png?v=1784200613","url":"https:\/\/www.ficksmusic.com\/zh\/collections\/sebastian-bodinus.oembed","provider":"Ficks Music","version":"1.0","type":"link"}