{"title":"Ravel: Daphnis et Chloé Suite No. 2, M. 57b","description":null,"products":[{"product_id":"ravel-daphnis-et-chloe-2nd-suite-durand","title":"Ravel: Daphnis et Chloé - 2nd Suite","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/maurice-ravel\"\u003eMaurice Ravel (1875-1937)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Study Score\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eOrchestra\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/ravel-daphnis-et-chloe-suite-no-2-m-57b\"\u003eDaphnis et Chloé Suite No. 2, M. 57b\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790044075393\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e7.3\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e10.8\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 132\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003c\/div\u003e","brand":"Editions Durand","offers":[{"title":"Default Title","offer_id":32668730785871,"sku":"DF8920","price":59.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/5a3d3d1c15e3bd022bd3c6b93c740263.jpg?v=1750592927"},{"product_id":"orchestral-excerpts-for-piccolo-presser","title":"Orchestral Excerpts for Piccolo","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposers\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/benjamin-britten\"\u003eBenjamin Britten (1913-1976)\u003c\/a\u003e, \u003ca href=\"\/zh\/collections\/hector-berlioz\"\u003eHector Berlioz (1803-1869)\u003c\/a\u003e, \u003ca href=\"\/zh\/collections\/sergei-prokofiev\"\u003eSergei Prokofiev (1891-1953)\u003c\/a\u003e, \u003ca href=\"\/zh\/collections\/gustav-mahler\"\u003eGustav Mahler (1860-1911)\u003c\/a\u003e, \u003ca href=\"\/zh\/collections\/alexander-borodin\"\u003eAlexander Borodin (1833-1887)\u003c\/a\u003e, \u003ca href=\"\/zh\/collections\/johannes-brahms\"\u003eJohannes Brahms (1833-1897)\u003c\/a\u003e, \u003ca href=\"\/zh\/collections\/ludwig-van-beethoven\"\u003eLudwig van Beethoven (1770-1827)\u003c\/a\u003e, \u003ca href=\"\/zh\/collections\/paul-hindemith\"\u003ePaul Hindemith (1895-1963)\u003c\/a\u003e, \u003ca href=\"\/zh\/collections\/maurice-ravel\"\u003eMaurice Ravel (1875-1937)\u003c\/a\u003e, \u003ca href=\"\/zh\/collections\/anatoly-lyadov\"\u003eAnatoly Lyadov (1855-1914)\u003c\/a\u003e, \u003ca href=\"\/zh\/collections\/gioachino-rossini\"\u003eGioachino Rossini (1792-1862)\u003c\/a\u003e, \u003ca href=\"\/zh\/collections\/leo-delibes\"\u003eLéo Delibes (1836-1891)\u003c\/a\u003e, \u003ca href=\"\/zh\/collections\/paul-dukas\"\u003ePaul Dukas (1865-1935)\u003c\/a\u003e, Mikhail Ippolitov-Ivanov (1859-1935), \u003ca href=\"\/zh\/collections\/nikolai-rimsky-korsakov\"\u003eNikolai Rimsky-Korsakov (1844-1908)\u003c\/a\u003e, \u003ca href=\"\/zh\/collections\/bela-bartok\"\u003eBéla Bartók (1881-1945)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation (this edition)\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano Reduction, Piccolo\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong class=\"original-instrumentation-title\"\u003eOriginally for\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Piano 4-Hands, Orchestra, Opera\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISBN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9781598061222\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.9\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eFollowing the success of \"Orchestral Excerpts for Flute,\" Theodore Presser Company presents \"Orchestral Excerpts for Piccolo.\" 36 of the most common orchestral piccolo audition excerpts are represented with solo part, piano reduction, and practice and performance commentary from Jack Wellbaum, longtime piccoloist of the Cincinnati Symphony Orchestra and teacher at the University of Cincinnati College-Conservatory of Music.\u003c\/p\u003e \u003c\/div\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003eMvt. III (bar, 12, 54, 106) , Mvt. V (bar 413) from \u003ca href=\"\/zh\/collections\/bartok-concerto-for-orchestra-sz-116-bb-123\"\u003eBartók: Concerto for Orchestra, Sz. 116, BB 123\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eMvt. (bar 694) from \u003ca href=\"\/zh\/collections\/beethoven-symphony-no-5-in-c-minor-op-67\"\u003eBeethoven: Symphony No. 5 in C Minor, Op. 67\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eMvt. IV (bar 331, 843) from \u003ca href=\"\/zh\/collections\/beethoven-symphony-no-9-in-d-minor-choral-op-125\"\u003eBeethoven: Symphony No. 9 in D Minor (\"Choral\"), Op. 125\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eMenuet des Follets, Before rehearsal 1 \u0026amp; 10 from \u003ca href=\"\/zh\/collections\/berlioz-la-damnation-de-faust-h-111-op-24\"\u003eBerlioz: La damnation de Faust, H 111, Op. 24\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eMvt. V (rehearsal 60 \u0026amp; 63) from \u003ca href=\"\/zh\/collections\/berlioz-symphonie-fantastique-h-48-op-14\"\u003eBerlioz: Symphonie fantastique, H 48, Op. 14\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003ePolovetsian Dances, Before rehearsal C \u0026amp; K from \u003ca href=\"\/zh\/collections\/borodin-prince-igor\"\u003eBorodin: Prince Igor\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eVariation V \u0026amp; VIII complete from \u003ca href=\"\/zh\/collections\/brahms-variations-on-a-theme-by-haydn-saint-anthony-variations-op-56a\"\u003eBrahms: Variations on a Theme by Haydn (\"Saint Anthony Variations\"), Op. 56a\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eVariation A \u0026amp; Fugue from \u003ca href=\"\/zh\/collections\/britten-the-young-persons-guide-to-the-orchestra-op-34\"\u003eBritten: The Young Person's Guide to the Orchestra, Op. 34\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eAct II, No. 11 (Musique des automates) from \u003ca href=\"\/zh\/collections\/delibes-coppelia\"\u003eDelibes: Coppélia\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eOpening, before rehearsal 52 from \u003ca href=\"\/zh\/collections\/dukas-lapprenti-sorcier-the-sorcerers-apprenctice\"\u003eDukas: L'Apprenti sorcier (The Sorcerer's Apprenctice)\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eHindemith: Movement 2, opening from Nobilissima Visione\u003c\/li\u003e\n\u003cli\u003eIppolitov-Ivanov: No. 4, opening from Caucasian Sketches\u003c\/li\u003e\n\u003cli\u003eNo. 7, complete from \u003ca href=\"\/zh\/collections\/lyadov-8-russian-folk-melodies-op-58\"\u003eLyadov: 8 Russian Folk Melodies, Op. 58\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eMvt. IV, before rehearsal 4, Mvt V, rehearsal 30 from \u003ca href=\"\/zh\/collections\/mahler-symphony-no-2-in-c-minor-ressurection-1894\"\u003eMahler: Symphony No. 2 in C Minor (\"Ressurection\") (1894)\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eBirth of Kijé, opening from \u003ca href=\"\/zh\/collections\/prokofiev-suite-from-lieutenant-kije-op-60\"\u003eProkofiev: Suite from Lieutenant Kijé, Op. 60\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eTroika, before rehearsal 51 from \u003ca href=\"\/zh\/collections\/prokofiev-suite-from-lieutenant-kije-op-60\"\u003eProkofiev: Suite from Lieutenant Kijé, Op. 60\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eRehearsal 156 \u0026amp; before rehearsal 182 from \u003ca href=\"\/zh\/collections\/ravel-daphnis-et-chloe-suite-no-2-m-57b\"\u003eRavel: Daphnis et Chloé Suite No. 2, M. 57b\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eOpening from \u003ca href=\"\/zh\/collections\/ravel-piano-concerto-in-g-major-m-83\"\u003eRavel: Piano Concerto in G Major, M. 83\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eRehearsal 8 from \u003ca href=\"\/zh\/collections\/ravel-bolero-m-81\"\u003eRavel: Boléro, M. 81\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003ePetit Pouchet, rehearsal 5 from \u003ca href=\"\/zh\/collections\/ravel-ma-mere-loye-mother-goose-m-60\"\u003eRavel: Ma mère l'Oye (\"Mother Goose\"), M. 60\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eLaideronnette, Impératrice des Pagodes, opening from \u003ca href=\"\/zh\/collections\/ravel-ma-mere-loye-mother-goose-m-60\"\u003eRavel: Ma mère l'Oye (\"Mother Goose\"), M. 60\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eMalgueña, before rehearsal 13 from \u003ca href=\"\/zh\/collections\/ravel-rapsodie-espagnole-m-54\"\u003eRavel: Rapsodie espagnole, M. 54\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eFeria, opening \u0026amp; Feria, before rehearsal 9 from \u003ca href=\"\/zh\/collections\/ravel-rapsodie-espagnole-m-54\"\u003eRavel: Rapsodie espagnole, M. 54\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eMvt. 4, after rehearsal V from \u003ca href=\"\/zh\/collections\/rimsky-korsakov-scheherazade-op-35\"\u003eRimsky-Korsakov: Scheherazade, Op. 35\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eOverture (bar 180 \u0026amp; 337) from \u003ca href=\"\/zh\/collections\/rossini-la-gazza-ladra\"\u003eRossini: La gazza ladra\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eOverture, before rehearsal 13 from \u003ca href=\"\/zh\/collections\/rossini-la-scala-di-seta\"\u003eRossini: La scala di seta\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eOverture (bar 128, 187, 327) from \u003ca href=\"\/zh\/collections\/rossini-semiramide\"\u003eRossini: Semiramide\u003c\/a\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"Theodore Presser","offers":[{"title":"Default Title","offer_id":39584723664975,"sku":"414-41180","price":53.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/d0c11bbc03d4f0679dedb11eb08c55f4.jpg?v=1749519239"},{"product_id":"ravel-daphnis-et-chloe-suite-no-2-m-57b-breitkopf","title":"Ravel: Daphnis et Chloé Suite No. 2, M. 57b","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/maurice-ravel\"\u003eMaurice Ravel (1875-1937)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Jean-François Monnard\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Full Score\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eOrchestra\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/ravel-daphnis-et-chloe-suite-no-2-m-57b\"\u003eDaphnis et Chloé Suite No. 2, M. 57b\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Paperback\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790004215494\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e10.6\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e14.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 112\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/issuu.com\/breitkopf\/docs\/pb_5652_issuu\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-book\" viewbox=\"0 0 16 16\" style=\"margin-right: 5px;\"\u003e\u003cpath d=\"M1 2.828c.885-.37 2.154-.769 3.388-.893 1.33-.134 2.458.063 3.112.752v9.746c-.935-.53-2.12-.603-3.213-.493-1.18.12-2.37.461-3.287.811V2.828zm7.5-.141c.654-.689 1.782-.886 3.112-.752 1.234.124 2.503.523 3.388.893v9.923c-.918-.35-2.107-.692-3.287-.81-1.094-.111-2.278-.039-3.213.492V2.687zM8 1.783C7.015.936 5.587.81 4.287.94c-1.514.153-3.042.672-3.994 1.105A.5.5 0 0 0 0 2.5v11a.5.5 0 0 0 .707.455c.882-.4 2.303-.881 3.68-1.02 1.409-.142 2.59.087 3.223.877a.5.5 0 0 0 .78 0c.633-.79 1.814-1.019 3.222-.877 1.378.139 2.8.62 3.681 1.02A.5.5 0 0 0 16 13.5v-11a.5.5 0 0 0-.293-.455c-.952-.433-2.48-.952-3.994-1.105C10.413.809 8.985.936 8 1.783z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e Look Inside! \u003c\/a\u003e \u003c\/div\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/www.breitkopf.com\/assets\/haendler\/samples\/9790004215494.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eThe ballet, a masterpiece of Impressionist orchestration, is now followed by new Urtext editions of the well-known Daphnis Suites, both edited by Ravel expert Jean-François Monnard. Ravel extracted two suites, two Fragements Symphoniques: the work now known as the First Suite was published before the first performance of the ballet. It served as a test for the composer, who wanted to present the just orchestrated pages in concert. Suite No. 1 was premiered in April 1911, but its reception was \"disastrous\". It was not until three years later that Suite No. 2 was performed. It takes up the third and last part of the ballet unchanged. It is largely thanks to this suite, with its richness of color in the famous \"Lever du jour\", that the work is known.The large format of the conducting score as well as the orchestral parts allow good readability and support the clarity and transparency of the modern notation. The already published piano reduction EB 9422 can also be used for the suites due to the double bar count and information about the layout of the suites.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Breitkopf \u0026 Härtel","offers":[{"title":"Default Title","offer_id":40736576962639,"sku":"PB5652","price":145.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/ebf496228018ccf23abae37a0c476f9e.jpg?v=1766449528"},{"product_id":"ravel-daphnis-et-chloe-suite-no-2-ef-kalmus","title":"Ravel: Daphnis et Chloé Suite No. 2","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/maurice-ravel\"\u003eMaurice Ravel (1875-1937)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditors\u003c\/strong\u003e: Clinton Nieweg, Carol Westfall\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eOrchestra\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/ravel-daphnis-et-chloe-suite-no-2-m-57b\"\u003eDaphnis et Chloé Suite No. 2, M. 57b\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eUPC\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e660355006937\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.7\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eRavel's longest work at almost an hour, the complete one-act ballet Daphnis et Chloe was described by the composer as a \"symphonie choregraphique\" (choreographic symphony). Ravel began the work, a romance about the Greek goatherd Daphnis and the shepherdess Chloe, upon receiving a 1909 commission from famed Russian ballet impresario Sergei Diaghilev, and the premiere in 1912 included Vaslav Nijinksky and Tamara Karsavina in the title roles. Full of lush harmonies typical of the impressionist movement and musical leitmotifs, the work is considered among Ravel's most passionate and best compositions. Ravel extracted the music from the ballet to make two orchestra suites, which can be performed with or without chorus, of which this Suite No. 2 is particularly popular.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"E.F. Kalmus","offers":[{"title":"Score \u0026 Set of Parts","offer_id":42671488401487,"sku":"A675402","price":357.0,"currency_code":"USD","in_stock":true},{"title":"Choral Score","offer_id":42671493742671,"sku":"A675492","price":3.0,"currency_code":"USD","in_stock":true},{"title":"Full Score","offer_id":42671493709903,"sku":"A675401","price":80.0,"currency_code":"USD","in_stock":true},{"title":"Full Score – XL","offer_id":42671493775439,"sku":"A675401OS","price":148.0,"currency_code":"USD","in_stock":true},{"title":"Study Score","offer_id":42671493677135,"sku":"S002701","price":29.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/238050c0abbee17a12465828e09dc511.jpg?v=1750053763"}],"url":"https:\/\/www.ficksmusic.com\/zh\/collections\/ravel-daphnis-et-chloe-suite-no-2-m-57b.oembed","provider":"Ficks Music","version":"1.0","type":"link"}