{"title":"Mozart: Per questa bella mano (with double bass obbligato), K. 612","description":null,"products":[{"product_id":"mozart-complete-concert-arias-for-bass-breitkopf","title":"Mozart: Complete Concert Arias for Bass","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/wolfgang-amadeus-mozart\"\u003eWolfgang Amadeus Mozart (1756-1791)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditors\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/franz-beyer\"\u003eFranz Beyer (1922-2018)\u003c\/a\u003e, Robert Holl\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Vocal Score\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation (this edition)\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano Reduction, Bass\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong class=\"original-instrumentation-title\"\u003eOriginally for\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eOrchestra, Bass\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork Languages\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eGerman, Italian\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790004183168\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 88\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/issuu.com\/breitkopf\/docs\/eb_8798_issuu\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-book\" viewbox=\"0 0 16 16\" style=\"margin-right: 5px;\"\u003e\u003cpath d=\"M1 2.828c.885-.37 2.154-.769 3.388-.893 1.33-.134 2.458.063 3.112.752v9.746c-.935-.53-2.12-.603-3.213-.493-1.18.12-2.37.461-3.287.811V2.828zm7.5-.141c.654-.689 1.782-.886 3.112-.752 1.234.124 2.503.523 3.388.893v9.923c-.918-.35-2.107-.692-3.287-.81-1.094-.111-2.278-.039-3.213.492V2.687zM8 1.783C7.015.936 5.587.81 4.287.94c-1.514.153-3.042.672-3.994 1.105A.5.5 0 0 0 0 2.5v11a.5.5 0 0 0 .707.455c.882-.4 2.303-.881 3.68-1.02 1.409-.142 2.59.087 3.223.877a.5.5 0 0 0 .78 0c.633-.79 1.814-1.019 3.222-.877 1.378.139 2.8.62 3.681 1.02A.5.5 0 0 0 16 13.5v-11a.5.5 0 0 0-.293-.455c-.952-.433-2.48-.952-3.994-1.105C10.413.809 8.985.936 8 1.783z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e Look Inside! \u003c\/a\u003e \u003c\/div\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/www.breitkopf.com\/assets\/haendler\/samples\/9790004183168.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eThe edition by Franz Beyer contains all Mozart concert arias for the lowest voice. The nine surviving bass arias are chiefly works from Mozart's last creative phase, in which the composer offered little tidbits to the opera singers he was friends with. Deserving special attention are the arias \"Per questa bella mano\", K. 612 (with obbligato double bass) and \"Männer suchen stets zu naschen\", K. 433. While editing this aria, Beyer completed the orchestral accompaniment that Mozart had only sketched, which means that this piece is now available for the first time with an orchestral accompaniment in an authentic Mozartian style. Very valuable for performance practice are the cadenzas and Eingänge provided by the internationally acclaimed Mozart singer Robert Holl.\u003c\/p\u003e\n\u003cp\u003eFranz Beyer's edition, which incorporates the cadenzas and \"Eingänge\" (ornamental flourishes) that Robert Holl has already performed in concert, provides extensive information on the performance practice of Mozart's vocal music (including appoggiaturas, recitatives, cadenzas\/flourishes, dynamics) and supplies an individual commentary on the contents and historical position of each aria. Moreover, the volume contains a list of instructional methods from Mozart's day (with indications of facsimile reprints or English-language translations) as well as German and English translations of the predominantly Italian aria texts.\u003c\/p\u003e \u003c\/div\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003e\u003ca href=\"\/zh\/collections\/mozart-io-ti-lascio-oh-cara-addio-k-anh-245-k-621a\"\u003eIo ti lascio, oh cara, addio, K. Anh. 245 (K. 621a)\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/zh\/collections\/mozart-cosi-dunque-tradisci-aspri-rimorsi-atroci-k-432-421a\"\u003eCosì dunque tradisci – Aspri rimorsi atroci, K. 432 (421a)\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/zh\/collections\/mozart-warnung-manner-suchen-stets-zu-naschen-k-433-416c\"\u003eWarnung (\"Männer suchen stets zu naschen\"), K. 433 (416c)\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/zh\/collections\/mozart-alcandro-io-confesso-non-so-donde-viene-k-512\"\u003eAlcandro, Io confesso - Non sò d'onde viene, K. 512\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/zh\/collections\/mozart-mentre-ti-lascio-oh-figlia-k-513\"\u003eMentre ti lascio, oh figlia, K. 513\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/zh\/collections\/mozart-ich-mochte-wohl-der-kaiser-sein-k-539\"\u003eIch möchte wohl der Kaiser sein, K. 539\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/zh\/collections\/mozart-un-bacio-di-mano-k-541\"\u003eUn bacio di mano, K. 541\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003eRivolgete a lui lo sguardo, K. 584\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/zh\/collections\/mozart-per-questa-bella-mano-with-double-bass-obbligato-k-612\"\u003ePer questa bella mano (with double bass obbligato), K. 612\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"Breitkopf \u0026 Härtel","offers":[{"title":"Default Title","offer_id":1794865037333,"sku":"EB8798","price":32.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/5008cd4c383729e443ea55b5d52c6866.jpg?v=1750523115"},{"product_id":"mozart-concert-arias-for-bass-barenreiter","title":"Mozart: Concert Arias for Bass","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/wolfgang-amadeus-mozart\"\u003eWolfgang Amadeus Mozart (1756-1791)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Thomas Seedorf\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003ePiano reduction\u003c\/strong\u003e: Christian Beyer\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation (this edition)\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano Reduction, Bass\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong class=\"original-instrumentation-title\"\u003eOriginally for\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eOrchestra, Bass\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Paperback\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork Language\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eItalian\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790006541348\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.8\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 71\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eThis vocal score of Mozart's concert and insert arias is based on the New Mozart Edition. The musical text presented in this edition is free from practical references on performance aspects or suggestions on performance practice. An accompanying booklet gives detailed explanations on the execution of appoggiaturas and other performance practice phenomena relevant to each aria. in addition, there is a choice of suggestions for the performance of cadenzas and lead-ins as well as for the ornamentation of dal segno parts, which are often found in the early Mozart arias.\u003c\/p\u003e\n\u003cp\u003eContents:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRecitativo \"Così dunque tradisci\" - Aria \"Aspri rimorsi atroci\", K. 432 (421a)\u003c\/li\u003e\n\u003cli\u003eRecitativo \"Alcandro, lo confesso\" - Aria \"Non sò d'onde viene\", K. 512\u003c\/li\u003e\n\u003cli\u003eAria \"Mentre ti lascio, oh figlia\", K. 513\u003c\/li\u003e\n\u003cli\u003eKriegslied \"Ich möchte wohl der Kaiser sein\", K. 539\u003c\/li\u003e\n\u003cli\u003eAria \"Un bacio di mano\", K. 541\u003c\/li\u003e\n\u003cli\u003eAria \"Per questa bella mano\", K. 612\u003c\/li\u003e\n\u003cli\u003eAria \"Io ti lascio, oh cara, addio\", K. Anh. 245 (621a)\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003e\u003ca href=\"\/zh\/collections\/mozart-cosi-dunque-tradisci-aspri-rimorsi-atroci-k-432-421a\"\u003eCosì dunque tradisci – Aspri rimorsi atroci, K. 432 (421a)\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/zh\/collections\/mozart-alcandro-io-confesso-non-so-donde-viene-k-512\"\u003eAlcandro, Io confesso - Non sò d'onde viene, K. 512\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/zh\/collections\/mozart-mentre-ti-lascio-oh-figlia-k-513\"\u003eMentre ti lascio, oh figlia, K. 513\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/zh\/collections\/mozart-ich-mochte-wohl-der-kaiser-sein-k-539\"\u003eIch möchte wohl der Kaiser sein, K. 539\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/zh\/collections\/mozart-un-bacio-di-mano-k-541\"\u003eUn bacio di mano, K. 541\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/zh\/collections\/mozart-per-questa-bella-mano-with-double-bass-obbligato-k-612\"\u003ePer questa bella mano (with double bass obbligato), K. 612\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/zh\/collections\/mozart-io-ti-lascio-oh-cara-addio-k-anh-245-k-621a\"\u003eIo ti lascio, oh cara, addio, K. Anh. 245 (K. 621a)\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Vocal Score","offer_id":12780092883017,"sku":"BA9185","price":29.25,"currency_code":"USD","in_stock":true},{"title":"Vocal Score - Digital Download","offer_id":45303573446735,"sku":"BA9185D","price":29.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/30e9a1d8c5db7c94ee28fed04a492616.jpg?v=1750503766"}],"url":"https:\/\/www.ficksmusic.com\/zh\/collections\/mozart-per-questa-bella-mano-with-double-bass-obbligato-k-612.oembed","provider":"Ficks Music","version":"1.0","type":"link"}