{"title":"Sheet music composed by Matthew Aucoin (1990-)","description":"Matthew Aucoin (1990-) is a composer from United States of America. Read more on \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Matthew_Aucoin\" target=\"_blank\"\u003eWikipedia\u003c\/a\u003e.","products":[{"product_id":"aucoin-the-sleepers-schirmer","title":"Aucoin: The Sleepers","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/matthew-aucoin\"\u003eMatthew Aucoin (1990-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Viola\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: The Sleepers\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eArranged by the composer from the song cycle Three Whitman Songs in 2022. The arrangement was commissioned by RAHA Duo and Con Vivo Music.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"G. Schirmer","offers":[{"title":"Default Title","offer_id":40947483082831,"sku":"GSP61958SET","price":30.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/9ab6b0d6636ceb25a2309554ec09e07b.jpg?v=1773878860"},{"product_id":"aucoin-the-tracks-have-vanished-amp","title":"Aucoin: The Tracks Have Vanished","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/matthew-aucoin\"\u003eMatthew Aucoin (1990-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: The Tracks Have Vanished\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eCommissioned by the Irving S. Gilmore International Piano Festival\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComposer note\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePlenty of composers have written transcriptions of operas for solo piano, whether their own operas or those by other composers: think of Liszt's virtuosic fantasias on the works of Bellini, Verdi, and Wagner; or, in more recent years, Thomas Adès's playful \"paraphrases\" on his own operas.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe tracks have vanished\u003c\/em\u003e is something different: it is a transcription from an imaginary opera — or rather, a still-unwritten one. I have become fascinated in recent years by Dostoevsky's prophetic novel \u003cem\u003eDemons\u003c\/em\u003e(which is still better known in English as \u003cem\u003eThe Possessed\u003c\/em\u003e — an old and inaccurate translation of its title). \u003cem\u003eDemons\u003c\/em\u003e tells a story that feels all too relevant today: it's a tale of the rise of nihilism within a complacent and unsuspecting society. Specifically, it deals with the way that the spiritual malaise of young, privileged, bored, lost young men can have deadly consequences.\u003c\/p\u003e\n\u003cp\u003eNormally, when I write instrumental music, I don't think in explicitly dramatic terms; the musical materials themselves contain plenty of drama! But in this case, unusually, I did start from specific images and moments within the story.\u003c\/p\u003e\n\u003cp\u003eThe work is cast in two movements. The first is inspired, broadly speaking, by the dynamic between the two tormented young nihilists at the novel's center. There is also a hidden little setting of Pushkin's poem \"Demons,\" which serves as the novel's epigraph: \"Upon my life the tracks have vanished \/ We've lost our way, what shall we do?\"\u003c\/p\u003e\n\u003cp\u003eThe second movement was initially inspired by a chapter — suppressed by a censor in Dostoevsky's lifetime — in which one of the protagonists visits a monk and confesses to having cruelly taken advantage of a young girl years earlier.\u003c\/p\u003e\n\u003cp\u003eBut here's the thing: music is music, and none of these dramatic ideas served as more than an initiating impulse. Just as Beethoven once said that the metronome markings in his scores were only valid for the first few bars, the narrative inspiration for each of these movements only proved to be valid for the first few bars. After that, the music had its own ideas.\u003c\/p\u003e\n\u003cp\u003e— Matthew Aucoin\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Associated Music Publishers, Inc. (AMP)","offers":[{"title":"Default Title","offer_id":40971134926927,"sku":"GSP63561SCO","price":37.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/cbb0593f682ee396c9a45745f76de614.jpg?v=1751731888"},{"product_id":"aucoin-merrill-songs-amp","title":"Aucoin: Merrill Songs","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/matthew-aucoin\"\u003eMatthew Aucoin (1990-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Tenor\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Merrill Songs\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cstrong\u003eSongs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA Downward Look\u003c\/li\u003e\n\u003cli\u003eThe Kimono\u003c\/li\u003e\n\u003cli\u003eGrass\u003c\/li\u003e\n\u003cli\u003eLast Words\u003c\/li\u003e\n\u003cli\u003eSonnet from \u003cem\u003eSandover\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eAn Upward Look\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eComposer note\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFor James Merrill, music is the meaning-making force that brought human language into being; music is the lava that cools into the volcanic rock forms of our alphabet. All poets treat language musically to some degree, of course, but for Merrill this tendency verges on synesthesia. Language, after all, is both sound and signification: It is a labyrinth of assigned \"meanings\" that we perceive sensually through the music of speech or the physical forms of written letters. We tend to assume that the signified meaning is what matters: For most of us, the point of the word body is that it means \"body,\" not that it looks or sounds the way it does.\u003c\/p\u003e\n\u003cp\u003eBut in Merrill's poetry, words themselves seem to talk back. Eerily apt puns render familiar phrases indelibly double; his lines gleam with multiple meanings like many-faceted gems. This is a poet who saw in the word \u003cem\u003ebody\u003c\/em\u003e the image of a singing mouth (\"o\") standing center stage between the stage-left column of \"b\" and the stage-right column of \"d,\" \"as y, unanswered, knocks at the stage door…\" The open mouth, the \"o\" of astonishment or song, stands between the bookends of \"b\" and \"d\" (birth and death), and the question of \"y\" it all happened is irrelevant. The question (\"why?\") knocks on the stage door of life, but it has no place on the stage. For Merrill, this kind of innocent, almost childlike attention to the music or the look of language — rather than to its assigned meanings — was a matter of vital import.\u003c\/p\u003e\n\u003cp\u003eMerrill was compared to Mozart throughout his career, and for once, the comparison is more than empty hyperbole. Merrill is Mozartian not just in his virtuosity, but in his capacity to fuse pleasure and pain. The crystalline surfaces of Merrill's poems refract a sparkling light into otherwise unknowable depths. in Merrill (as in Mozart), the sweetest moments are the ones that hurt the most, and this punning doubleness is irreducible; indeed the doubleness is the essence of the flavor. In, say, the \"Letter Duet\" from \u003cem\u003eThe Marriage of Figaro\u003c\/em\u003e , you can't separate the playfulness from the pain, or the giddy sense of adventure from a lurking sadness that things have gotten so desperate. I find an analogous blend in lines like these from Merrill's epic \u003cem\u003eThe Changing Light at Sandover\u003c\/em\u003e :\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003eand look, the stars have wound in filigree\nThe ancient, ageless woman of the world.\nShe's seen us. She is not particular—\nEveryone gets her injured, musical\n\"Why do you no longer come to me?\"\nTo which there's no reply. For here we are.\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eIn his later years, the doubleness of Merrill's vision took on deeper significance, both on a personal level and a cosmic one. Merrill became aware of his HIV-positive status in the mid-1980s; in the ensuing decade, he grew preoccupied with mankind's toxic impact on the natural world. in his later poems, there is an uncanny sense that the contamination of the natural environment and the decline of his bodily strength are parallel processes: They seem to be fractals of one another. Yet even when he's writing about these issues — whose sheer weightiness would push many poets into pomposity — Merrill somehow retains his lightness of touch. in the poem \"Grass,\" which you'll hear sung on this evening's program, Merrill quietly equates the act of smoking a joint — \"this cheerful inch of green\" — with the burning-up of our planet's plant life, the \"cheerful inch\" of grass that covers the earth's surface. The casual hedonism of smoking \"grass\" for pleasure suddenly seems to be a microcosm of our wanton destruction of the natural world. The grass sustains us, but it's not an infinitely renewable resource (as it seemed to be for Whitman): We are \"Kept by this cheerful \/ Inch of green \/ and ten more years — fifteen? — \/ From disappearing.\" (In hindsight, even this poignant little plea in the final couplet sounds prophetic: \u003cem\u003eGrass\u003c\/em\u003e was published exactly 10 years before Merrill died.)\u003c\/p\u003e\n\u003cp\u003eSomehow, Merrill remains underrated. It's easy to see why he wasn't always taken seriously during his lifetime: He was the fabulously wealthy heir to the Merrill-Lynch fortune; as a young man, he looked (and probably acted) like a dandyish aesthete straight out of Proust; his life as a gay man led him to avoid certain kinds of publicity; and he was unabashed in his love for puns, rhymes, and pentameter. Now, 21 years after his death, I hope we can see Merrill for the artist he was: an alchemist with the atomic materials of language; a pioneering poet of gay life and love; and a prophet of the havoc our species continues to wreak on the natural world.\u003c\/p\u003e\n\u003cp\u003e— Matthew Aucoin\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Associated Music Publishers, Inc. (AMP)","offers":[{"title":"Default Title","offer_id":40971135680591,"sku":"GSP56078VOC","price":50.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/348f4af249fd8262733ecd8f660305a3.jpg?v=1751725276"},{"product_id":"aucoin-tony-ending-the-life-amp","title":"Aucoin: Tony - Ending the Life","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/matthew-aucoin\"\u003eMatthew Aucoin (1990-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Tenor\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Tony (Ending the Life)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\"Somehow, Merrill remains underrated. It's easy to see why he wasn't always taken seriously during his lifetime: He was the fabulously wealthy heir to the Merrill-Lynch fortune; as a young man, he looked (and probably acted) like a dandyish aesthete straight out of Proust; his life as a gay man led him to avoid certain kinds of publicity; and he was unabashed in his love for puns, rhymes, and pentameter. Now, 21 years after his death, I hope we can see Merrill for the artist he was: an alchemist with the atomic materials of language; a pioneering poet of gay life and love; and a prophet of the havoc our species continues to wreak on the natural world.\" — Matthew Aucoin\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Associated Music Publishers, Inc. (AMP)","offers":[{"title":"Default Title","offer_id":40976016244815,"sku":"GSP57093VOC","price":34.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/ea8de93bf892ec1ed38603b758401cbc.webp?v=1768592937"},{"product_id":"aucoin-three-soprano-arias-from-eurydice-amp","title":"Aucoin: Three Soprano Arias from Eurydice","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/matthew-aucoin\"\u003eMatthew Aucoin (1990-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Vocal Score\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation (this edition)\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano Reduction, Soprano\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong class=\"original-instrumentation-title\"\u003eOriginally for\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eOpera\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Eurydice\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork Language\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eEnglish\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003col\u003e\n\u003cli\u003eThere was a roar\u003c\/li\u003e\n\u003cli\u003eThis is what it is to love an artist\u003c\/li\u003e\n\u003cli\u003eDear Orpheus\u003c\/li\u003e\n\u003c\/ol\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Associated Music Publishers, Inc. (AMP)","offers":[{"title":"Default Title","offer_id":41167093104719,"sku":"GSP62819VOC","price":67.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/fdda25340f9af62f5703d757b1950084.jpg?v=1752414923"},{"product_id":"aucoin-piano-trio-op-2-amp","title":"Aucoin: Piano Trio, Op. 2","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/matthew-aucoin\"\u003eMatthew Aucoin (1990-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Set of Parts\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano Trio (Piano, Violin, Cello)\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Piano Trio, Op. 2\u003c\/li\u003e \u003cli class=\"binding\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Spiral Bound\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eCommissioned by Jonathan Miller for the Grammercy Trio.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Associated Music Publishers, Inc. (AMP)","offers":[{"title":"Default Title","offer_id":41306146701391,"sku":"GSP54754SET","price":45.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/0025034c78785a0a498849e35533fff4.jpg?v=1752095190"},{"product_id":"aucoin-dual-amp","title":"Aucoin: Dual","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/matthew-aucoin\"\u003eMatthew Aucoin (1990-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Score \u0026amp; Set of Parts\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eCello, Double Bass\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Dual\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eThis is a playful piece, a dual effort which is also a duel. The dynamic markings are essential; the dynamic range should be vast. Sections with no change in dynamic should have a hovering quality; the short crescendi should lunge forward like fencers.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Associated Music Publishers, Inc. (AMP)","offers":[{"title":"Default Title","offer_id":41306149584975,"sku":"GSP54747SET","price":29.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/649163d75b857b4c0753348ef2ebb2c6.jpg?v=1752069625"},{"product_id":"aucoin-its-own-accord-schirmer","title":"Aucoin: Its Own Accord","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/matthew-aucoin\"\u003eMatthew Aucoin (1990-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Violin\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Its Own Accord\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eFor violin and piano, \u003cstrong\u003eViolin Sonata: Its Own Accord\u003c\/strong\u003e was commissioned by Dumbarton Oaks and First Nights with support from The Fromm Music Foundation.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"G. Schirmer","offers":[{"title":"Default Title","offer_id":41362636505167,"sku":"GSP57376SET","price":67.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/fbc71e60990c188ec91a8eee11ab91ab.jpg?v=1752094657"},{"product_id":"aucoin-three-whitman-songs-schirmer","title":"Aucoin: Three Whitman Songs","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/matthew-aucoin\"\u003eMatthew Aucoin (1990-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Baritone\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Three Whitman Songs\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eFor baritone (or bass) and piano. Text by Walt Whitman, from 'The Sleepers,' 'Crossing Brooklyn Ferry,' and 'A Clear Midnight.'\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"G. Schirmer","offers":[{"title":"Default Title","offer_id":41362640273487,"sku":"GSP56507VOC","price":34.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/a858bfa502171c178ae74ebfeb5f456c.webp?v=1768935539"},{"product_id":"aucoin-revelations-of-divine-love-chapter-iii-amp","title":"Aucoin: Revelations of Divine Love, Chapter III","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/matthew-aucoin\"\u003eMatthew Aucoin (1990-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Baritone\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Revelations of Divine Love, Chapter III\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork Language\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eEnglish\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eCommissioned for New York Festival of Song and Theo Hoffman with support from the Julian Autrey Song Foundations, Theo Hoffman, and Steven Blier.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComposer note\u003c\/strong\u003e\nThe medieval mystic Julian of Norwich's \u003cem\u003eRevelations of Divine Love\u003c\/em\u003e is one of the strangest and most searingly potent visionary texts ever written. When she was thirty years old, Julian fell gravely ill and believed her death was imminent. As she lay sick, she had a series of visions (\"shewings\") of Jesus, which she described in writing after her unexpected recovery.\u003c\/p\u003e\n\u003cp\u003eI'm drawn to texts that tell of experiences that are right on the border between the religious and the erotic: I've explored this ambiguity in pieces like \u003cem\u003eThis Earth\u003c\/em\u003e , which sets a tantalizing passage from Dante's \u003cem\u003ePurgatorio\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eJulian's \u003cem\u003eRevelations\u003c\/em\u003e goes to both extremes: it is intensely spiritual (Julian lived much of her life as an anchoress, confined to a small cell within a church so that she could devote herself entirely to worship) and also intensely physical. Her visions are sometimes gruesome: she witnesses blood trickling from Jesus's wounds, and the decay of her Savior's body. Her longing for Jesus and identification with him (\"I would that His pains were my pains…I desired to suffer with Him\") is so intense that any theoretical boundary between the religious and the erotic is surely obliterated.\u003c\/p\u003e\n\u003cp\u003eMy musical setting takes a section from early in the \u003cem\u003eRevelations\u003c\/em\u003e , the section that recounts Julian's illness, her belief that she is sure to die, and then her mysterious recovery. I happened to be exactly Julian's age (\"thirty years old and a half\") when I wrote the piece, and her account of her sickness felt disturbingly relevant, given that it was written during some of the bleakest months of the COVID-19 pandemic.\u003c\/p\u003e\n\u003cp\u003eI wrote this piece for my friends Theo Hoffman and Adam Nielsen, with the generous support of the New York Festival of Song.\u003c\/p\u003e\n\u003cp\u003e— Matthew Aucoin\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Associated Music Publishers, Inc. (AMP)","offers":[{"title":"Default Title","offer_id":42183888076879,"sku":"GSP61241VOC","price":30.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/10085d3d4db161323d763ae2102ff5a7_2da38470-6c2b-429b-8cbc-9be7f0ca5400.jpg?v=1749406883"},{"product_id":"aucoin-three-etudes-schirmer","title":"Aucoin: Three Études","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/matthew-aucoin\"\u003eMatthew Aucoin (1990-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Three Études\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eThese are studies not of particular technical challenges of piano playing, but rather in forms of musical motion and pianistic sonic possibilities. The playful \"rondo which devours itself\" consists of a recurring fragmentary line in the right hand that is constantly menaced by opposing forces in the music, little electric jolts that force the line to grow shorter and shorter over the piece's brief lifespan, until the whole complex self-combusts. The untitled second piece is a study in a strange, hovering form of perpetual motion. and the third, \"a sounding,\" is a melancholy sounding of the depths of the piano's rich capacity for resonance. — Matthew Aucoin\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"G. Schirmer","offers":[{"title":"Default Title","offer_id":42217373892687,"sku":"GSP54750SCO","price":34.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/bd4242385a07edf5cecd5a59c4caac7b.jpg?v=1752066875"},{"product_id":"aucoin-soft-power-amp","title":"Aucoin: Soft Power","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/matthew-aucoin\"\u003eMatthew Aucoin (1990-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Score \u0026amp; Set of Parts\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eString Quartet (Violin I, Violin II, Viola, Cello)\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Soft Power\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eFor string quartet, \u003cstrong\u003eSoft Power\u003c\/strong\u003e was commissioned by the Union College Concert Series in honor of the 18th President of Union College, Stephen C. Ainlay \u0026amp; Judith Gardner Ainlay.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Associated Music Publishers, Inc. (AMP)","offers":[{"title":"Default Title","offer_id":42270443405391,"sku":"GSP57790SET","price":29.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/0776dcf8a8bb91d9653fca59d0101716.jpg?v=1752087454"},{"product_id":"aucoin-poem-for-violin-op-1-amp","title":"Aucoin: Poem for Violin, Op. 1","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/matthew-aucoin\"\u003eMatthew Aucoin (1990-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eViolin\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Poem for Violin, Op. 1\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eFor violin with optional typist or presentation software and projected text. \"This piece is a duet for music (the violin) and words (the accompanying poem). It is also a duet for sound and silence: In the score, there are two lines — the violin's notes and the poem's words. The poem unfolds in time alongside the music, and while the piece can be performed simply as a piece of music, ideally the poem is projected onto a screen, word by word, at the pace specified in the score.\" — Matthew Aucoin\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Associated Music Publishers, Inc. (AMP)","offers":[{"title":"Default Title","offer_id":42270445600847,"sku":"GSP54764SCO","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/946ba0b43eebc75d3ea58c78053f7898.jpg?v=1752094433"},{"product_id":"aucoin-resolve-amp","title":"Aucoin: resolve","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/matthew-aucoin\"\u003eMatthew Aucoin (1990-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eViolin\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: resolve (2016)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003c\/div\u003e","brand":"Associated Music Publishers, Inc. (AMP)","offers":[{"title":"Default Title","offer_id":42437803835471,"sku":"GSP56345SCO","price":15.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/0309f9e057c8936dfd1e1785c57d1588.webp?v=1753178149"},{"product_id":"aucoin-sources-of-lift-schirmer","title":"Aucoin: Sources of Lift","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/matthew-aucoin\"\u003eMatthew Aucoin (1990-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Set of Performance Scores\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano I, Piano II\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Sources of Lift (2024)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eThe work takes its title, and the titles of each of its three movements, from the poetry of Ben Lerner.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Camperdown Elm\u003c\/li\u003e\n\u003cli\u003eContre-jour\u003c\/li\u003e\n\u003cli\u003eSources of Lift\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e‘…Aucoin's adroit, transparent structures and his consistently engaging dialogue between the two pianos won my eager attention. He is not afraid to write a melody, and he employs the two pianos not for their powerful dynamic potential, but rather to give an orchestral depth and complexity to his score.'\n— Ken Herman, \u003cem\u003eSan Diego Story\u003c\/em\u003e\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"G. Schirmer","offers":[{"title":"Default Title","offer_id":44536940658767,"sku":"GSP80964SET","price":96.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/ffddaaa786e16cba241bfade2ad6cee1.webp?v=1772558427"},{"product_id":"aucoin-are-we-extinct-yet-amp","title":"Aucoin: Are we [extinct yet]","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/matthew-aucoin\"\u003eMatthew Aucoin (1990-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Baritone\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Are we [extinct yet] (2024)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork Language\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eEnglish\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.9\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eText: Jorie Graham, from her fifteenth poetry collection, \u003cem\u003eTo 2040\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eDuration: 5 minutes, 30 seconds\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Associated Music Publishers, Inc. (AMP)","offers":[{"title":"Default Title","offer_id":45176127520847,"sku":"GSP79477VOC","price":35.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/d64faaad8578c597335539a4d981671e.webp?v=1778165644"}],"url":"https:\/\/www.ficksmusic.com\/zh\/collections\/matthew-aucoin.oembed","provider":"Ficks Music","version":"1.0","type":"link"}