{"title":"Sheet music composed by Marco Reghezza (1968-)","description":"Marco Reghezza (1968-) is a composer from Italy.","products":[{"product_id":"homage-to-arvo-part-ut-orpheus","title":"Homage to Arvo Pärt","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposers\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/alessandro-spazzoli\"\u003eAlessandro Spazzoli (1964-)\u003c\/a\u003e, \u003ca href=\"\/zh\/collections\/paolo-ugoletti\"\u003ePaolo Ugoletti (1956-)\u003c\/a\u003e, \u003ca href=\"\/zh\/collections\/andrea-vezzoli\"\u003eAndrea Vezzoli\u003c\/a\u003e, \u003ca href=\"\/zh\/collections\/marco-reghezza\"\u003eMarco Reghezza (1968-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFingering\u003c\/strong\u003e: Piero Bonaguri (1687-1750)\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eGuitar\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790215325630\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 16\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/www.utorpheus.com\/file\/catalog\/pdf_musiche\/ch286.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eWhen I discovered that in this academy the famous Estonian composer Arvo Pärt, an extremely important figure in the history of twentieth century music, had studied, I made a request to some of my composer friends. This was to write some short pieces \"for\" Arvo Pärt. The reply was immediate, thus I was able to have the satisfaction of performing for the first time the following four short pieces in the recital which I gave at the EMTA on September 28, 2016.\u003c\/p\u003e\n\u003cp\u003eIn these pieces the reference to features of Arvo Pärt's style of writing appears to me to be quite evident, even though only one of them uses a composition of his as a starting point: the Magnificat quoted in Ostinato by Marco Reghezza. Paolo Ugoletti, by playing on the assonance \"Pärt\"-\"Parts\", has written a dense and expressive three-part counterpoint. His pupil, Andrea Vezzoli, has created an evocative concert piece over a ground bass of five notes with a refined Pärt-like metric and contrapuntal treatment, while the sweet Lullaby by Alessandro Spazzoli, a composer who has for a long time studied Arvo Pärt's style, is, in my view, one of the most \"Pärt-like\" pieces.\u003c\/p\u003e \u003c\/div\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003eReghezza: Ostinato\u003c\/li\u003e\n\u003cli\u003eSpazzoli: Lullaby\u003c\/li\u003e\n\u003cli\u003eUgoletti: 3 Parts\u003c\/li\u003e\n\u003cli\u003eVezzoli: Baltic Passacaglia\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"Ut Orpheus Edizioni","offers":[{"title":"Default Title","offer_id":32119399743567,"sku":"CH286","price":18.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/b57c3ba5499be32baf7b8d69aa38bfd1.jpg?v=1751204087"},{"product_id":"homage-to-castelnuovo-tedesco-ut-orpheus","title":"Homage to Castelnuovo-Tedesco","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposers\u003c\/strong\u003e: Filippo Ferruggiara (1990-), \u003ca href=\"\/zh\/collections\/daniele-mandonico\"\u003eDaniele Mandonico\u003c\/a\u003e, \u003ca href=\"\/zh\/collections\/marco-reghezza\"\u003eMarco Reghezza (1968-)\u003c\/a\u003e, \u003ca href=\"\/zh\/collections\/marco-simoni\"\u003eMarco Simoni\u003c\/a\u003e, \u003ca href=\"\/zh\/collections\/alessandro-spazzoli\"\u003eAlessandro Spazzoli (1964-)\u003c\/a\u003e, \u003ca href=\"\/zh\/collections\/paolo-ugoletti\"\u003ePaolo Ugoletti (1956-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFingering\u003c\/strong\u003e: Piero Bonaguri (1687-1750)\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eGuitar\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790215325616\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 24\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/www.utorpheus.com\/file\/catalog\/pdf_musiche\/ch285.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eI am particularly happy about the publication of this volume, the project of which has been supported by the International Guitar Convention in Alessandria, marking the fiftieth anniversary of the death of the great Italian composer Mario Castelnuovo-Tedesco. This is a musician to whom all guitarists owe a great deal (and not just guitarists) since he wrote some of the most beautiful and widely performed music of our repertoire.\u003c\/p\u003e\n\u003cp\u003eThe pieces collected together in this volume share the freedom and artistic sincerity shown by Castelnuovo- Tedesco (\"insobornable servidor de la verdad artistica\", as he was described by Andrés Segovia), showing, furthermore, that it is still possible nowadays to have a living and continuing relationship with European musical tradition, without the necessity for a programmatic severance.\u003c\/p\u003e\n\u003cp\u003eIn particular, I would like to point out in this respect how some of these pieces have been written by very young composers, Filippo Ferruggiara and Daniele Mandonico, who have been working on this project together with their teacher, Paolo Ugoletti, from the Conservatory in Brescia. Another characteristic common to these pieces is that of nearly always going back to forms and procedures dear to Castelnuovo- Tedesco and sometimes taking an idea from one of his melodies. Thus, Marco Reghezza, born in 1968, agreed to complete the rough draft of one of the Appunti (the final unfinished work of Castelnuovo-Tedesco), called \"Il Malinconico\". Daniele Mandonico's piece on elevenths also refers to the Appunti, written as though to continue the original series of \"Appunti\" on intervals which went as far as tenths. The same applies to the chromatic \"Appunto\" by Filippo Ferruggiara which, in the other piece of his in the collection, \"Ricordi\", could refer to Castelnuovo-Tedesco's American period. Marco Reghezza, in his Sonatina, and Alessandro Spazzoli are inspired by several themes included in the collection of piano pieces Evangélion, while Paolo Ugoletti agreed to write a ‘greeting card' on the name of this Composer, using the same procedure as that adopted many times by Castelnuovo-Tedesco. Marco Simoni, the only Tuscan composer in this group, goes back to a Gregorian Eastertide theme which may refer to the love of Medieval music and culture often shown by Castelnuovo-Tedesco. An example of this is the Passacaglia sul tema del \"Dies Irae\" and the Cantico per una statuetta di S. Bernardino di Niccolò dell'Arca.\u003c\/p\u003e\n\u003cp\u003eMy thanks go to the composers who joined the project and to Diana Castelnuovo-Tedesco for her valuable collaboration. (Piero Bonaguri)\u003c\/p\u003e \u003c\/div\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003eFerruggiara: Ricordi\u003c\/li\u003e\n\u003cli\u003eFerruggiara: Studio\u003c\/li\u003e\n\u003cli\u003eMandonico: La Rondine\u003c\/li\u003e\n\u003cli\u003eReghezza: Il Malinconico\u003c\/li\u003e\n\u003cli\u003eReghezza: Sonatina\u003c\/li\u003e\n\u003cli\u003eSimoni: Sicut Dies Illuminabitur\u003c\/li\u003e\n\u003cli\u003eSpazzoli: Ouverture\u003c\/li\u003e\n\u003cli\u003eUgoletti: Greeting Card sul nome di Maria Castelnuovo-Tedesco\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"Ut Orpheus Edizioni","offers":[{"title":"Default Title","offer_id":32199487717455,"sku":"CH285","price":20.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/cc08e8e5e1881cd34484e701b5394748.jpg?v=1750592265"},{"product_id":"sacred-music-for-guitar-ut-orpheus","title":"Sacred Music for Guitar","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposers\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/giovanni-pierluigi-da-palestrina\"\u003eGiovanni Pierluigi da Palestrina (1525-1594)\u003c\/a\u003e, Miguel de Fuenllana (1500-1579), \u003ca href=\"\/zh\/collections\/alonso-mudarra\"\u003eAlonso Mudarra (1510-1580)\u003c\/a\u003e, \u003ca href=\"\/zh\/collections\/johann-sebastian-bach\"\u003eJohann Sebastian Bach (1685-1750)\u003c\/a\u003e, \u003ca href=\"\/zh\/collections\/josquin-des-prez\"\u003eJosquin des Prez (1450-1521)\u003c\/a\u003e, Tomás de Santa Maria (1510-1570), \u003ca href=\"\/zh\/collections\/marco-reghezza\"\u003eMarco Reghezza (1968-)\u003c\/a\u003e, \u003ca href=\"\/zh\/collections\/luis-de-narvaez\"\u003eLuis de Narváez (1526-1549)\u003c\/a\u003e, \u003ca href=\"\/zh\/collections\/alessandro-spazzoli\"\u003eAlessandro Spazzoli (1964-)\u003c\/a\u003e, \u003ca href=\"\/zh\/collections\/paolo-ugoletti\"\u003ePaolo Ugoletti (1956-)\u003c\/a\u003e, Piero Bonaguri (1687-1750), \u003ca href=\"\/zh\/collections\/andrea-vezzoli\"\u003eAndrea Vezzoli\u003c\/a\u003e, \u003ca href=\"\/zh\/collections\/tomas-luis-de-victoria\"\u003eTomás Luis de Victoria (1548-1611)\u003c\/a\u003e, \u003ca href=\"\/zh\/collections\/fernando-sor\"\u003eFernando Sor (1778-1839)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Piero Bonaguri (1687-1750)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFingering\u003c\/strong\u003e: Piero Bonaguri (1687-1750)\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eTranscriber\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/alonso-mudarra\"\u003eAlonso Mudarra (1510-1580)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation (this edition)\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eGuitar\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong class=\"original-instrumentation-title\"\u003eOriginally for\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eOrgan, Voice, Keyboard, SATB Choir, Guitar, Male Choir\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790215326286\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 48\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/www.utorpheus.com\/file\/catalog\/pdf_musiche\/ch320.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003ePalestrina: Jesu, Rex Admirabilis\u003c\/li\u003e\n\u003cli\u003eFuenllana: Fantasia IV (1554)\u003c\/li\u003e\n\u003cli\u003eFuenllana: Fantasia XXIV (1554)\u003c\/li\u003e\n\u003cli\u003eFuenllana: Crucifixus a tres (1554)\u003c\/li\u003e\n\u003cli\u003eMudarra: Fantasia del primer tono\u003c\/li\u003e\n\u003cli\u003ePrez: Pleni from Missa Faisant regretz\u003c\/li\u003e\n\u003cli\u003ePrez: Benedictus from Missa Faisant regretz\u003c\/li\u003e\n\u003cli\u003eSanta Maria: Arte de tañer fantasía\u003c\/li\u003e\n\u003cli\u003eNarváez: Sacris Solemnis\u003c\/li\u003e\n\u003cli\u003eT.L. Victoria: Caligaverunt oculi mei\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/zh\/collections\/bach-wer-nur-den-lieben-gott-lasst-walten-schubler-chorales-no-3-bwv-647\"\u003eBach: Wer nur den lieben Gott lässt walten (Schübler Chorales No. 3), BWV 647\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003eMouvement de priére réligieuse from \u003ca href=\"\/zh\/collections\/sor-lecons-progressives-24-progressive-lessons-op-31\"\u003eSor: Leçons progressives (24 Progressive Lessons), Op. 31\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eVezzoli: Salmodia\u003c\/li\u003e\n\u003cli\u003eVezzoli: Ave Donna Santissima\u003c\/li\u003e\n\u003cli\u003eVezzoli: Ricercare sopra il \"Ave Maris Stella\"\u003c\/li\u003e\n\u003cli\u003eVezzoli: Corale sopra il \"Regina Coeli\"\u003c\/li\u003e\n\u003cli\u003eBonaguri: Offertorio\u003c\/li\u003e\n\u003cli\u003eUgoletti: Sub tuum Praesidium\u003c\/li\u003e\n\u003cli\u003eUgoletti: Quasi Modo\u003c\/li\u003e\n\u003cli\u003eUgoletti: Fuga\u003c\/li\u003e\n\u003cli\u003eReghezza: Fugue su \"O Gloriosa Domina\"\u003c\/li\u003e\n\u003cli\u003eSpazzoli: Corale sopra il \"Regina Coeli\"\u003c\/li\u003e\n\u003cli\u003eSpazzoli: Gloria\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"Ut Orpheus Edizioni","offers":[{"title":"Default Title","offer_id":32337849712719,"sku":"CH320","price":28.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/7c6ace161d0f9fb4c87eddbfce6c977d.jpg?v=1750686531"},{"product_id":"homage-to-luigi-dallapiccola-ut-orpheus","title":"Homage to Luigi Dallapiccola","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposers\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/daniele-mandonico\"\u003eDaniele Mandonico\u003c\/a\u003e, \u003ca href=\"\/zh\/collections\/marco-reghezza\"\u003eMarco Reghezza (1968-)\u003c\/a\u003e, \u003ca href=\"\/zh\/collections\/marco-simoni\"\u003eMarco Simoni\u003c\/a\u003e, \u003ca href=\"\/zh\/collections\/alessandro-spazzoli\"\u003eAlessandro Spazzoli (1964-)\u003c\/a\u003e, \u003ca href=\"\/zh\/collections\/andrea-vezzoli\"\u003eAndrea Vezzoli\u003c\/a\u003e, \u003ca href=\"\/zh\/collections\/pieralberto-cattaneo\"\u003ePieralberto Cattaneo\u003c\/a\u003e, Dario Cebic (1979-), Francesca Gambelli\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFingering\u003c\/strong\u003e: Piero Bonaguri (1687-1750)\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eGuitar\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790215327160\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.9\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/www.utorpheus.com\/file\/catalog\/pdf_musiche\/ch357.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eThe eight pieces published in this volume were born in the short span of a few months, between the end of 2020 and the beginning of 2021, also thanks to the interest shown for this project by Mario Ruffini, an excellent scholar of Dallapiccola (to whom he dedicated important volumes) and president of the Centro Studi Luigi Dallapiccola. I therefore gladly gave him the task of writing the preface to this volume of the series; I take this opportunity to thank him, obviously extending the thanks to the eight composers who agreed to dedicate their own piece for guitar to the figure of the great Luigi Dallapiccola. (Piero Bonaguri)\u003c\/p\u003e \u003c\/div\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003eCattaneo: Postilla\u003c\/li\u003e\n\u003cli\u003eCebic: Sogni e ricordi\u003c\/li\u003e\n\u003cli\u003eGambelli: Piccola sarabanda istriana\u003c\/li\u003e\n\u003cli\u003eMandonico: Tracce\u003c\/li\u003e\n\u003cli\u003eReghezza: FugaLibera\u003c\/li\u003e\n\u003cli\u003eSimoni: Epigrafe\u003c\/li\u003e\n\u003cli\u003eSpazzoli: Voci d'autunno\u003c\/li\u003e\n\u003cli\u003eVezzoli: Dialoghi di una serie dodecafonica\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"Ut Orpheus Edizioni","offers":[{"title":"Default Title","offer_id":39648702627919,"sku":"CH357","price":23.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/d11c140627f53f6f295ad906083b28bd.jpg?v=1750717640"},{"product_id":"reghezza-5-fantasies-on-gregorian-themes-ut-orpheus","title":"Reghezza: 5 Fantasies on Gregorian Themes","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/marco-reghezza\"\u003eMarco Reghezza (1968-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFingering\u003c\/strong\u003e: Raffaello Ravasio\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eGuitar\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: 5 Fantasies on Gregorian Themes\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790215325883\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 12\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/www.utorpheus.com\/file\/catalog\/pdf_musiche\/ch292.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eCrux\/ Puer natus\/ Rorate\/ Tota pulchra\/ Ubi caritas\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Ut Orpheus Edizioni","offers":[{"title":"Default Title","offer_id":39681327464527,"sku":"CH292","price":17.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/ba9dd865e7bb4e75759886437458a0f7.jpg?v=1750692686"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/collections\/yrgvqmymxhcvu0nbmk3k.png?v=1636639462","url":"https:\/\/www.ficksmusic.com\/zh\/collections\/marco-reghezza.oembed","provider":"Ficks Music","version":"1.0","type":"link"}