{"title":"Sheet music composed by Leokadiya Kashperova (1872-1940)","description":"Leokadiya Kashperova (1872-1940) was a composer from Russia. Read more on \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Leokadiya_Kashperova\" target=\"_blank\"\u003eWikipedia\u003c\/a\u003e.","products":[{"product_id":"kashperova-piano-trio-in-a-minor-op-posth-boosey","title":"Kashperova: Piano Trio in A Minor, Op. posth.","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/leokadiya-kashperova\"\u003eLeokadiya Kashperova (1872-1940)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Set of Parts\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano Trio (Piano, Violin, Cello)\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Piano Trio in A Minor, Op. posth.\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790060139307\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eLeokadiya Kashperova (1872-1940), hitherto consigned to a footnote in musical history as Stravinsky's piano teacher, is undergoing rediscovery. A double graduate of the St Petersburg Conservatoire, she emerged as a virtuoso pianist and composer in the romantic tradition. She was associated with some of the great musicians of her day, including Balakirev and Auer. She performed in both Germany and the UK in the 1900s, but her career petered out after 1920.\u003c\/p\u003e\n\u003cp\u003eThe pencil manuscript of the Piano Trio in A Minor (c1930-40) was discovered in 2019 in the Russian National Museum of Music, Moscow. The work has been edited for performance by Graham Griffiths in close collaboration with members of the Gould Piano Trio, who gave the world première in 2020. A four-movement work of 28 minutes' duration and in full-blooded Romantic idiom, it joins the recently republished Cello Sonatas 1 \u0026amp; 2 in the Kashperova Edition.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Boosey \u0026 Hawkes","offers":[{"title":"Default Title","offer_id":40596996292687,"sku":"M060139307","price":70.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/d0eb2353f8319f88a75eb47a4e1023d5.jpg?v=1780053509"},{"product_id":"kashperova-piano-concerto-in-a-minor-op-2-boosey","title":"Kashperova: Piano Concerto in A Minor, Op. 2","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/leokadiya-kashperova\"\u003eLeokadiya Kashperova (1872-1940)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Orchestra\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Piano Concerto in A Minor, Op. 2\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790060140273\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eLeokadiya Kashperova (1872–1940), hitherto consigned to a footnote in musical history as Stravinsky’s piano teacher, is undergoing rediscovery. A double graduate of the St Petersburg Conservatoire, she emerged as a virtuoso pianist and composer in the romantic tradition. She was associated with some of the great musicians of her day, including Balakirev and Auer. She performed in both Germany and the UK in the 1900s, but her career petered out after 1920.\u003c\/p\u003e\n\u003cp\u003eThe Piano Concerto (1900) is Kashperova's earliest surviving orchestral work, and it was premiered by the composer the following year in Moscow and St Petersburg, bringing her much wider recognition and paving the way for an international career. Cast in three movements and in a Romantic idiom, pianistic virtuosity is often channelled into the pianist’s left hand, which is required to negotiate widely-spaced 'extreme' arpeggios – awkwardly angular when adagio, fiendishly technical when molto allegro. Kashperova's orchestral colours are achieved by felicitous solos for the woodwind, horns and brass. Noteworthy, too, are unexpected glimpses of chamber music when, in the last movement for example, the piano combines fleetingly with solo violin and solo cello in passages. Theconcerto’s quick music (Molto allegro and Allegro con anima) admirably portrays the vivacious personality of their composer, described in 1906 as offering those around her 'an abundance of joy, excitement and fun'. The central movement, by contrast, is a tender Adagio which offers the listener a gem of musical poetry.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Boosey \u0026 Hawkes","offers":[{"title":"Full Score","offer_id":42065170169935,"sku":"M060140273","price":65.0,"currency_code":"USD","in_stock":true},{"title":"Solo Part with Piano Reduction","offer_id":42362170966095,"sku":"M060142031","price":47.0,"currency_code":"USD","in_stock":true},{"title":"Solo Part","offer_id":42360033673295,"sku":"M060142024","price":38.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/6fa65f06738330ef736e5b4fc3d60bb3.jpg?v=1752072637"},{"product_id":"kashperova-the-eagle-and-the-snake-boosey","title":"Kashperova: The Eagle and the Snake","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/leokadiya-kashperova\"\u003eLeokadiya Kashperova (1872-1940)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Baritone\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: The Eagle and the Snake (Ballad)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790060139314\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 16\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eLeokadiya Kashperova (1872–1940), hitherto consigned to a footnote in musical history as Stravinsky's piano teacher, is undergoing rediscovery. A double graduate of the St Petersburg Conservatoire, she emerged as a virtuoso pianist and composer in the romantic tradition. She was associated with some of the great musicians of her day, including Balakirev and Auer. She performed in both Germany and the UK in the 1900s, but her career petered out after 1920.\u003c\/p\u003e\n\u003cp\u003eFollowing her graduation from the St Petersburg Conservatoire Kashperova became personally acquainted with the poet Yakov Polonsky and often attended his literary gatherings. When he died in 1898 Kashperova responded with this setting of one of his most celebrated ballads, for the benefit of the memorial fund created to support the poet’s widow and family. Here is a vivid musical dramatisation of the old proverb 'Pride comes before a fall' – quite literally a fall in the case of the haughty eagle who is deceived by the wily snake into displaying his arrogance once too often. Kashperova’s music is full of vivid musical depiction, from the serpent slithering over the granite-stone to the crashes of thunder and lightning as both bird and reptile fly high above the mountain-tops, with disastrous consequences.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Boosey \u0026 Hawkes","offers":[{"title":"Default Title","offer_id":42180133650511,"sku":"M060139314","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/85763092f67c9ea97f98610725fd67a2.jpg?v=1749649133"},{"product_id":"kashperova-where-do-the-stars-come-from-boosey","title":"Kashperova: Where Do the Stars Come From?","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/leokadiya-kashperova\"\u003eLeokadiya Kashperova (1872-1940)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Soprano, Baritone, Female Choir\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Where Do the Stars Come From?\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790060140358\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 40\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eLeokadiya Kashperova (1872–1940), hitherto consigned to a footnote in musical history as Stravinsky's piano teacher, is undergoing rediscovery. A double graduate of the St Petersburg Conservatoire, she emerged as a virtuoso pianist and composer in the romantic tradition. She was associated with some of the great musicians of her day, including Balakirev and Auer. She performed in both Germany and the UK in the 1900s, but her career petered out after 1920.\u003c\/p\u003e\n\u003cp\u003eFollowing her graduation from the St Petersburg Conservatoire Kashperova became personally acquainted with the poet Yakov Polonsky and often attended his literary gatherings. When he died in 1898 Kashperova responded by setting his enchanting and mystical 'legend' To a Child in Answer to the Question: Where Do the Stars Come From? The baritone soloist takes the role of the father or grandfather who endeavours to answer the riddle posed in the title. He decides to relate 'a tale of old, an Eastern legend' which recounts how, long ago, the flowers would weep, so afraid were they of the dark. in response an archangel (soprano solo) descends to Earth and is so moved by the flowers’ anguished appeal, she gathers 'all their tears in chalice gold \/ and bears them up to God in Heav'n above'. The baritone narrates the final scene as the Almighty casts the tears across the firmament, thus creating the constellations. The child’s question is answered, and the peaceful domesticity of the opening scene returns.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Boosey \u0026 Hawkes","offers":[{"title":"Default Title","offer_id":42195761823823,"sku":"M060140358","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/e58985b0c1e2f554a0a96dbec5c61b0c.jpg?v=1749790487"},{"product_id":"kashperova-symphony-in-b-minor-op-4-boosey","title":"Kashperova: Symphony in B Minor, Op. 4","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/leokadiya-kashperova\"\u003eLeokadiya Kashperova (1872-1940)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Full Score\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eOrchestra\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Symphony in B Minor, Op. 4\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790060140280\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 124\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003c\/div\u003e","brand":"Boosey \u0026 Hawkes","offers":[{"title":"Default Title","offer_id":42775949836367,"sku":"M060140280","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/566954893c37c41a23ab9fe9a2760e69.jpg?v=1752104149"},{"product_id":"kashperova-songs-of-love-boosey","title":"Kashperova: Songs of Love","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/leokadiya-kashperova\"\u003eLeokadiya Kashperova (1872-1940)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Soprano\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Songs of Love (12 Romances)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790060137884\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 76\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003efor soprano or tenor and piano\u003c\/p\u003e\n\u003cp\u003eLeokadiya Kashperova (1872–1940), hitherto consigned to a footnote in musical history as Stravinsky's piano teacher, is undergoing rediscovery. A double graduate of the St Petersburg Conservatoire, she emerged as a virtuoso pianist and composer in the romantic tradition. She was associated with some of the great musicians of her day, including Balakirev and Auer. She performed in both Germany and the UK in the 1900s, but her career petered out after 1920.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSongs of Love\u003c\/em\u003e was first published in 1904. No evidence survives of any public performance in Kashperova's lifetime although it is very likely that they were performed at her regular 'musical evenings at home on Tuesdays' mentioned in her Memoirs. The transparency of the piano writing strongly suggests that she would accompany herself singing. Kashperova, by all accounts, possessed a fine voice, and in the summer of 1906 she decided 'to learn from the artistry,' as she put it, of the tenor Raimond von Zur-Mühlen who was widely celebrated for having developed (with Clara Schumann) the Lieder-Abend tradition. His summer-schools on the Baltic coast were frequented by aspiring singers from all over Europe, even Japan and India. Kashperova herself was responsible for the poetic lyrics of Songs of Love (in both Russian and German), which may well have emerged from her own bittersweet experience of life and love; she was not to marry until 1916 at the age of forty-four. That Kashperova is the author of both the music and the lyrics of Songs of Love would suggest that they express very personal sentiments.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Boosey \u0026 Hawkes","offers":[{"title":"Default Title","offer_id":43092261404751,"sku":"M060137884","price":44.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/66a2fc092868a25ba7f34a64bcfb4c85.jpg?v=1752094579"},{"product_id":"kashperova-in-the-midst-of-nature-boosey","title":"Kashperova: In the Midst of Nature","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/leokadiya-kashperova\"\u003eLeokadiya Kashperova (1872-1940)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: In the midst of nature (1910)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790060135637\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eKashperova's Romantic empathy with nature and childhood may be keenly observed in her chamber music and songs. The six-movement piano suite \u003cem\u003ein the Midst of Nature\u003c\/em\u003e (1910) in no exception in the way it uses evocations of nature to express nostalgia for her childhood in the peaceful and remote Russian countryside. \u003cem\u003ein the Midst of Nature\u003c\/em\u003e also presents an artfully graded progression, indicating that Kashperova probably shared this music with her many pupils: the early movements are within the range of the talented young player whilst the latter movements require the technique and interpretative maturity of a conservatoire student, the whole work being admirably suited to the professional recital.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Boosey \u0026 Hawkes","offers":[{"title":"Default Title","offer_id":43554531868751,"sku":"M060135637","price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/09fedf93de15a2ab94e03532b656855f.jpg?v=1756502957"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/collections\/Kashperova.png?v=1722842672","url":"https:\/\/www.ficksmusic.com\/zh\/collections\/leokadiya-kashperova.oembed","provider":"Ficks Music","version":"1.0","type":"link"}