{"title":"Sheet music composed by Johannes Ockeghem (1425-1497)","description":"Johannes Ockeghem (1425-1497) was a composer from France. Read more on \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Johannes_Ockeghem\" target=\"_blank\"\u003eWikipedia\u003c\/a\u003e.","products":[{"product_id":"ockeghem-missa-prolationem-fennica","title":"Ockeghem: Missa Prolationem","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/johannes-ockeghem\"\u003eJohannes Ockeghem (1425-1497)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eSATB Choir\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Missa prolationem\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork Language\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eLatin\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790550093713\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e7.7\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e10.8\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 46\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eThis, the first issue in the series, makes Ockeghem's contrapuntal tour-de-force available in a modern edition for the first time. with its remarkable Prolation (the simultaneous use of different time signatures) and ingenious construction as a series of single and double canons encompassing every interval of the diatonic scale, the work is an effortless demonstration of the art of counter-point.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Fennica Gehrman","offers":[{"title":"Default Title","offer_id":32807699251279,"sku":"KL78.3411","price":34.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/dcf10b5d2fb3876f7afa3f33a925f896.jpg?v=1750599807"},{"product_id":"ockeghem-missa-sine-nomine-for-3-voices-ut-orpheus","title":"Ockeghem: Missa sine nomine for 3 Voices","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/johannes-ockeghem\"\u003eJohannes Ockeghem (1425-1497)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan 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