{"title":"Sheet music composed by Gloria Coates (1938-2023)","description":"Gloria Coates (1938-2023) was a composer from United States of America. Read more on \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Gloria_Coates\" target=\"_blank\"\u003eWikipedia\u003c\/a\u003e.","products":[{"product_id":"flute-music-by-female-composers-schott","title":"Flute Music by Female Composers","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposers\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/melanie-bonis\"\u003eMélanie Bonis (1858-1937)\u003c\/a\u003e, \u003ca href=\"\/zh\/collections\/dorothee-eberhardt\"\u003eDorothee Eberhardt\u003c\/a\u003e, \u003ca href=\"\/zh\/collections\/barbara-heller\"\u003eBarbara Heller (1936-)\u003c\/a\u003e, Annette Schlünz (1964-), \u003ca href=\"\/zh\/collections\/anna-amalia-von-preussen\"\u003eAnna Amalia von Preussen (1723-1787)\u003c\/a\u003e, \u003ca href=\"\/zh\/collections\/anna-bon-di-venezia\"\u003eAnna Bon di Venezia (1738-1769)\u003c\/a\u003e, Leopoldine Blahetka (1809-1885), \u003ca href=\"\/zh\/collections\/gloria-coates\"\u003eGloria Coates (1938-2023)\u003c\/a\u003e, Christine K. Brückner, \u003ca href=\"\/zh\/collections\/caroline-ansink\"\u003eCaroline Ansink (1959-)\u003c\/a\u003e, \u003ca href=\"\/zh\/collections\/cecile-chaminade\"\u003eCécile Chaminade (1857-1944)\u003c\/a\u003e, \u003ca href=\"\/zh\/collections\/lili-boulanger\"\u003eLili Boulanger (1893-1918)\u003c\/a\u003e, \u003ca href=\"\/zh\/collections\/germaine-tailleferre\"\u003eGermaine Tailleferre (1892-1983)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditors\u003c\/strong\u003e: Elisabeth Weinzierl Wächter, \u003ca href=\"\/zh\/collections\/barbara-heller\"\u003eBarbara Heller (1936-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation (this edition)\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano, Flute\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong class=\"original-instrumentation-title\"\u003eOriginally for\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Violin, Basso continuo, Flute\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790001141147\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.9\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 112\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/www.schott-music.com\/en\/preview\/viewer\/index\/?idx=MjIyMTM0\u0026amp;idy=222134\u0026amp;dl=0\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-book\" viewbox=\"0 0 16 16\" style=\"margin-right: 5px;\"\u003e\u003cpath d=\"M1 2.828c.885-.37 2.154-.769 3.388-.893 1.33-.134 2.458.063 3.112.752v9.746c-.935-.53-2.12-.603-3.213-.493-1.18.12-2.37.461-3.287.811V2.828zm7.5-.141c.654-.689 1.782-.886 3.112-.752 1.234.124 2.503.523 3.388.893v9.923c-.918-.35-2.107-.692-3.287-.81-1.094-.111-2.278-.039-3.213.492V2.687zM8 1.783C7.015.936 5.587.81 4.287.94c-1.514.153-3.042.672-3.994 1.105A.5.5 0 0 0 0 2.5v11a.5.5 0 0 0 .707.455c.882-.4 2.303-.881 3.68-1.02 1.409-.142 2.59.087 3.223.877a.5.5 0 0 0 .78 0c.633-.79 1.814-1.019 3.222-.877 1.378.139 2.8.62 3.681 1.02A.5.5 0 0 0 16 13.5v-11a.5.5 0 0 0-.293-.455c-.952-.433-2.48-.952-3.994-1.105C10.413.809 8.985.936 8 1.783z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e Look Inside! \u003c\/a\u003e \u003c\/div\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/s3.amazonaws.com\/halleonard-closerlook\/49016952\/49016952.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eIn this collection, Elisabeth Weinzierl-Wächter and Barbara Heller present works for flute and piano by 13 female composers: starting with the 18th century, with sonatas by Anna Amalia von Preußen and Anna Bon di Venezia, via the 19th century with variations by Blahetka and 'Sérénade aux Étoiles' by Cecile Chaminade, and via works by Mélanie Bonis, Lili Boulanger, Germaine Tailleferre to the present time with works by Barbara Heller, Gloria Coates, Dorothee Eberhardt, Caroline Ansink, Annette Schlünz and Christine, K. Brückner.\u003c\/p\u003e \u003c\/div\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003e\u003ca href=\"\/zh\/collections\/preussen-flute-sonata-in-f-major\"\u003ePreussen: Flute Sonata in F Major\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003eBon di Venezia: Flute Sonatas, Op. 6\u003c\/li\u003e\n\u003cli\u003eBlahetka: Variatons for Flute and Piano, Op. 39\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/zh\/collections\/chaminade-serenade-aux-etoiles-op-142\"\u003eChaminade: Sérénade aux Étoiles, Op. 142\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003eBonis: Pièce, Op. 189\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/zh\/collections\/tailleferre-forlane-1972\"\u003eTailleferre: Forlane (1972)\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/zh\/collections\/l-boulanger-nocturne-1911\"\u003eL. Boulanger: Nocturne (1911)\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003eB. Heller: Parlando\u003c\/li\u003e\n\u003cli\u003eCoates: Phantom\u003c\/li\u003e\n\u003cli\u003eEberhardt: Träume\u003c\/li\u003e\n\u003cli\u003eAnsink: Epitaph for Marius\u003c\/li\u003e\n\u003cli\u003eSchlünz: tastend, tränend\u003c\/li\u003e\n\u003cli\u003eC. Brückner: Tsetono\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"Schott","offers":[{"title":"Default Title","offer_id":40276891304015,"sku":"ED9947","price":42.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/209c396e89fe6170890eae200aa17cb5.jpg?v=1775397624"},{"product_id":"coates-symphony-no-3-peters","title":"Coates: Symphony No. 3","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/gloria-coates\"\u003eGloria Coates (1938-2023)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Full Score\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eString Orchestra\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Symphony No. 3\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790014138158\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 56\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/content.alfred.com\/catpages\/98-EP14589.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eSymphony No. 3\u003c\/em\u003e (1974\/1986) by Gloria Coates is a 27-minute work for string orchestra in six movements.\u003c\/p\u003e\n\u003cp\u003eIn the string quartets she wrote during the 1970s, Gloria Coates developed a method of composing using glissando lines in counterpoint which become structures, \"somewhat like a builder using wooden boards to build a house\" (Gloria Coates). Two of the contrasting movements, \u003cem\u003eInterplay\u003c\/em\u003e and \u003cem\u003eMirror\u003c\/em\u003e , were both composed in 1974 and make use of glissando lines as the primary element in the music.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSymphony No. 3\u003c\/em\u003e was first performed at the Heidelberg Festival 1988 by the Swedish Strings Uppsala, conducted by Roland Haraldson.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Edition Peters","offers":[{"title":"Default Title","offer_id":41044178829391,"sku":"EP14589","price":104.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/a98ca4398fc6dc84fa6bf8f123824f49.jpg?v=1752423745"},{"product_id":"coates-string-quartet-no-9-peters","title":"Coates: String Quartet No. 9","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/gloria-coates\"\u003eGloria Coates (1938-2023)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Score \u0026amp; Set of Parts\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eString Quartet (Violin I, Violin II, Viola, Cello)\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: String Quartet No. 9 (2007)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790014138233\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 84\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/content.alfred.com\/catpages\/98-EP14597.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eString Quartet No. 9\u003c\/em\u003e (2007) by Gloria Coates is a 26-minute work in two movements:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eI. Mirrors\u003c\/li\u003e\n\u003cli\u003eII. The Cry\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe first movement is based melodically on \u003cem\u003eSymphony No. 5\u003c\/em\u003e (1985), but the material used is a sum of Gloria Coates' musical experiments and innovations from 1971 to 2007. The form is a mirror canon with its apex at the center of a glissando canon which then returns backwards to the beginning in the closed form. The second movement is an open form with new melodic fragments from \u003cem\u003eSymphony No. 5\u003c\/em\u003e. It is a short movement that suggests heralding of a new world of sound.\u003c\/p\u003e\n\u003cp\u003eCommissioned by Klang.Körper, Festival for Contemporary Music, GEDOK and Deutschlandfunk Radio, String Quartet No. 9 was first performed on June 13, 2008, in Cologne, Germany, by the Kreutzer Quartet.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Edition Peters","offers":[{"title":"Default Title","offer_id":41271184719951,"sku":"EP14597","price":126.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/e338693ff7c3bcefda7530c3e8676211.jpg?v=1751819737"},{"product_id":"coates-string-quartet-no-5-peters","title":"Coates: String Quartet No. 5","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/gloria-coates\"\u003eGloria Coates (1938-2023)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Score \u0026amp; Set of Parts\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eString Quartet (Violin I, Violin II, Viola, Cello)\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: String Quartet No. 5 (1988)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790014138202\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.8\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 68\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/content.alfred.com\/catpages\/98-EP14595.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eString Quartet No. 5\u003c\/em\u003e (1988) by Gloria Coates is a 32-minute work in three movements:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eI. Through Time\u003c\/li\u003e\n\u003cli\u003eII. Through Space\u003c\/li\u003e\n\u003cli\u003eIII. in the Fifth Dimension\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e1988 was a time of movement in Europe preceding the fall of the Berlin Wall, but also in Gloria Coates' personal life, moving back to New York and living in two places at once. \"This unrest can be perceived in the quartet by an uneasy avoidance of reaching musical resolutions; on the other hand, it also keeps its composure alive in its balanced structures.\" (Gloria Coates)\u003c\/p\u003e\n\u003cp\u003eCommissioned for a concert that was cancelled, \u003cem\u003eString Quartet No. 5\u003c\/em\u003e was first performed six years later on March 16, 1995, in a portrait concert of Gloria Coates' music at Gasteig, Munich, in the Claudia Trübsbach Series for the Munich Volkshochschule by the Modern String Quartet.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Edition Peters","offers":[{"title":"Default Title","offer_id":41271239508047,"sku":"EP14595","price":126.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/808df8d4516d50342bb7923c31b2e7bd.jpg?v=1752066839"},{"product_id":"coates-symphony-no-4-chiaroscuro-peters","title":"Coates: Symphony No. 4 (\"Chiaroscuro\")","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/gloria-coates\"\u003eGloria Coates (1938-2023)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Full Score\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eOrchestra\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Symphony No. 4 (\"Chiaroscuro\") (1989)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790014138165\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 68\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/content.alfred.com\/catpages\/98-EP14590.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eSymphony No. 4\u003c\/em\u003e \"Chiaroscuro\" (1984\/1989) by Gloria Coates is a 27-minute work for orchestra in three movements:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eI. Illumination\u003c\/li\u003e\n\u003cli\u003eII. Mystical Plosives\u003c\/li\u003e\n\u003cli\u003eIII. Dream Sequence\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eGloria Coates describes \u003cem\u003eSymphony No. 4\u003c\/em\u003e as the translation of a metaphysical experience into musical forms and content where conscious and subconscious elements become the music itself.\u003c\/p\u003e\n\u003cp\u003eThe first movement \u003cem\u003eIllumination\u003c\/em\u003e expresses the intuitive feeling that something deeply profound is happening. On hearing a radio broadcast of Purcell's aria \u003cem\u003eWhen I Am Laid in Earth\u003c\/em\u003e the composer felt a deep sadness and later hears of the death of her father 7,000 kilometers away. The second movement \u003cem\u003eMystical Plosives\u003c\/em\u003e is a struggle of musical elements in conflict. in the third movement \u003cem\u003eDream Sequence\u003c\/em\u003e , a mirror canon drives the musical elements forward, eventually leading to its climax.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSymphony No. 4\u003c\/em\u003e was commissioned for Art Meets Music: Thiele-Zoll with Gloria Coates, and premiered on June 22, 1990, at Theaterhaus Stuttgart-Wangen by the Stuttgart Philharmonic, conducted by Wolf-Dieter Hauschild.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Edition Peters","offers":[{"title":"Default Title","offer_id":41271661559887,"sku":"EP14590","price":111.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/25ed25bc41f9e74b1b07f027cd9c27e5.jpg?v=1751819735"},{"product_id":"coates-symphony-no-7-peters","title":"Coates: Symphony No. 7","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/gloria-coates\"\u003eGloria Coates (1938-2023)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Full Score\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eOrchestra\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Symphony No. 7 (1990)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790014138172\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 66\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/content.alfred.com\/catpages\/98-EP14591.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eSymphony No. 7\u003c\/em\u003e (1989\/1990) by Gloria Coates is a 26-minute work for orchestra in three movements:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eI. The Whirligig of Time\u003c\/li\u003e\n\u003cli\u003eII. The Hourglass of Time\u003c\/li\u003e\n\u003cli\u003eIII. The Corridors of Time\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAfter twenty years of developing her linear glissando structures, the commission of the South German Radio Stuttgart enabled Gloria Coates to write a symphony for a large orchestra including quadruple woodwind and brass. in the midst of a time of uncertainty in Germany, the feeling of unrest became part of her music \"along with the compression of time-events which took the form of masses of gradually moving sound\" (Gloria Coates).\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSymphony No. 7\u003c\/em\u003e was recorded and broadcast in January 1991 by the Stuttgart Philharmonic, conducted by Georg Schmöhe, and received its first public performance at musica viva Munich in 1997 by the Bavarian Radio Symphony Orchestra, conducted by Olaf Henzold.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Edition Peters","offers":[{"title":"Default Title","offer_id":41271775363151,"sku":"EP14591","price":111.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/deb4a5614fff5815951dc597fa25677d.jpg?v=1752103776"},{"product_id":"coates-string-quartet-no-8-peters","title":"Coates: String Quartet No. 8","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/gloria-coates\"\u003eGloria Coates (1938-2023)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Score \u0026amp; Set of Parts\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eString Quartet (Violin I, Violin II, Viola, Cello)\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: String Quartet No. 8 (2002)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790014138226\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 48\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/content.alfred.com\/catpages\/98-EP14596.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eString Quartet No. 8\u003c\/em\u003e (2002) by Gloria Coates is a 15-minute work in three movements:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eI. On Wings of Sound II.\u003c\/li\u003e\n\u003cli\u003e\"In Falling Timbers Buried\"\u003c\/li\u003e\n\u003cli\u003eIII. Prayer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eIt was commissioned for the 50th European Weeks Passau \"For a Europe and a World of Freedom, Peace, and Friendship\" to commemorate the September 11th tragedy.\u003c\/p\u003e\n\u003cp\u003eThe first movement, \u003cem\u003eOn Wings of Sound\u003c\/em\u003e , is music in contemplation before the confrontation. The title of the second, \u003cem\u003e\"In Falling Timbers Buried\"\u003c\/em\u003e , is taken from a poem by Emily Dickinson for which Gloria Coates had once composed the music. Fragments of this composition are used in the movement. The third movement is a \u003cem\u003ePrayer\u003c\/em\u003e for peace and humanity.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eString Quartet No. 8\u003c\/em\u003e was first performed on June 20, 2002, in Passau, Germany, by the Henschel Quartet..\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Edition Peters","offers":[{"title":"Default Title","offer_id":41272016306255,"sku":"EP14596","price":91.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/6bd7f501c11153bc143bf988513eeb58.jpg?v=1752069676"},{"product_id":"coates-ophelias-mad-scene-peters","title":"Coates: Ophelia's Mad Scene","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/gloria-coates\"\u003eGloria Coates (1938-2023)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eMezzo Soprano\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Ophelia's Mad Scene\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork Language\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eEnglish\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790014138868\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 12\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/content.alfred.com\/catpages\/98-EP14605.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eOphelia's Mad Scene\u003c\/em\u003e by Gloria Coates is a contemporary work for mezzo-soprano with texts from William Shakespeare's \u003cem\u003eThe Tragedy of Hamlet\u003c\/em\u003e , Act 4, Scene 5. It is part of the collection of 200 solo pieces written to celebrate the bicentenary of the Royal Academy of Music London in 2022 and was first performed at the Royal Academy on 28 June 2021 by Helen Corlett.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Edition Peters","offers":[{"title":"Default Title","offer_id":41296138141775,"sku":"EP14605","price":24.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/e2118a8a69745fc25c01a5f1fb99aff7_9dd704c9-8536-43f0-ac49-f36d4b52e419.jpg?v=1749600051"},{"product_id":"coates-reaching-for-the-moon-peters","title":"Coates: Reaching for the Moon","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/gloria-coates\"\u003eGloria Coates (1938-2023)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eFlute\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Reaching for the Moon\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790014138257\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eIn 1987\/1988 Gloria Coates wrote a solo for alto recorder in collaboration with the recorder player Dörte Nienstedt. Extreme dynamic increases, simultaneous playing and singing, hard accents, fluttering tonguing, multiphonics, upward glissandi and vibrato go beyond the usual framework of music for recorder and led to the title ‘Breacking through'.\u003c\/p\u003e\n\u003cp\u003eThe version for transverse flute was written with Edmund Wächter (premiere 19 October 1988). The main aim was to utilise the greater range of the transverse flute and to transfer the expressive elements. Glissandi and multiphonics in particular demanded new fingerings. As no specific sounds were required for the multiphonics, but the additional notes were to determine the colour and expression of the main tone, there were many possibilities here, which the composer had played for two days in various combinations until she finally found her favoured sounds in this empirical approach. As it was ultimately an independent piece, it was also to be given its own title and after the first performances took place under various names (‘Breaking Through III', ‘Breaking out'), ‘Reaching for the Moon' finally emerged.\u003c\/p\u003e\n\u003cp\u003eTwo additional versions with tape were also heard at the premiere: In ‘Fiori', the flute enters into a dialogue with the perking and chattering of the cockatiel of a friend, Princess Maria Josepha of Saxony. and in ‘Fiori and the Princess', the princess also takes an active part in the ‘conversation'. Here it becomes clear that ‘Reaching for the Moon' was also conceived as ‘bird music', for which Gloria Coates received her first inspiration from a cockatoo in a pet shOp.\u003c\/p\u003e\n\u003cp\u003eThe opening motif (theme) serves as a formative element, which changes in parts and runs through the entire piece in fragments. A twelve-tone row with a song-like rhythm and a ‘quasi-sex chord' in a wide register at the beginning corresponds to listening habits, from which one is immediately torn away by fluttering tonguing and multiphonics.\u003c\/p\u003e\n\u003cp\u003eThis ‘theme' can also be found in other flute pieces by Gloria Coates, as a kind of ‘leitmotif' for flute:\u003c\/p\u003e\n\u003cp\u003e‘Lichtsplitter' for flute, viola and harp (1988)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eadditionally with percussion ‘Microtone Poem' (1988)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eadditionally with percussion and timpani ‘Transfer 482' (1992)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e‘Märchen Suite', from which \"Der kleine Däumling\" (1987)\u003c\/p\u003e\n\u003cp\u003e‘Phantom' for flute and piano (2004) is a duo version of \"Reaching for the Moon\" without reprise.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Edition Peters","offers":[{"title":"Default Title","offer_id":44892536569935,"sku":"EP14599","price":14.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/49a5c3ed66de26f44854df0189190fc9.webp?v=1773839207"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/collections\/Coates.png?v=1704871957","url":"https:\/\/www.ficksmusic.com\/zh\/collections\/gloria-coates.oembed","provider":"Ficks Music","version":"1.0","type":"link"}