{"title":"Sheet music composed by Consuela Lee (1926-2009)","description":"Consuela Lee (1926-2009) was a composer from United States of America. Read more on \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Consuela_Lee_Moorehead\" target=\"_blank\"\u003eWikipedia\u003c\/a\u003e.","products":[{"product_id":"c-lee-flute-sonata-aca","title":"C. Lee: Flute Sonata","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/consuela-lee\"\u003eConsuela Lee (1926-2009)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Flute\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/c-lee-flute-sonata-1959\"\u003eFlute Sonata (1959)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790800148910\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eThe \u003cem\u003eFlute Sonata\u003c\/em\u003e was written in 1959, during the time Consuela Lee attended Northwestern University for her master's degree in composition and theory. It was written in the same year as Lee's \u003cem\u003eDance Suite\u003c\/em\u003e for small orchestra, which was modeled after suites by Bach and Handel and formed the subject of her dissertation.\u003c\/p\u003e\n\u003cp\u003eThe \u003cem\u003eSonata\u003c\/em\u003e packs a great deal into the four minutes of its single movement, and holds to aspects of the traditional sonata form-exposition, development, and recapitulation. An opening theme wanders between playful and quietly Romantic, climaxing before returning to the opening dynamic. A second, driving theme, with repeated notes and triplet flourishes, begins in the piano and migrates to the flute, then develops. The final third of the piece returns to the opening material, transformed by the second theme's ideas; after the final climax of the work, it ends in a quiet, contemplative restatement of the opening theme.\u003c\/p\u003e\n\u003cp\u003eLee's particular underlying harmonic progressions and back-and-forth chromatic movements in the Sonata are found throughout her works, and are based on bepop harmonic forms. She frequently uses fourths and fifths as passing tones in her melodies in addition to octave displacements of otherwise neighboring tones; both techniques are particularly common to composers of the mid-twentieth- century United States.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Default Title","offer_id":40973675528271,"sku":"ACA-LEEC-001","price":26.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/b1685b10a702a259606ac58d51a1e1d3.webp?v=1780078671"},{"product_id":"c-lee-suite-for-piano-aca","title":"C. Lee: Suite for Piano","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/consuela-lee\"\u003eConsuela Lee (1926-2009)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Suite for Piano\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790600230020\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cstrong\u003eEditor's Note:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMs. Lee was continuously and deeply inspired by her grandfather, William J. Edwards, and his work in uplifting African-Americans through education. His 1918 memoir, Twenty-Five Years in the Black Belt, held imagery that Ms. Lee returned to throughout her life. The first piece in this suite, \"Ray of Light,\" was likely inspired by the third chapter of Edwards' memoir, and shares its title. Other works in Ms. Lee's catalog can also be traced to this chapter of Edwards' memoir; for example, her children's operetta Summer Sun, Winter Wind contains a musical realization of the parable of the ants and the grasshoppers. The complete third chapter from Twenty-Five Years in the Black Belt is thus included at the end of this book, alongside the biography of Ms. Lee by her daughter, Monica Moorehead. The second piece in this suite, \"Study in Fifths,\" is a concert study on Ms. Lee's use of shifting patterns of fifths found throughout her works. The third piece in this suite, \"Cam's Cradle,\" was written for her son, Dr. Cameron Moorehead.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Default Title","offer_id":40986051215439,"sku":"ACA-LEEC-004","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/705d9ff9fb7781f326a94a9946fd02c8.webp?v=1780078431"},{"product_id":"c-lee-dance-suite-aca","title":"C. Lee: Dance Suite","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/consuela-lee\"\u003eConsuela Lee (1926-2009)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Full Score\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eChamber Orchestra\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Dance Suite (1959)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eConsuela Lee's 1959 Dance Suite for Small Orchestra was written as the subject of Lee's dissertation at Northwestern University in 1959, with its six short movements modeled after Bach and Handel suites. This 2024 publication contains both the newly-engraved music and the original dissertation text.\u003c\/p\u003e\n\u003cp\u003eFrom the composer:\u003c\/p\u003e\n\u003cp\u003e\"The purpose of this study is to show characteristics of certain movements incorporated in suites by Bach and Handel and similarity in these movements to those used in the Dance Suite for Small Orchestra composed by the author.\u003c\/p\u003e\n\u003cp\u003eThe suite as an instrumental form owes its origin to the pipers of the seventeenth century, who used to string together various national dances. German clavichord players adopted the form from them and developed it. The general rule was that it should consist of at least four pieces — allemande, courante, sarabande and gigue.\u003c\/p\u003e\n\u003cp\u003eIt was the French who expanded the suite by introducing all possible dances. Marchand and Couperin, especially, were responsible for including the gavotte, minuet, passapied, a Breton dance (which was similar to the minuet) and bouree. The French also used rondeau, rigaudon, polonaise and even independent movements in no particular dance form.\u003c\/p\u003e\n\u003cp\u003eBach uses all French models but preserves moderation where they run to extremes. He follows tradition in placing dances that were not originally a part of the suite between the sarabande and the gigue so that the latter comes as a conclusion. He generally places the non-dance movements at the beginning. Handel is much more moderate in his use of extra movements. However, there appear more of the variation-type movements in the Handel suites.\u003c\/p\u003e\n\u003cp\u003eAfter examining suites by Handel and Bach, the following dances were chosen — mainly for their varied rhythms and their characters as social dance music — to comprise a modern suite written in baroque style and sometimes form.\u003c\/p\u003e\n\u003cp\u003eRondeau\nMusette\nLouré\nMinuets I and II\nGigue\u003c\/p\u003e\n\u003cp\u003eBach's French and English Suites were the greatest source of inspiration to the composer, therefore it is only fitting that the Majority of references be made to these works.\"\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Default Title","offer_id":42200942215247,"sku":"ACA-LEEC-008","price":47.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/3d922dafa5484e80bf6d24b4a7468ca2.webp?v=1780078436"},{"product_id":"c-lee-saying-goodbye-aca","title":"C. Lee: Saying Goodbye","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/consuela-lee\"\u003eConsuela Lee (1926-2009)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Saying Goodbye (1991)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790600230013\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e-\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Default Title","offer_id":42355259703375,"sku":"ACA-LEEC-002","price":14.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/7bee0c299cd2a8dfa8abc5b940e6f8da.webp?v=1780078137"},{"product_id":"sonatas-for-flute-piano-by-american-composers-aca","title":"Sonatas for Flute \u0026 Piano by American Composers","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposers\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/miriam-gideon\"\u003eMiriam Gideon (1906-1996)\u003c\/a\u003e, \u003ca href=\"\/zh\/collections\/edith-borroff\"\u003eEdith Borroff (1925-2019)\u003c\/a\u003e, \u003ca href=\"\/zh\/collections\/kermit-moore\"\u003eKermit Moore (1929-2013)\u003c\/a\u003e, \u003ca href=\"\/zh\/collections\/consuela-lee\"\u003eConsuela Lee (1926-2009)\u003c\/a\u003e, \u003ca href=\"\/zh\/collections\/ruth-anderson\"\u003eRuth Anderson (1928-2019)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Flute\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790600231898\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.8\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eThe five sonatas in this book were written across the forty-some years that roughly straddle the center of the twentieth-century American musical landscape. They are presented in order of difficulty, and range from music suitable for an early intermediate player to technical and musical challenges at a professional level.\u003c\/p\u003e \u003c\/div\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003e\u003ca href=\"\/zh\/collections\/r-anderson-sonatine-1950\"\u003eR. Anderson: Sonatine (1950)\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/zh\/collections\/c-lee-flute-sonata-1959\"\u003eC. Lee: Flute Sonata (1959)\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003eBorroff: IONS: 14 Pieces in the Form of a Sonnet (1968)\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/zh\/collections\/moore-music-for-flute-and-piano-1980\"\u003eMoore: Music for Flute and Piano (1980)\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/zh\/collections\/gideon-flute-sonata-1943\"\u003eGideon: Flute Sonata (1943)\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Default Title","offer_id":42480539500623,"sku":"ACA-ANTH-023","price":56.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/5d2d8c57ede3210ef3f5d41ca1e96d48.webp?v=1780257205"},{"product_id":"c-lee-in-retrospect-aca","title":"C. Lee: In Retrospect","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/consuela-lee\"\u003eConsuela Lee (1926-2009)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: In Retrospect (1980)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790600232215\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eConsuela Lee's \u003cem\u003eIn Retrospect\u003c\/em\u003e is a small 1980 piano work. It is distinct in its use of Ms. Lee's tendency for rising fifth patterns that envelop the melody and motifs as they drift through various keys.\u003c\/p\u003e\n\u003cp\u003e1st Edition, 2025\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Default Title","offer_id":42674895159375,"sku":"ACA-LEEC-013","price":16.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/1b5ea9248338d648716286e1f8449032.jpg?v=1752093583"},{"product_id":"lee-the-sun-is-rising-aca","title":"Lee: The Sun Is Rising","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/zh\/collections\/consuela-lee\"\u003eConsuela Lee (1926-2009)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: The Sun Is Rising\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790600230075\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eConsuela Lee's \u003cem\u003eThe Sun Is Rising\u003c\/em\u003e lies somewhere between Chopin or Debussy showpieces and Lee's own virtuosic form of bebop jazz. in a single movement, it covers an enormous range of the piano's expression with reflective sounds of Impressionism, climax-building layered jazz figures, and more.\u003c\/p\u003e\n\u003cp\u003eThere are two extant versions of \u003cem\u003eThe Sun Is Rising\u003c\/em\u003e , transcribed from two separate performances by Consuela Lee. These pieces have yet to be found written in the composer's own hand, though there exist similar piano works by Lee in manuscript (\u003cem\u003eSaying GoodBye, Ray of Light, The Chosen\u003c\/em\u003e , and other solos). Both versions were transcribed in 2023 by Eric Willy Galobardes.\u003c\/p\u003e\n\u003cp\u003eThe first, long version of \u003cem\u003eThe Sun Is Rising\u003c\/em\u003e , at six minutes in duration, recorded on tape cassette at the house of Lee's brother in 1979, adds coloristic flourishes and developmental material to each thematic section, in addition to cascades of arppegiation and scales in the French style.\u003c\/p\u003e\n\u003cp\u003eThe second, short version, at four minutes in duration, was video recorded at Baruch College, New York, in 1989. This version is compact; it uses more-common hand patterns with a clearer delineation between musical sections, and contains fewer arpeggiations and flourishes in transitional moments.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Default Title","offer_id":42717871734863,"sku":"ACA-LEEC-010","price":28.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/50de809532c99bf620aa4719e5e9576e.webp?v=1780079273"}],"url":"https:\/\/www.ficksmusic.com\/zh\/collections\/consuela-lee.oembed","provider":"Ficks Music","version":"1.0","type":"link"}