Women Composers for Cello - Volume 1 (Grages 1-5)
Expected to ship in 1-2 weeks.
Shipping Policy- Composers: Susanne Xóchitl Paul (1970-), Barbara Heller (1936-), Bertha von Brukenthal (1846-1908), Adaline Shepherd (1883-1950), Vera Mohrs (1984-), Charlotte Mohrs (1989-), Els Aarne (1917-1995), Elaine Fine (1959-), Magdalena Cynk (1968-), Carita von Horst (1864-1935), Magdalena König (1970-), Vasiliki Kourti-Papamoustou (1988-), Anna Priscilla Risher (1875-1946), Käthe Volkart-Schlager (1897-1976)
- Editor: Beverley Ellis
- Instrumentation: Cello, Piano
- ISMN:
- Size: 9.0 x 12.0 inches
- Pages: 128
Description
Women Composers – A Graded Anthology for Cello and Piano is a three-book series dedicated to cello music by female composers. Intended as a progressive compendium of educational and concert pieces for cello and piano, this series illustrates the rich and varied repertoire composed by women from the 19th century to the present day. The anthology aims to help ensure that works by women composers become an established part of the cello repertoire.
Volume 1 contains easy to moderately difficult pieces that can be played in the neck positions and encompasses 28 works by 14 women composers from different countries. The collection spans a wide variety of styles – from Romantic character pieces such as Nocturne or Romance, to early ragtime compositions, jazz- and swing-inspired pieces, and contemporary works. The pieces are arranged in two levels of difficulty: Elementary (international Grades 1–3), and Intermediate (international Grades 4–5).
Contents:
- Elementary (Grades 1–3)
Käthe Volkart-Schlager (1897–1976):
- Sonatine
Anna Priscilla Risher (1875–1946):
- Miniatures / Miniaturen
- Barcarolle
- Cantilèna
- Valse mélodique
- Tarantella
Barbara Heller (*1936):
- Moments / Momente
- Now / Jetzt
- Eternal / Ewig
- Impulsive / Impulsiv
- Timeless / Zeitlos
- Sometimes / Manchmal
Vera Mohrs (*1984):
- Cat Songs / Katzenmusik
- Hallo Kitty! / Hallo Kätzchen!
- Roaming / Streifzug
- Nightwatch / Nachtwache
Vasiliki Kourti-Papamoustou (*1988):
-
Baroque-ish
-
Intermediate (Grades 4–5)
Magdalena König (*1970):
- Hanging Out
- By the Sea / Am Meer
- Pumpkin Pie
Charlotte Mohrs (*1989): - Dream Dance / Traumtanz - Syncopation Tango
Adeline Shepherd (1883–1950):
- Live Wires Rag
Magdalena Cynk (*1968):
- Ukrainian Dance / Kozak Ukrainski
Elaine Fine (*1959):
- Cellodactyl
Els Aarne (1917–1995):
- Nocturne, Op. 56, No. 1
Carita von Horst (1864–1935):
- Sarabande
Berta von Brukenthal (1846–1908):
- Romance, Op. 9
Vasiliki Kourti-Papamoustou (*1988):
- Bow Dance
- Keep Cool!
Susanne Paul (*1970):
- Frogster Funk
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Digital Download
Digital, PDF version of the score.
