Anthology of New Music for Tenor - Volume 1
Expected to ship in about a month.
Shipping Policy- Instrumentation: Piano, Tenor
- ISBN:
Description
Curated by composer/tenor Dennis Tobenski, this collection of 20 art songs is ideal for active performers looking for exciting new repertoire, voice teachers searching for fresh contemporary songs for their studios, or student vocalists seeking out unique and culturally-relevant new works to fulfill 21st century repertoire requirements.
These songs, which were predominantly composed in the 21st century, represent a broad range of compositional styles from composers living and writing today, and were curated for intermediate through advanced voices. Many of the songs in this volume are excerpted from larger cycles of songs, available directly from the composers.
Contents:
- Paul Ayres The Salutation (from The Light Walking)
- Chester Biscardi At Any Given Moment (from Modern Love Songs)
- Clint Borzoni In The Golden Afternoon (from Within the Looking Glass)
- Steven Burke Inebriate of Air
- Daniel Gilliam Like men and women (from Songs of Insects and Animals)
- Juliana Hall June (from The Poet's Calendar)
- Drew Hemenger Her Final Show
- Garrett Hope Princess Stories (from Somewhere, Love)
- Rory Johnston -Like the dove (from Nostalgia)_
- David Leisner -Love and Friendship (from Confiding)_
- Lisa Neher Tuesdays and Thursdays (from Snapshots)
- Frank J. Oteri Prick'd
- Gabrielle Owens Black is the Color (from Three Folk Songs)
- Darien Shulman If Thou'lt Be Mine (from Three Poems of Thomas Moore)
- Dennis Tobenski John Anderson, My Jo (from and He'll Be Mine)
- Craig Urquhart Here The Frailest Leaves of Me (from Leaves)
- Philip Wharton Let Me Play the Fool (from Fools)
- Scott Wheeler Night (from Heaven and Earth)
- David Wolfson When First I Loved You (from Six Love Songs)
- Roger Zahab River
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Digital Download
Digital, PDF version of the score.
