{"product_id":"terefenko-jazz-voicings-for-piano-volume-1-the-drop-two-harmonic-technique-advance","title":"Terefenko: Jazz Voicings for Piano - Volume 1 (The \"Drop Two\" Harmonic Technique)","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/dariusz-terefenko\"\u003eDariusz Terefenko\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790206300615\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e13.4\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 176\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/www.schott-music.com\/en\/preview\/viewer\/index\/?idx=MzQ1MTE2\u0026amp;idy=345116\u0026amp;dl=0\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-book\" viewbox=\"0 0 16 16\" style=\"margin-right: 5px;\"\u003e\u003cpath d=\"M1 2.828c.885-.37 2.154-.769 3.388-.893 1.33-.134 2.458.063 3.112.752v9.746c-.935-.53-2.12-.603-3.213-.493-1.18.12-2.37.461-3.287.811V2.828zm7.5-.141c.654-.689 1.782-.886 3.112-.752 1.234.124 2.503.523 3.388.893v9.923c-.918-.35-2.107-.692-3.287-.81-1.094-.111-2.278-.039-3.213.492V2.687zM8 1.783C7.015.936 5.587.81 4.287.94c-1.514.153-3.042.672-3.994 1.105A.5.5 0 0 0 0 2.5v11a.5.5 0 0 0 .707.455c.882-.4 2.303-.881 3.68-1.02 1.409-.142 2.59.087 3.223.877a.5.5 0 0 0 .78 0c.633-.79 1.814-1.019 3.222-.877 1.378.139 2.8.62 3.681 1.02A.5.5 0 0 0 16 13.5v-11a.5.5 0 0 0-.293-.455c-.952-.433-2.48-.952-3.994-1.105C10.413.809 8.985.936 8 1.783z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e Look Inside! \u003c\/a\u003e \u003c\/div\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/content.alfred.com\/catpages\/01-ADV9046.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cstrong\u003eJazz Voicings: The Complete Linear Approach\u003c\/strong\u003e is designed for jazz pianists seeking to broaden their knowledge of jazz harmony and to cultivate practical skills for mastering the harmonic progressions found in standard tunes and jazz instrumentals. Created for amateur or professional jazz pianists, this path takes you step-by-step through all essential aspects of the linear approach.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePart 1: The \"Drop-Two\" Harmonic Technique\u003c\/strong\u003e begins with the simple process of dropping the second note from a close position chord down an octave to create an open position voicing. Making an analogy between language and music, natural languages contain a lexicon of words that allow people to communicate their thoughts and feelings to others, music (jazz) harmony contains a lexicon of chords that allow jazz musicians to communicate. Part 1 defines these rules and clearly explains how with a distinctive approach to voice leading, dissonances treatment, and counterpoint, which are logical extensions of the syntax of jazz harmony. The chapters are: \"Four-Part Chords,\" \"Inverted Chords,\" \"Five-Part Chords,\" \"Rootless Chords,\" and finishing with \"Six-Part Chords\" and \"Incomplete Chords.\" The concluding Exercise Section contains carefully-designed harmonic drills that utilize and complement the content of each chapter in unique and interesting ways.\u003c\/p\u003e\n\u003cp\u003eContents:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eChapter 1 – Four-Part Chords:\u003c\/li\u003e\n\u003cli\u003eMajor Chords\u003c\/li\u003e\n\u003cli\u003eMinor Chords\u003c\/li\u003e\n\u003cli\u003eDominant Chords\u003c\/li\u003e\n\u003cli\u003eHalf-Diminished \/ Diminished Chords\u003c\/li\u003e\n\u003cli\u003e\"Drop Two\" Technique\u003c\/li\u003e\n\u003cli\u003ePiano Textures\u003c\/li\u003e\n\u003cli\u003eVoice Leading\u003c\/li\u003e\n\u003cli\u003eExploring the Potential of \"Drop Two\" Voicings\u003c\/li\u003e\n\u003cli\u003eExercise Section\u003c\/li\u003e\n\u003cli\u003eChapter 2 – Inverted Four-Part Chords:\u003c\/li\u003e\n\u003cli\u003ePreliminaries\u003c\/li\u003e\n\u003cli\u003eChromaticism\u003c\/li\u003e\n\u003cli\u003eInvertible Counterpoint - Exercise Section\u003c\/li\u003e\n\u003cli\u003eChapter 3 – Five-Part Chords:\u003c\/li\u003e\n\u003cli\u003eMajor Chords\u003c\/li\u003e\n\u003cli\u003eMinor Chords\u003c\/li\u003e\n\u003cli\u003eDiminished Chords\u003c\/li\u003e\n\u003cli\u003eDominant Chords\u003c\/li\u003e\n\u003cli\u003eSuspended Chords\u003c\/li\u003e\n\u003cli\u003eKeyboard Style\u003c\/li\u003e\n\u003cli\u003eChorale Style\u003c\/li\u003e\n\u003cli\u003eInverted Five-Part Chords\u003c\/li\u003e\n\u003cli\u003eExercise Section\u003c\/li\u003e\n\u003cli\u003eChapter 4 – Rootless Five-Part Voicings:\u003c\/li\u003e\n\u003cli\u003ePracticing Rootless Chords\u003c\/li\u003e\n\u003cli\u003eThe ii-V7-I Progression in Keyboard Style\u003c\/li\u003e\n\u003cli\u003eThe Sus7 Dominant Preparation\u003c\/li\u003e\n\u003cli\u003eThe iiø-V7-i Progression in Keyboard Style\u003c\/li\u003e\n\u003cli\u003eBasic Melodic Elaborations in Chorale Style\u003c\/li\u003e\n\u003cli\u003eExercise Section\u003c\/li\u003e\n\u003cli\u003eChapter 5 – Six-Part Chords:\u003c\/li\u003e\n\u003cli\u003ePairs of Triads\u003c\/li\u003e\n\u003cli\u003eSuperimposed Triads\u003c\/li\u003e\n\u003cli\u003eRootless Voicings\u003c\/li\u003e\n\u003cli\u003eUpper-Structure Triads in the Dominant 7th Chord\u003c\/li\u003e\n\u003cli\u003eCombinations of Extensions\u003c\/li\u003e\n\u003cli\u003e\"Drop Two\" Dominant 7ths\u003c\/li\u003e\n\u003cli\u003eSuspended Chords\u003c\/li\u003e\n\u003cli\u003eRootless Dominant 7th and Sus7 Chords\u003c\/li\u003e\n\u003cli\u003eVoice Leading\u003c\/li\u003e\n\u003cli\u003eExercise Section\u003c\/li\u003e\n\u003cli\u003eChapter 6 – Incomplete Chords:\u003c\/li\u003e\n\u003cli\u003eJ. S. Bach's Setting of a Chorale\u003c\/li\u003e\n\u003cli\u003eMajor, Minor and Half-Diminished \/ Diminished Chords in Chorale Style\u003c\/li\u003e\n\u003cli\u003eDominant 7th and Suspended Chords in Chorale Style\u003c\/li\u003e\n\u003cli\u003eRootless Formations in Chorale Style\u003c\/li\u003e\n\u003cli\u003eThe II-V-I Progression\u003c\/li\u003e\n\u003cli\u003eInvertible Counterpoint\u003c\/li\u003e\n\u003cli\u003eLinear Embellishments\u003c\/li\u003e\n\u003cli\u003eExercise Section\u003c\/li\u003e\n\u003cli\u003eIndex\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"advance music","offers":[{"title":"Default Title","offer_id":44475212464207,"sku":"ADV9046","price":41.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/1b73972dad256fd30eefa90c9c34fd53.jpg?v=1770915178","url":"https:\/\/www.ficksmusic.com\/pt\/products\/terefenko-jazz-voicings-for-piano-volume-1-the-drop-two-harmonic-technique-advance","provider":"Ficks Music","version":"1.0","type":"link"}