{"product_id":"moravec-brandenburg-gate-subito","title":"Moravec: Brandenburg Gate","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/paul-moravec\"\u003ePaul Moravec (1957-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Full Score\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eViolin, Chamber Orchestra\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Brandenburg Gate (2008)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eFor trumpet, flute, clarinet (doubling bass clarinet), solo violin and strings. Approximately 17 minutes.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe title, \u003cem\u003eBrandenburg Gate\u003c\/em\u003e , suggests a portal through which we enter Bach's world of exuberant invention. It also refers to the actual monument in Berlin, which I personally associate primarily with the astonishing images of the opening of the Berlin Wall on November 9, 1989.\u003c\/p\u003e\n\u003cp\u003eThere are three movements in this piece—fast-slow-fast—and they are played attacca, that is, without interruption between the movements. The name Bach, B-A-C-H, can be represented in German musical notation as B-flat – A – C – B-natural. Bach himself used this device occasionally in his own music, and various composers since then have followed his lead in tribute to the master. This piece is, among other things, a musical meditation and elaboration on the motive. As the B-A-C-H motive is a chromatic four-pitch collection, it well suits my characteristically chromatic harmonic language. Occasionally, the motive serves as the foundation of various twelve-tone rows treated in the general context of my own particular tonality. –\u003cstrong\u003ePaul Moravec\u003c\/strong\u003e\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Subito","offers":[{"title":"Default Title","offer_id":45151957942351,"sku":"91770600","price":37.79,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/d56230d9558f27afae5411b87ff96228.webp?v=1777388003","url":"https:\/\/www.ficksmusic.com\/pt\/products\/moravec-brandenburg-gate-subito","provider":"Ficks Music","version":"1.0","type":"link"}