{"title":"Sheet music composed by Tom Flaherty (1950-)","description":"Tom Flaherty (1950-) is a composer from United States of America. Read more on \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Thomas_Flaherty_(musician)\" target=\"_blank\"\u003eWikipedia\u003c\/a\u003e.","products":[{"product_id":"flaherty-insurreflections-aca","title":"Flaherty: Insurreflections","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/tom-flaherty\"\u003eTom Flaherty (1950-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Set of Parts\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eSoprano, Baritone, Chamber Ensemble\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Insurreflections (2022) (mandola, viola, cello, piano)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork Language\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eEnglish\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cstrong\u003eComposer's Note:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWritten in fall of 2021, Insurreflections is what we hoped would be the last of five annual commentaries on presidential politics since 2016. Though still juicier issues have come up since then, January 6 and its constellation of events and reactions are unfortunately still relevant. \"Insurrection\" addresses the events of January 6, 2021. \"Unrequited\" is a love song, sung by Vice President Mike Pence. \"A Bedder Way\" marvels at opposing interpretations of the same events.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Default Title","offer_id":42217050112079,"sku":"ACA-FLAH-048","price":63.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/1c84c7f4fe8168a03aa6c67f49bc8d33.webp?v=1780076513"},{"product_id":"flaherty-song-of-one-who-loves-aca","title":"Flaherty: Song of one who loves","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/tom-flaherty\"\u003eTom Flaherty (1950-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Soprano\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Song of one who loves (2022)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork Language\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eEnglish\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cstrong\u003eComposer's Note:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA couple of years ago Melissa Givens handed me a set of poems by her poet friend Euan Tait, asking if they might be set to music. They practically leapt onto the staff paper. in six short poems, the poet presents vivid reflections of his relationships with several women in his life: mother, sisters, and friends.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Default Title","offer_id":42217056436303,"sku":"ACA-FLAH-047","price":33.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/6b5c47b0eeff29f101ed28b38309589e.webp?v=1780076548"},{"product_id":"flaherty-processional-aca","title":"Flaherty: Processional","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/tom-flaherty\"\u003eTom Flaherty (1950-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Performance Score\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eOrgan I, Organ II\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Processional (2023)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eMusic is in performance score format. Two copies are needed for performance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComposer's Note:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eI was delighted when my friend and colleague Bill Peterson asked me to write a short piece for the unusual forces of two organists, to close this program performed by himself and Carey Robertson. The task seemed to call for something festive, joyous, and occasionally raucous. I hope this little \"Processional\" suits the occasion.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Default Title","offer_id":42217080455247,"sku":"ACA-FLAH-046","price":22.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/05a4272106bf189ae116bec6d24b1021.webp?v=1753662891"},{"product_id":"flaherty-concordance-aca","title":"Flaherty: ConcorDance","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/tom-flaherty\"\u003eTom Flaherty (1950-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: ConcorDance (2024)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790600232277\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cstrong\u003eComposer's Note:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eConcorDance\u003c\/em\u003e was written in loving memory of Susan Svrček, stellar pianist and good friend. in the 30 plus years I knew Susan I associated her most with Beethoven, Mozart, and Ives, but she played a vast range of music, often at Piano Spheres concerts. I was lucky enough to play chamber music with Susan many times over the years: Beethoven, Mozart, and some new music, including of my own music, and that of her husband (and my composition teacher), Rick Lesemann.\u003c\/p\u003e\n\u003cp\u003eThe first piece I ever heard her perform was Beethoven, Op. 109, in a stunning program of late Beethoven. I heard her play Ives' \u003cem\u003eConcord Sonata\u003c\/em\u003e several times, occasionally with my wife Cindy Fogg playing the optional 14 notes for viola. Mozart is alluded to only in the light texture of the opening of ConcorDance, but there are explicit references to Beethoven and Ives' \u003cem\u003eConcord: Sonata\u003c\/em\u003e , which was a favorite of Susan's.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Default Title","offer_id":42674827722831,"sku":"ACA-FLAH-054","price":16.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/5a884762bbe0e57546fc1d7b2d311152.webp?v=1780257303"},{"product_id":"flaherty-euphoric-waltzes-aca","title":"Flaherty: Euphoric Waltzes","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/tom-flaherty\"\u003eTom Flaherty (1950-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Score \u0026amp; Set of Parts\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eString Quartet (Violin I, Violin II, Viola, Cello)\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Euphoric Waltzes (2004)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790600232291\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cstrong\u003eComposer's Note:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHaving programmed Bartók's 17-minute Third String Quartet on a 30-minute noon concert, Quartet Euphoria needed just a bit more music, and I seized the opportunity to write something to fill the bill. It needed to be short (just under ten minutes) fairly light (as a balance to the intensity of the Bartók) and fun to play. Being married to the violist, it was obvious to me that it also needed an extensive viola solo. What resulted was \u003cem\u003eEuphoric Waltzes\u003c\/em\u003e , a series of interconnected waltzes in a wide range of tempos, sometimes several at once.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEuphoric Waltzes\u003c\/em\u003e is dedicated to Quartet Euphoria.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Default Title","offer_id":42674833031247,"sku":"ACA-FLAH-056","price":35.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/0942a4aab56642902a3178760bcceb61.webp?v=1781696103"},{"product_id":"flaherty-barstow-bagatelle-aca","title":"Flaherty: Barstow Bagatelle","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/tom-flaherty\"\u003eTom Flaherty (1950-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eElectric Piano\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Barstow Bagatelle (2012)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790600232314\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cstrong\u003eComposer's Note:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"Barstow Bagatelle\" makes use of the tuning system devised by Harry Partch and used in the guitar part of his \"Barstow.\" The 19 notes per octave is a non-symmetrical subset of his 43-tone scale. Some adjacent notes are just about a \"half-step\" apart, in 12-tone equal tempered tuning. in other parts of the scale it may take 4 adjacent notes to span the same interval. The harmonic possibilities range from stunningly pure consonance to excruciating dissonance, and \"Barstow Bagatelle\" uses most of that range.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Default Title","offer_id":42674869108815,"sku":"ACA-FLAH-057","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/2218a01a23bf3ee82dbb38829d7aae16.webp?v=1780257228"},{"product_id":"flaherty-canon-a-la-mode-aca","title":"Flaherty: Canon á la Mode","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/tom-flaherty\"\u003eTom Flaherty (1950-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Score \u0026amp; Set of Parts\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eCello I, Cello II, Cello III\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Canon á la Mode (1983)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790600232284\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cstrong\u003eComposer's Note:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCanon á la Mode\u003c\/em\u003e is an arrangement of \u003cem\u003eTwinkle, Twinkle Little Star\u003c\/em\u003e , for three cellos. The tune, and nothing but the tune, is presented in all seven modes, forwards, backwards, and upside-down, in augmentation and diminution. The piece can be treated as a theory teaching tool or as an odd sort of fantasia on a familiar theme. It is easy to play in that there are only seven pitches, all in first position, and nothing faster than eighth notes.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Default Title","offer_id":42678977626191,"sku":"ACA-FLAH-055","price":19.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/6c7c7779f5bf4fb29f02e1505b432d8f.webp?v=1780257257"},{"product_id":"flaherty-walk-in-the-park-aca","title":"Flaherty: Walk in the Park","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/tom-flaherty\"\u003eTom Flaherty (1950-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Set of Performance Scores\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eCello I, Cello II\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: A Walk in the Park (2011)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790600232239\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cstrong\u003eComposer's Note:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA title is generally the last thing to come to mind when composing a piece, usually not until the piece is done. As this cello duo turned out to be short, episodic, and casual in some ways, it brought to mind the title. As with most instrumental pieces, \u003cem\u003eA Walk in the Park\u003c\/em\u003e is really \"about\" notes, rhythm, melody, sound, time. But if a listener hears dogs barking at a nest of bees followed by soaring birds overhead, children playing and arguing , taunting nursery rhymes, maybe even a drumming circle in the distance, who could criticize them?\u003cem\u003eA Walk in the Park\u003c\/em\u003e was written for Roger Lebow, who makes all around him feel that they are taking a stimulating walk in the park on a pleasant summer day, no matter what the actual weather. I am grateful for the opportunity to play the premiere of the piece with him.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Default Title","offer_id":42678983753807,"sku":"ACA-FLAH-053","price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/fef4e91e6102f81a59cadc36d1418eee.webp?v=1781868763"},{"product_id":"flaherty-bowling-bells-aca","title":"Flaherty: Bowling Bells","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/tom-flaherty\"\u003eTom Flaherty (1950-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Score with Audio Download\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePercussion, Electronics\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Bowling Bells (2002) (18 kitchen bowls)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790600232321\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003efor 18 kitchen bowls and 4-channel recording\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComposer's Note:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"Bowling Bells\" is an excuse to listen carefully to a few everyday sounds, and to celebrate their extraordinary beauty. Central to the piece are two stainless steel bowls which have served hundreds of pounds of salad to our many guests over the years. I have always marveled at the rich sonority that each produces with the slightest encouragement. They are nearly perfectly tuned in a Minor third apart (though with everyday use that perfection does vary from dent to dent,) and they signal Major points of arrival in the piece.\u003c\/p\u003e\n\u003cp\u003eThe 2-5 channel playback is of digital retunings of the metal bowls, yielding 15 equally spaced pitches within the Minor third. The 30 glass bowls used here have served hundreds of gallons of soup to many guests over the years, and have a range or nearly a Minor third also, with many pitches in between. Performers sound the bowls with various implements found in most homes: toothbrushes (10-12), marbles (12-20), combs (12-20), trickling water, and fingers.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Default Title","offer_id":42679000957007,"sku":"ACA-FLAH-058","price":16.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/ab95dc443f697d9e1386c5f122229751.webp?v=1780256682"},{"product_id":"flaherty-time-to-travel-aca","title":"Flaherty: Time to Travel","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/tom-flaherty\"\u003eTom Flaherty (1950-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Performance Score\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano I, Piano II\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Time to Travel (1996)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790600232161\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003ePrinted in performance score format. 2 copies are need for performance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComposer's note:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eI wrote \u003cem\u003eTime to Travel\u003c\/em\u003e for Karl and Margaret Kohn, and could not help but think of them during the process, as pianists, as musicians, and as friends. They have an extraordinary command of their instruments, an astonishing ensemble, and a profound musical instinct. Their warmth and enthusiasm for music and life have enriched the lives of all who have come in contact with them. Perhaps their intense discourse with the music of the second Viennese school and its descendants influenced the piece's basic chordal vocabulary (mostly tritone\/fourth-, and Major\/Minor third-chords). Their decades-long association with the Bartók \u003cem\u003eSonata for Two pianos and Percussion\u003c\/em\u003e was never far from my mind, as is clear from many rhythmic and melodic gestures in the piece.\u003c\/p\u003e\n\u003cp\u003eAlthough Karl is still very present on the musical scene, now that he has retired, the Kohns may have at least a little more time to travel.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Default Title","offer_id":42679011803215,"sku":"ACA-FLAH-052","price":28.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/e21bba48d030fc186ea8d4f683d19bc3.jpg?v=1752086644"},{"product_id":"flaherty-trio-for-cello-live-processor-aca","title":"Flaherty: Trio for Cello \u0026 Live Processor","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/tom-flaherty\"\u003eTom Flaherty (1950-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eCello, Electronics\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Trio for Cello \u0026amp; Digital Processor (1991)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790600232611\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Default Title","offer_id":42774692298831,"sku":"ACA-FLAH-061","price":14.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/17ad920b5df657109a38e85cbd5fdf81.webp?v=1780256011"},{"product_id":"flaherty-variations-on-es-ist-genug-aca","title":"Flaherty: Variations on \"Es ist genug\"","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/tom-flaherty\"\u003eTom Flaherty (1950-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eOrgan\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Variations on \"Es ist genug\" (2003)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790600232574\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eComposer's Note:\u003c\/p\u003e\n\u003cp\u003eAs I began thinking about composing a piece for William Peterson and Pomona's new Fisk organ I found myself returning to certain intervals, mostly rising whole steps topped off by a half-step. At some point it came to me that these are the intervals of \"Es ist genug\" a Lutheran hymn tune written by Johann Rudolph Ahle in 1662. The melody is well-known, principally from Johann Sebastian Bach's chorale setting and from Alban Berg's quotation of that setting in his Violin Concerto. The tune is beguiling and unusual in its opening intervals and its phrase structure, which leave us floating in the key of the dominant far longer than the \"central\" key.\u003c\/p\u003e\n\u003cp\u003eUpon further reflection, abstract intervals were out the window, and it was clear that I should use this tune as a basis for the piece. The resulting Variations on \"Es ist genug\" is just what the title implies.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Default Title","offer_id":42801727897679,"sku":"ACA-FLAH-060","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/ba6076b615f00e8fdc41dc0efb3ddde2.webp?v=1780257559"},{"product_id":"flaherty-moments-of-inertia-aca","title":"Flaherty: Moments of Inertia","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/tom-flaherty\"\u003eTom Flaherty (1950-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Score \u0026amp; Set of Parts\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eCello, Flute, Viola\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Moments of Inertia (2003)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790600232567\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eComposer's Note:\u003c\/p\u003e\n\u003cp\u003eIn English, \"moments of inertia\" might be taken to be points in time with little motion, or with continuing motion. in physics, a moment of inertia has to do with angular momentum, a tendency of rotating objects to continue rotating at a speed related to the distance of the center of gravity from the axis of rotation. (A spinning figure skater pulling her arms in will speed up with no further effort.) Both of these meanings seem relevant. in this piece, or at least in the first two movements, I can imagine a spinning skater moving her arms in curious ways, spinning fast and slow, while remaining in one spot on the ice. in the first movement, \"With Quiet Turbulence,\" the meter is defined by a simple melody in the flute, while the viola and cello background motive implies something else. The conflict results in a curious sense of both motion and stasis. The compulsive background motive eventually commandeers the entire movement, insisting upon its own meter, with several possible downbeats for the ear to choose from. \"Uneasy Lullaby\" gently rocks between 6\/8 and 3\/4, a simpler sort of ambiguity. \"With Headlong Agitation\" tosses all ambiguity to the wind with relentless forward motion.\u003c\/p\u003e\n\u003cp\u003e\"Moments of Inertia\" was commissioned by Dinosaur Annex for its 26th season.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Default Title","offer_id":42801731240015,"sku":"ACA-FLAH-059","price":38.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/f97d91a703c41cfe4e9c3019b1edc6d2.webp?v=1780257481"},{"product_id":"flaherty-asylum-piece-aca","title":"Flaherty: Asylum Piece","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/tom-flaherty\"\u003eTom Flaherty (1950-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eClarinet, Mezzo Soprano, Piano Quartet (Piano, Violin, Viola, Cello)\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Asylum Piece (1983)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork Language\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eEnglish\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790600232789\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eComposer's Note:\u003c\/p\u003e\n\u003cp\u003eAsylum Piece is a setting of a text by nineteenth century British poet John Clare, who spent a good deal of his life in an insane asylum.\u003c\/p\u003e\n\u003cp\u003eAs a child, he would spend hours writing rhymes on scraps of paper, usually hiding them from his father, a farm laborer who saw no purpose in his son's daydreaming. Indeed, hardly anyone saw purpose in Clare's life. He had one brief critical success in 1820 with his Poems Descriptive of Rural Life and Scenery, but the attention was short lived, and his next and last collection was virtually ignored by the press and public alike.\u003c\/p\u003e\n\u003cp\u003eHe began drinking, addressing his wife by the name of a casual acquaintance long since dead, and attempting (unsuccessfully) to sell his poems door-to-door, often walking as much as thirty miles in a day. in 1837, Clare was committed to a private asylum. He was later moved to Northampton County Asylum, where he remained until his death in 1864, and where he wrote the poem set here.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Set of Parts","offer_id":42801734320207,"sku":"ACA-FLAH-062","price":28.0,"currency_code":"USD","in_stock":true},{"title":"Full Score","offer_id":42801774723151,"sku":"ACA-FLAH-062s","price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/fa33a17750ed546e0b01e6cc26430afc_15e00405-0a56-4f16-98a5-ac4acddb4f83.jpg?v=1753175339"},{"product_id":"flaherty-swan-songs-aca","title":"Flaherty: Swan Songs","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/tom-flaherty\"\u003eTom Flaherty (1950-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Set of Parts\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eCello, Piano, Viola, Cello II\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Swan Songs (2016)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790600237760\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003efor solo cello with viola (or cello), cello, and piano\u003c\/p\u003e\n\u003cp\u003eComposer's Note:\u003c\/p\u003e\n\u003cp\u003eI wrote this in 2016 for the National Cello Institute and its founder\/director, Rick Mooney. It was an excuse to invite Rick to join us in a Celliola concert. Rick played\n\u003cem\u003eThe Swan\u003c\/em\u003e\nwith Genevieve Feiwen Lee while Cindy and I tried to distract him with 15 other cello pieces.\nSet comes with both a viola part and an alternate cello part.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Default Title","offer_id":44297966157903,"sku":"ACA-FLAH-063","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/862559e56b664c3738a5c2d5816cfaa1.webp?v=1780256632"},{"product_id":"flaherty-christmas-quodlibet-version-for-4-cellos-aca","title":"Flaherty: Christmas Quodlibet (Version for 4 Cellos)","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/tom-flaherty\"\u003eTom Flaherty (1950-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Score \u0026amp; Set of Parts\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eCello Ensemble\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/flaherty-christmas-quodlibet-1986\"\u003eChristmas Quodlibet (1986)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eComposer's Note:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eChristmas Quodlibet\u003c\/em\u003e\nis an opportunity for four cellists to play 15 Christmas carols and the Hallelujah Chorus in less than 4 minutes. for those who love the pieces, it should be fun. for those who have heard\/played them more than seems sensible in one lifetime, it's a chance to get through them in record time.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Default Title","offer_id":44516951130191,"sku":"ACA-FLAH-019","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/bda6802b0c52e23356b84243c1909b95.webp?v=1780076302"},{"product_id":"flaherty-christmas-quodlibet-version-for-4-violas-aca","title":"Flaherty: Christmas Quodlibet (Version for 4 Violas)","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/tom-flaherty\"\u003eTom Flaherty (1950-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Score \u0026amp; Set of Parts\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation (this edition)\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eViola Ensemble\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong class=\"original-instrumentation-title\"\u003eOriginally for\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eCello Ensemble\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/flaherty-christmas-quodlibet-1986\"\u003eChristmas Quodlibet (1986)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eComposer's Note:\nChristmas Quodlibet\nis an opportunity for 4 violists to play 15 Christmas carols and the Hallelujah Chorus in less than 4 minutes. for those who love the pieces, it should be fun. for those who have heard\/played them more than seems sensible in one lifetime, it's a chance to get through them in record time.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Default Title","offer_id":44516952375375,"sku":"ACA-FLAH-034v","price":18.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/5783911d6f52ec6b25f738b2a1c49128.webp?v=1780076301"},{"product_id":"flaherty-recess-aca","title":"Flaherty: Recess","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/tom-flaherty\"\u003eTom Flaherty (1950-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Score \u0026amp; Set of Parts\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eString Quartet (Violin I, Violin II, Viola, Cello), Electronics\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Recess (2017)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790307300361\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eComposer's Note:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRecess\u003c\/em\u003e\nis about pleasurable motions, some of which we learned on childhood playgrounds. \"Spin\" plays with tiny musical fragments, spinning them like a tOp. \"Swing\" recollects the fleeting sensation sought from a playground swing, at the high end of the arc, where we feel a giddy moment of weightlessness. in \"Tag\" every motion is chased by another, not for the goal of winning, but simply for the fun of it.\u003c\/p\u003e\n\u003cp\u003eThe optional electronic sounds consist of live manipulations of the quartet playing through a MAX patch.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"American Composers Alliance (ACA)","offers":[{"title":"Default Title","offer_id":45323553275983,"sku":"ACA-FLAH-065","price":78.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/32e30ec72d19720046e50b0611d3e5f6.webp?v=1780256558"}],"url":"https:\/\/www.ficksmusic.com\/pt\/collections\/tom-flaherty.oembed","provider":"Ficks Music","version":"1.0","type":"link"}