{"title":"Smyth: Nocturne (Kanon in Gegenbewegung)","description":null,"products":[{"product_id":"smyth-complete-piano-works-breitkopf","title":"Smyth: Complete Piano Works","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/ethel-smyth\"\u003eEthel Smyth (1858-1944)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Liana Gavrila-Serbescu\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790004189276\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/issuu.com\/breitkopf\/docs\/eb_9450_issuu\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-book\" viewbox=\"0 0 16 16\" style=\"margin-right: 5px;\"\u003e\u003cpath d=\"M1 2.828c.885-.37 2.154-.769 3.388-.893 1.33-.134 2.458.063 3.112.752v9.746c-.935-.53-2.12-.603-3.213-.493-1.18.12-2.37.461-3.287.811V2.828zm7.5-.141c.654-.689 1.782-.886 3.112-.752 1.234.124 2.503.523 3.388.893v9.923c-.918-.35-2.107-.692-3.287-.81-1.094-.111-2.278-.039-3.213.492V2.687zM8 1.783C7.015.936 5.587.81 4.287.94c-1.514.153-3.042.672-3.994 1.105A.5.5 0 0 0 0 2.5v11a.5.5 0 0 0 .707.455c.882-.4 2.303-.881 3.68-1.02 1.409-.142 2.59.087 3.223.877a.5.5 0 0 0 .78 0c.633-.79 1.814-1.019 3.222-.877 1.378.139 2.8.62 3.681 1.02A.5.5 0 0 0 16 13.5v-11a.5.5 0 0 0-.293-.455c-.952-.433-2.48-.952-3.994-1.105C10.413.809 8.985.936 8 1.783z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e Look Inside! \u003c\/a\u003e \u003c\/div\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/www.breitkopf.com\/assets\/haendler\/samples\/9790004189276.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eIt is quite amazing that the piano works of the English composer Ethel Smyth had remained unpublished until 2003. All of them were written during her Leipzig study years after 1877, a period that Ethel Smyth herself described as the happiest time of her life. in Leipzig, she met such musical giants as Brahms, Clara Schumann, Dvořák, Grieg and Tchaikovsky. It should come as no surprise that these encounters left stylistic traces in Ethel Smyth's piano oeuvre. Smyth wrote the three piano sonatas in 1877, yet they are stylistically diverse: Smyth raced through a kind of musico-historical evolution. Her point of departure was Haydn and Mozart, who clearly inspired her sonata in C Major. It was followed by the impassionate sonata in C-sharp Minor, which was inspired by the actress Marie Geistinger. The two-movement fragment in D Major, reflecting Ethel Smyth's admiration for Brahms, concludes the sonatas. Most of the other piano pieces borrow their atmosphere and titles from Baroque models (dance movements, genre pieces) and are technically undemanding. They have been arranged in this edition in order of progressive difficulty.\u003c\/p\u003e \u003c\/div\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003ePiano Sonata No. 1 in C Major (1877)\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 2 in C-sharp Minor (Geistinger) (1877)\u003c\/li\u003e\n\u003cli\u003ePiano Sonata No. 3 in D Major (1877)\u003c\/li\u003e\n\u003cli\u003ePiano Piece in E Major\u003c\/li\u003e\n\u003cli\u003eAus der Jugenzeit!! (1880)\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/pt\/collections\/smyth-four-part-dances-1880\"\u003eFour-part Dances (1880)\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003eSuite in E Major (Two-part Suite in E) (1880)\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/pt\/collections\/smyth-nocturne-kanon-in-gegenbewegung\"\u003eNocturne (Kanon in Gegenbewegung)\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003eKanon in Gegenbewegung mit einer Füllstimme\u003c\/li\u003e\n\u003cli\u003eKanon in Gegenbewegung mit Begleitung\u003c\/li\u003e\n\u003cli\u003eTwo-part Invention in D Major (1880)\u003c\/li\u003e\n\u003cli\u003ePrelude and Fugue in C Major (1884)\u003c\/li\u003e\n\u003cli\u003eVariations on an Original Theme (of an Exceedingly Dismal Nature) (1878)\u003c\/li\u003e\n\u003cli\u003ePrelude and Fugue in F-sharp Major (1880)\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"Breitkopf \u0026 Härtel","offers":[{"title":"Printed Edition","offer_id":40516462837839,"sku":"EB9450","price":58.5,"currency_code":"USD","in_stock":true},{"title":"Digital Download","offer_id":41425175248975,"sku":"EB9450D","price":58.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/e9a99fb911a1a19885e71bdde82eaed0.jpg?v=1750129384"},{"product_id":"the-faber-music-women-composers-piano-anthology-faber","title":"The Faber Music Women Composers Piano Anthology","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposers\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/fanny-mendelssohn-hensel\"\u003eFanny (Mendelssohn) Hensel (1805-1847)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/dora-pejacevic\"\u003eDora Pejačević (1885-1923)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/helene-de-montgeroult\"\u003eHélène de Montgeroult (1764-1836)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/imogen-holst\"\u003eImogen Holst (1907-1984)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/marianna-martines\"\u003eMarianna Martines (1744-1812)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/chiquinha-gonzaga\"\u003eChiquinha Gonzaga (1847-1935)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/agnes-obel\"\u003eAgnes Obel (1980-)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/vitezslava-kapralova\"\u003eVítězslava Kaprálová (1915-1940)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/cecile-chaminade\"\u003eCécile Chaminade (1857-1944)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/lili-boulanger\"\u003eLili Boulanger (1893-1918)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/julia-wolfe\"\u003eJulia Wolfe (1958-)\u003c\/a\u003e, Olivia Belli, \u003ca href=\"\/pt\/collections\/clara-schumann\"\u003eClara Schumann (1819-1896)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/florence-price\"\u003eFlorence Price (1887-1953)\u003c\/a\u003e, Eydís Evensen (1994-), Hania Rani, Cassandra Miller (1976-), Signe Lund-Skabo (1868-1950), Annelie, Sarah Watson, Phildel Hoi Yee Ng (1983-), Frances Shelley, Natalia Tsupryk, \u003ca href=\"\/pt\/collections\/lisa-illean\"\u003eLisa Illean (1983-)\u003c\/a\u003e, Poppy Ackroyd, Aija Alsina, \u003ca href=\"\/pt\/collections\/busra-kaykc\"\u003eBüşra Kayıkçı (1990-)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/marie-jaell\"\u003eMarie Jaëll (1846-1925)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/morfydd-owen\"\u003eMorfydd Owen (1891-1918)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/ethel-smyth\"\u003eEthel Smyth (1858-1944)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/teresa-carreno\"\u003eTeresa Carreño (1853-1917)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/jean-coulthard\"\u003eJean Coulthard (1908-2000)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/melanie-bonis\"\u003eMélanie Bonis (1858-1937)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/amy-beach\"\u003eAmy Beach (1867-1944)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/louise-farrenc\"\u003eLouise Farrenc (1804-1875)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/anna-bon\"\u003eAnna Bon (1738-1769)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/agathe-backer-grndahl\"\u003eAgathe Backer Grøndahl (1847-1907)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/elisabetta-de-gambarini\"\u003eElisabetta de Gambarini (1730-1765)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/rachel-portman\"\u003eRachel Portman (1960-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation (this edition)\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong class=\"original-instrumentation-title\"\u003eOriginally for\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Keyboard, Harpsichord\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISBN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9780571543373\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/content.alfred.com\/catpages\/12-0571543375.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eThe Faber Music Women Composers Piano Anthology\u003c\/em\u003e is an essential collection of music by women from across the centuries. Beautifully presented with Vanessa Bell's \"A Conversation\" (1913–1916) on the cover, this timeless collection features over 50 works suitable for intermediate pianists by composers including Clara Schumann, Florence Price, Imogen Holst, Cassandra Miller, and Hania Rani.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Faber Music Piano Anthology\u003c\/em\u003e series has been created for pianists to enjoy and return to again and again. All the pieces have been expertly transcribed for piano solo and are presented in beautiful, sewn-bound books.\u003c\/p\u003e \u003c\/div\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003ePortman: a gift\u003c\/li\u003e\n\u003cli\u003eMontgeroult: Adagio non troppo from Piano Sonata, Op. 5, No. 3\u003c\/li\u003e\n\u003cli\u003eNo. 19 - Adagio religioso from \u003ca href=\"\/pt\/collections\/farrenc-20-etudes-of-medium-difficulty-vingt-etudes-de-moyenne-difficulte-op-42\"\u003eFarrenc: 20 Etudes of Medium Difficulty (Vingt études de moyenne difficulté), Op. 42\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eKaprálová: Andante semplice from April Preludes\u003c\/li\u003e\n\u003cli\u003eNo. 1 - Andante from \u003ca href=\"\/pt\/collections\/cl-schumann-3-romances-op-11\"\u003eCl. Schumann: 3 Romances, Op. 11\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eNo. 2 - Andantino from \u003ca href=\"\/pt\/collections\/farrenc-25-easy-etudes-vingt-cinq-etudes-faciles-op-50\"\u003eFarrenc: 25 Easy Etudes (Vingt cinq études faciles), Op. 50\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eBelli: Anima I\u003c\/li\u003e\n\u003cli\u003eJaëll: Aube (Promenade matinale)\u003c\/li\u003e\n\u003cli\u003eNo. 7 - Bébé s’endort from \u003ca href=\"\/pt\/collections\/bonis-scenes-enfantines-op-92\"\u003eBonis: Scènes enfantines, Op. 92\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003ePejačević: Berceuse, Op. 2\u003c\/li\u003e\n\u003cli\u003eOwen: Branwen\u003c\/li\u003e\n\u003cli\u003eEvensen: Brotin\u003c\/li\u003e\n\u003cli\u003eBeach: By The Still Waters\u003c\/li\u003e\n\u003cli\u003ePejačević: Chanson sans Paroles, Op. 10\u003c\/li\u003e\n\u003cli\u003eObel: Chord Left\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/pt\/collections\/gonzaga-corta-jaca-gaucho\"\u003eGonzaga: Corta-Jaca (Gaúcho)\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/pt\/collections\/l-boulanger-dun-jardin-clair\"\u003eL. Boulanger: D'un Jardin Clair\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/pt\/collections\/wolfe-earring-2000\"\u003eWolfe: Earring (2000)\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003eRani: Eden\u003c\/li\u003e\n\u003cli\u003eMontgeroult: Etude No. 36 in F Major\u003c\/li\u003e\n\u003cli\u003eGai printemps (Impromptu) from \u003ca href=\"\/pt\/collections\/bonis-5-pieces-op-11\"\u003eBonis: 5 Pieces, Op. 11\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe Goblin and the Mosquito from \u003ca href=\"\/pt\/collections\/price-at-our-house\"\u003ePrice: At Our House\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eGonzaga: Heloísa\u003c\/li\u003e\n\u003cli\u003eMiller: Harvest\u003c\/li\u003e\n\u003cli\u003eCoulthard: No. 9 - Innocence from 13 Preludes\u003c\/li\u003e\n\u003cli\u003eSonata No. 4 - Largo from \u003ca href=\"\/pt\/collections\/bon-6-sonatas-for-keyboard-op-2\"\u003eBon: 6 Sonatas for Keyboard, Op. 2\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eLund-Skabo: Legende\u003c\/li\u003e\n\u003cli\u003eAnnelie: Loist\u003c\/li\u003e\n\u003cli\u003eCarreño: Mi Teresita (Little Waltz)\u003c\/li\u003e\n\u003cli\u003eGrøndahl: Nocturne from Piano Suite in G Minor, Op. 20\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/pt\/collections\/smyth-nocturne-kanon-in-gegenbewegung\"\u003eSmyth: Nocturne (Kanon in Gegenbewegung)\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003eWatson: Peggy's Cove\u003c\/li\u003e\n\u003cli\u003eHoi Yee Ng: Piano B\u003c\/li\u003e\n\u003cli\u003eBelli: Prélude\u003c\/li\u003e\n\u003cli\u003eI. Holst: Prelude and Dance\u003c\/li\u003e\n\u003cli\u003eSarabande in D minor from \u003ca href=\"\/pt\/collections\/smyth-four-part-dances-1880\"\u003eSmyth: Four-part Dances (1880)\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eScherzo from \u003ca href=\"\/pt\/collections\/cl-schumann-piano-sonata-in-g-minor-1842\"\u003eCl. Schumann: Piano Sonata in G Minor (1842)\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eHensel: Schluss\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/pt\/collections\/beach-scottish-legend-op-54-no-1\"\u003eBeach: Scottish Legend, Op. 54, No. 1\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003eShelley: Sentiens\u003c\/li\u003e\n\u003cli\u003eNo. 5 - Siciliana. Andante from \u003ca href=\"\/pt\/collections\/gambarini-the-6-sets-of-leessons-for-the-harpsichord-op-1\"\u003eGambarini: The 6 Sets of Leessons for the Harpsichord, Op. 1\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eChaminade: Solitude\u003c\/li\u003e\n\u003cli\u003eTsupryk: Son Kolo Vikon\u003c\/li\u003e\n\u003cli\u003ePart II from \u003ca href=\"\/pt\/collections\/illean-sonata-in-ten-parts\"\u003eIllean: Sonata in ten parts\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eNo. 1 - Souvenance from \u003ca href=\"\/pt\/collections\/chaminade-6-romances-sans-paroles-op-76\"\u003eChaminade: 6 Romances sans paroles, Op. 76\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003ePrice: Spinning Dreams at the Washtub\u003c\/li\u003e\n\u003cli\u003eGrøndahl: No. 6 - Springdans from Norske folkeviser og folkedanse, Op. 33\u003c\/li\u003e\n\u003cli\u003eRani: Stampa\u003c\/li\u003e\n\u003cli\u003eAckroyd: Strata\u003c\/li\u003e\n\u003cli\u003eMartines: Tempo di minuetto\u003c\/li\u003e\n\u003cli\u003eAlsina: Wednesday\u003c\/li\u003e\n\u003cli\u003eKayıkçı: Yesil\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"Faber","offers":[{"title":"Default Title","offer_id":42786561491023,"sku":"0571543375","price":30.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/d2fc105d89d30826849efc9e074322b0.jpg?v=1749789295"}],"url":"https:\/\/www.ficksmusic.com\/pt\/collections\/smyth-nocturne-kanon-in-gegenbewegung.oembed","provider":"Ficks Music","version":"1.0","type":"link"}