The Oxford Book of Organ Music by Women Composers
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- Instrumentation: Organ
- ISBN:
- Size: 9.1 x 12.2 inches
- Pages: 220
Description
The Oxford Book of Organ Music by Women Composers presents a comprehensive survey of historical organ pieces by women composers alongside six newly commissioned works. The music is stylistically varied and encompasses secular and sacred repertoire from a range of periods. There are also several organ transcriptions in new arrangements.
- Cantabile, from Organ Symphony No. 1, Elfrida Andrée
- Perpetuum Mobile, Kristina Arakelyan
- Prelude on an Old Folk Tune, Amy Beach
- Pastorale sur un vieil air vendéen, Mme Bertault-Eckendorff
- Pièce sur des airs populaires flamands, Nadia Boulanger
- Andante, Joséphine Boulay
- Andante grazioso, Kate Boundy
- Erbarme dich mein, O Herre Gott (Have mercy on me, O Lord God), Miriam Carpinetti
- Voluntary IV, Theophania Cecil
- Valse-Arabesque, Op. 98, No. 4, Cécile Chaminade, arr. Anne Marsden Thomas
- Offertoire, Hedwige Chrétien
- Da bei rami scendea, Clementine de Bourges
- Veni Creator, Jeanne Demessieux
- Allegretto, from Piano Sonata in A, Sophia Dussek, arr. Anne Marsden Thomas
- Fugue on Two Subjects, Op. 26, No. 12, Louise Farrenc
- A Voluntary, Esther Fleet
- Communion, Juliette Folville
- Sonata II, Elizabeth Gambarini
- Scherzo, Betzy Holmberg
- Clair de lune, No. 2 from Trois petites pieces for flute and piano, Augusta Holmès, arr. Anne Marsden Thomas
- Gigue (Basse de Trompette), Elisabeth Jacquet de la Guerre, arr. Anne Marsden Thomas
- Andante, from Six Easy Voluntaries, 2nd set, Kate Loder
- Celebration, Cecilia McDowall
- Allegro brillante, from Sonata in G Major for harpsichord, Marianna Martinez
- Introduction and Fugue in F, Ann Mounsey Bartholomew
- An Old Christmas Carol, Elizabeth Mounsey
- Canzonetta, Op. 25, Kate Ockleston-Lippa
- Dusk, Nkeiru Okoye
- Sonata Seconda, Mrs Philarmonica
- Toccato from Organ Suite 1, Florence Price
- Mixolydiance, Ghislaine Reece-Trapp
- Petite Prière, Blanche Rozan
- Bell Toccata, Isabelle Ryder
- Prelude and Fugue in D Minor, Op. 16, No. 3, Clara Schumann
- Chorale Prelude: 'Schwing dich auf zu deinem Gott', Ethel Smyth
- Moderato in E-flat, Elizabeth Stirling
- Intermezzo, Amy Summers
- Paean, Rebecca Groom te Velde
- Andante and Fugue in C Minor, Alexandra Thomson
- Overture to Talestri, Maria Antonia Walpurgis
- Andante, from Four Short Voluntaries, Kate Westrop Allender
- Polonaise, from 18 Dances in Different Styles for the Piano, Maria Szymanowska
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
