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Michael Berkeley

M. Berkeley: Tristessa

$ 42.95
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Oxford University Press  |  SKU: 9780193555303  |  Barcode: 9780193555303
  • Composer: Michael Berkeley (1948-)
  • Format: Full Score
  • Instrumentation: Viola, Orchestra, English Horn
  • Work: Tristessa (2003)
  • ISBN: 9780193555303
  • Size: 9.5 x 13.0 inches
  • Pages: 52

Description

Although there are two soloists in Tristessa, it is not a concerto but rather a tone poem in which a solo Viola and Cor Anglais are the chief protagonists, but where there are also important roles for other instruments, such as the principal clarinet. The title comes from a pivotal character in Angela Carter's extraordinary and visionary novel The Passion of new Eve. Carter died prematurely of cancer, thus cutting short one of the most idiosyncratic and distinguished of literary careers. She was a close friend and even wrote a libretto for me for a possible opera on Virginia Woolf's Orlando. Tristessa is a similarly ambivalent creation both philosophically and sexually. The very word, Tristessa, suggests to me the lachrymose melancholy of a John Dowland lament. Angela's writing, however, has that element as well an intense, almost furious energy that I still find very inspiring. So Tristessa is a memorial to Angela. The music is not in any way programmatic but an abstract essay for which the personality of Tristessa is a starting point.

Oxford University Press

M. Berkeley: Tristessa

$ 42.95

Description

Although there are two soloists in Tristessa, it is not a concerto but rather a tone poem in which a solo Viola and Cor Anglais are the chief protagonists, but where there are also important roles for other instruments, such as the principal clarinet. The title comes from a pivotal character in Angela Carter's extraordinary and visionary novel The Passion of new Eve. Carter died prematurely of cancer, thus cutting short one of the most idiosyncratic and distinguished of literary careers. She was a close friend and even wrote a libretto for me for a possible opera on Virginia Woolf's Orlando. Tristessa is a similarly ambivalent creation both philosophically and sexually. The very word, Tristessa, suggests to me the lachrymose melancholy of a John Dowland lament. Angela's writing, however, has that element as well an intense, almost furious energy that I still find very inspiring. So Tristessa is a memorial to Angela. The music is not in any way programmatic but an abstract essay for which the personality of Tristessa is a starting point.

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