{"title":"Sheet music composed by Leilehua Lanzilotti (1983-)","description":"Leilehua Lanzilotti (1983-) is a composer from United States of America.","products":[{"product_id":"lanzilotti-alohilohi-lanzilotti","title":"Lanzilotti: ʻālohilohi","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/leilehua-lanzilotti\"\u003eLeilehua Lanzilotti (1983-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eDouble Bass Ensemble\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: ʻālohilohi (2023) (4 double basses)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e‘ālohilohi means \"radiant\" in ‘Ōlelo Hawai‘i. This piece explores radiance through various timbres: the radiance of shimmering overtones, the radiance of resonance\/contact.\u003c\/p\u003e\n\u003cp\u003eThe score can be interpreted in two different ways (together, side by side, or one or the other). The first version is meant to be played through continuously over the seven pages, taking time to settle into the sound of one material, and transition to the next. The alternative version is presented as the last page of the score, with the material from the entire piece presented outside of time, overlapping on the page.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Leilehua Lanzilotti","offers":[{"title":"Set of Parts","offer_id":45264274030671,"sku":"LLM004","price":160.0,"currency_code":"USD","in_stock":true},{"title":"Full Score","offer_id":45264274063439,"sku":"LLM004b","price":66.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/9413350ce10312fe8663fc2e2dc8a16b.jpg?v=1784984162"},{"product_id":"lanzilotti-the-space-in-which-to-see-lanzilotti","title":"Lanzilotti: the space in which to see","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/leilehua-lanzilotti\"\u003eLeilehua Lanzilotti (1983-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Set of Performance Scores - \u003ca href=\"\/pt\/pages\/format-descriptions\"\u003eFormat guide\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eCello, Violin, Viola, Horn\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/lanzilotti-the-space-in-which-to-see-2019\"\u003ethe space in which to see (2019)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003ethe space in which to see\u003c\/em\u003e draws from a text by Layli Long Soldier (reprinted on the title page with permission). Long Soldier, a citizen of the Oglala Lakota Nation, lives in Santa Fe, New Mexico. Her work often explores her own indigenous identity. The way Long Soldier uses the concept of \"place\" and \"space\" resonated with me as I turned the poem around in my hands and my head. Each movement takes one edge of the poem and presses up against it, amplifying the text or reacting to it. I am grateful to Long Soldier and Graywolf Press for letting me use her text in this work.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Leilehua Lanzilotti","offers":[{"title":"Default Title","offer_id":45264321183823,"sku":"LLM005","price":160.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/dfd777cfea0779f5e06e7c222aba558e.jpg?v=1784981836"},{"product_id":"lanzilotti-to-be-two-lanzilotti","title":"Lanzilotti: to be two","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/leilehua-lanzilotti\"\u003eLeilehua Lanzilotti (1983-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Score \u0026amp; Set of Parts - \u003ca href=\"\/pt\/pages\/format-descriptions\"\u003eFormat guide\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eViolin, Viola\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: to be two (2021)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eduration 5'\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eto be two\u003c\/em\u003e was written for Melia Watras and her husband, violinist Michael Jinsoo Lim, and takes its title from the book by philosopher\/linguist Luce Irigaray. Excerpts from the following passage by Irigaray are woven into the score:\u003c\/p\u003e\n\u003cp\u003e\"Thanks to perception, we can become, the one for the other, a bridge towards a becoming which is yours, mine, and ours. I can be a bridge for you, as you can be one for me. This bridge can never become the property of either. The bridge which I am for you will never be mine or \"to me.\" I perceive you, I create an idea of you, I preserve you in my memory—in affect, in thought—in order to assist you in your becoming. While I become me, I remember you.\" (p. 43)\u003c\/p\u003e\n\u003cp\u003eAside from general timbre shifts, shaping of the simple melody is left to be found together, \"the one for the other.\"\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Leilehua Lanzilotti","offers":[{"title":"Default Title","offer_id":45264355983439,"sku":"LLM007","price":108.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/f809900994deb5ce14e96c956dd1b4b6.jpg?v=1784987219"},{"product_id":"lanzilotti-the-water-in-your-body-is-just-visiting-lanzilotti","title":"Lanzilotti: the water in your body is just visiting","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/leilehua-lanzilotti\"\u003eLeilehua Lanzilotti (1983-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Set of Performance Scores - \u003ca href=\"\/pt\/pages\/format-descriptions\"\u003eFormat guide\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eString Quartet (Violin I, Violin II, Viola, Cello)\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: the water in your body is just visiting (2025)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eduration 11 minutes\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Leilehua Lanzilotti","offers":[{"title":"Default Title","offer_id":45264373612623,"sku":"LLM003","price":160.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/511f4fe2823a11c2fcb85469219dae9f.jpg?v=1784981840"},{"product_id":"lanzilotti-with-eyes-the-color-of-time-lanzilotti","title":"Lanzilotti: with eyes the color of time","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/leilehua-lanzilotti\"\u003eLeilehua Lanzilotti (1983-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eString Orchestra\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: with eyes the color of time (2020)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.9\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eA finalist for the Pulitzer Prize in Music, 2022, \u003cem\u003ewith eyes the color of time\u003c\/em\u003e is hailed as \"a vibrant composition, inspired by works in The Contemporary Museum in Honolulu, that distinctly combines experimental string textures and episodes of melting lyricism,\" by the Pulitzer committee.\u003c\/p\u003e\n\u003cp\u003eThe titles of the movements in this piece refer to works of art that were featured in The Contemporary Museum (Spalding House) in Honolulu when it first opened: George Rickey's kinetic sculpture Two Open Triangles Up, Gyratory III (1988), Deborah Butterfield's Nahele (1986), James Seawright's Mirror XV (1987), Toshiko Takaezu's moons (a series of sculptures she often referred to by the Hawaiian word, mahina), and David Hockney's L'Enfant et les sortilèges (originally conceived as a set for the opera by Maurice Ravel of the same name). The title of the entire work, with eyes the color of time, comes from a phrase in the Ravel opera. The main movements are framed by interludes referencing the bronze doors at the entrance of the museum which had silhouettes of women in them (by Robert Graham). The museum closed its doors permanently in December 2019 as I was finishing writing this work.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Leilehua Lanzilotti","offers":[{"title":"Study Score","offer_id":45264416211023,"sku":"LLM006","price":147.5,"currency_code":"USD","in_stock":true},{"title":"Full Score","offer_id":45264423977039,"sku":"LLM001","price":399.0,"currency_code":"USD","in_stock":false},{"title":"Set of Performance Scores","offer_id":45264435445839,"sku":"LLM001c","price":1071.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/f78d5aad617777757fb2ce701d832d01.jpg?v=1779207336"},{"product_id":"lanzilotti-on-stochastic-wave-behavior-lanzilotti","title":"Lanzilotti: On Stochastic Wave Behavior","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/leilehua-lanzilotti\"\u003eLeilehua Lanzilotti (1983-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Set of Scores - \u003ca href=\"\/pt\/pages\/format-descriptions\"\u003eFormat guide\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eSATB Choir\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: On Stochastic Wave Behavior (2021) (8 voices: SSAATBBB)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork language\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eHawaiian\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e12.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e8.9\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eSet includes 8 scores.\u003c\/p\u003e\n\u003cp\u003eeight voices (SSAATBBB), duration 12'\u003c\/p\u003e\n\u003cp\u003eProgram Notes\u003c\/p\u003e\n\u003cp\u003eWayfinding, observing nature, and respecting the ocean have been present and important to me since childhood. So when Rónadh and Brad asked me to be part of the National Science Foundation-funded \"A few waves do most of the work\" project, I felt very connected to their ideas of integrating knowledge and research about the ocean into music.\u003c\/p\u003e\n\u003cp\u003eProf. Cox's research inspires metaphor: a few waves can make a difference, and have made our work as Kanaka Maoli artists relevant to today's dynamic landscape where science and indigenous knowledge celebrate the power of nature.\u003c\/p\u003e\n\u003cp\u003eThe work is sung completely in ‘Ōlelo Hawaiʻi. A language that is changing, that is evolving, that is new, is alive. Similarly, compositional practices that engage new sounds through an indigenous lens embrace native language and ways of knowing as an active, living parts of the creative process.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Leilehua Lanzilotti","offers":[{"title":"Default Title","offer_id":45266186928207,"sku":"LLM002b","price":284.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/b8f9662fa834776f49e5bd0859cbbaec.jpg?v=1779225955"}],"url":"https:\/\/www.ficksmusic.com\/pt\/collections\/leilehua-lanzilotti.oembed","provider":"Ficks Music","version":"1.0","type":"link"}