{"title":"Sheet music composed by Josephine Lang (1815-1880)","description":"Josephine Lang (1815-1880) was a composer from Germany. Read more on \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Josephine_Lang\" target=\"_blank\"\u003eWikipedia\u003c\/a\u003e.","products":[{"product_id":"abendklange-nachtgesange-songs-by-15-women-composers-breitkopf","title":"Abendklänge Nachtgesänge - Songs by 15 Women Composers","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposers\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/fanny-mendelssohn-hensel\"\u003eFanny (Mendelssohn) Hensel (1805-1847)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/clara-schumann\"\u003eClara Schumann (1819-1896)\u003c\/a\u003e, Isidore von (Bülow) Bojanowski (1833-1903), Helene Zitelmann, Aline Sello (1812-1866), Julie Wilhelmine von Tschirschky, \u003ca href=\"\/pt\/collections\/josephine-lang\"\u003eJosephine Lang (1815-1880)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/bertha-von-brukenthal\"\u003eBertha von Brukenthal (1846-1908)\u003c\/a\u003e, Mary Norris, \u003ca href=\"\/pt\/collections\/johanna-kinkel\"\u003eJohanna Kinkel (1810-1858)\u003c\/a\u003e, Anna Bochkoltz (1820-1879), Maria Vespermann Görres Arndts (1823-1882), Charlotte von Bülow (1817-1908), Marie von Kehler (1822-1882), \u003ca href=\"\/pt\/collections\/clara-mathilda-faisst\"\u003eClara Mathilda Faisst (1872-1948)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Maria Behrendt\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Voice, Low Voice\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork Language\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eGerman\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790004189573\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 56\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/issuu.com\/breitkopf\/docs\/eb_9477_issuu\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-book\" viewbox=\"0 0 16 16\" style=\"margin-right: 5px;\"\u003e\u003cpath d=\"M1 2.828c.885-.37 2.154-.769 3.388-.893 1.33-.134 2.458.063 3.112.752v9.746c-.935-.53-2.12-.603-3.213-.493-1.18.12-2.37.461-3.287.811V2.828zm7.5-.141c.654-.689 1.782-.886 3.112-.752 1.234.124 2.503.523 3.388.893v9.923c-.918-.35-2.107-.692-3.287-.81-1.094-.111-2.278-.039-3.213.492V2.687zM8 1.783C7.015.936 5.587.81 4.287.94c-1.514.153-3.042.672-3.994 1.105A.5.5 0 0 0 0 2.5v11a.5.5 0 0 0 .707.455c.882-.4 2.303-.881 3.68-1.02 1.409-.142 2.59.087 3.223.877a.5.5 0 0 0 .78 0c.633-.79 1.814-1.019 3.222-.877 1.378.139 2.8.62 3.681 1.02A.5.5 0 0 0 16 13.5v-11a.5.5 0 0 0-.293-.455c-.952-.433-2.48-.952-3.994-1.105C10.413.809 8.985.936 8 1.783z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e Look Inside! \u003c\/a\u003e \u003c\/div\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/www.breitkopf.com\/assets\/haendler\/samples\/9790004189573.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eListen on Soundcloud\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003ciframe title=\"soundcloud\" width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F1627569090\u0026amp;auto_play=false\u0026amp;buying=false\u0026amp;liking=false\u0026amp;download=false\u0026amp;sharing=false\u0026amp;show_artwork=false\u0026amp;show_comments=false\u0026amp;show_playcount=false\u0026amp;show_user=true\u0026amp;hide_related=false\u0026amp;visual=false\u0026amp;start_track=0\u0026amp;callback=true\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"soundcloud\" width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F1627577685\u0026amp;auto_play=false\u0026amp;buying=false\u0026amp;liking=false\u0026amp;download=false\u0026amp;sharing=false\u0026amp;show_artwork=false\u0026amp;show_comments=false\u0026amp;show_playcount=false\u0026amp;show_user=true\u0026amp;hide_related=false\u0026amp;visual=false\u0026amp;start_track=0\u0026amp;callback=true\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"soundcloud\" width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F1627580151\u0026amp;auto_play=false\u0026amp;buying=false\u0026amp;liking=false\u0026amp;download=false\u0026amp;sharing=false\u0026amp;show_artwork=false\u0026amp;show_comments=false\u0026amp;show_playcount=false\u0026amp;show_user=true\u0026amp;hide_related=false\u0026amp;visual=false\u0026amp;start_track=0\u0026amp;callback=true\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e15 songs by 15 female composers draw a panorama of the multifaceted female lied creation in the 19th century.\u003c\/p\u003e\n\u003cp\u003eWomen composers and their lieder long eked out a shadowy existence in music research and practice, though ever since the early 19th century, the lied had become a central female compositional genre, softening gender-related restrictions and opening up new artistic spheres of action. It is true that names such as Clara Schumann and Fanny Hensel are now far more established in the program guides. Nevertheless, there is still an abundance of forgotten female composers whose works have not been edited and, as a result, are mostly not (or cannot be) performed or even recorded.\u003c\/p\u003e \u003c\/div\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003eBojanowski: Die Nacht, Op. 2\u003c\/li\u003e\n\u003cli\u003eZitelmann: Schwüle, schwüle Julinacht, Op. 1, No. 4\u003c\/li\u003e\n\u003cli\u003eFaisst: In der Mondnacht, No. 5 from 5 Lieder, Op. 3\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/pt\/collections\/hensel-dammrung-senkte-sich-von-oben-1843\"\u003eHensel: Dämmrung senkte sich von oben (1843)\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003eSello: Vögel Tauben and Sterne\u003c\/li\u003e\n\u003cli\u003eTschirschky: Sehnsucht\u003c\/li\u003e\n\u003cli\u003eLang: Zusammen, No. 3 from 6 Lieder, Op. 26\u003c\/li\u003e\n\u003cli\u003eBrukenthal: Der träumende See, Op. 20, No. 2\u003c\/li\u003e\n\u003cli\u003eNorris: Letzer Wunsch, Op. 23, No. 1\u003c\/li\u003e\n\u003cli\u003eKinkel: Gondellied, No. 3 from 6 Gedichte, Op. 8\u003c\/li\u003e\n\u003cli\u003eBochkoltz: Abendlied\u003c\/li\u003e\n\u003cli\u003eArndts: Abendrot, No. 3 from 3 Lieder, Op. 12\u003c\/li\u003e\n\u003cli\u003eBülow: Mein Herz ist wie die Sonne, Op. 5, No. 1\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/pt\/collections\/cl-schumann-mein-stern-1846\"\u003eCl. Schumann: Mein Stern (1846)\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003eKehler: Geh vorüber!, Op. 17, No. 9\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"Breitkopf \u0026 Härtel","offers":[{"title":"Default Title","offer_id":40864493043791,"sku":"EB9477","price":29.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/d209bb4aba539cad96c1f011dbcbb68d.jpg?v=1766612229"},{"product_id":"piano-music-by-women-composers-book-2-hal-leonard","title":"Piano Music by Women Composers - Book 2","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposers\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/fanny-mendelssohn-hensel\"\u003eFanny (Mendelssohn) Hensel (1805-1847)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/marianna-martines\"\u003eMarianna Martines (1744-1812)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/emilie-mayer\"\u003eEmilie Mayer (1812-1883)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/cecile-chaminade\"\u003eCécile Chaminade (1857-1944)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/fredrikke-egeberg\"\u003eFredrikke Egeberg (1815-1861)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/anna-stubenberg\"\u003eAnna Stubenberg (1821-1912)\u003c\/a\u003e, Cécile Hartog (1857-1940), Natalia Janotha (1856-1932), \u003ca href=\"\/pt\/collections\/kate-loder\"\u003eKate Loder (1825-1904)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/clara-schumann\"\u003eClara Schumann (1819-1896)\u003c\/a\u003e, Adele aus der Ohe (1861-1937), Fanny Scholfield Petrie (1859-1933), Delphine von Schauroth (1813-1887), \u003ca href=\"\/pt\/collections\/maria-szymanowska\"\u003eMaria Szymanowska (1739-1831)\u003c\/a\u003e, Stephanie (Vrabely) Wurmbrand-Stuppach (1849-1919), \u003ca href=\"\/pt\/collections\/marie-jaell\"\u003eMarie Jaëll (1846-1925)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/emma-hartmann\"\u003eEmma Hartmann (1807-1851)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/josephine-lang\"\u003eJosephine Lang (1815-1880)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/melanie-bonis\"\u003eMélanie Bonis (1858-1937)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/louise-farrenc\"\u003eLouise Farrenc (1804-1875)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Immanuela Gruenberg\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Keyboard\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISBN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9781705147535\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 112\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eThis collection features 30 beautiful, interesting intermediate to upper intermediate level pieces by women composers. It features a variety of composers from the well-known to lesser known names from the 18th to 20th centuries. The book also includes a brief bio on each composer as well as a preface by the editor.\u003c\/p\u003e\n\u003cp\u003eMÉLANIE BONIS: Grand Spanish Waltz in A Major\n• It's Raining!\u003c\/p\u003e\n\u003cp\u003eCÉCILE CHAMINADE: Little Waltz in B-flat Major from \u003cem\u003eChildren's Album (Volume 2)\u003c\/em\u003e , Op. 126, No. 12\n• Melancholy from \u003cem\u003eTwo Pieces\u003c\/em\u003e , 25, No. 1\u003c\/p\u003e\n\u003cp\u003eFREDRIKKE EGEBERG; Song Without Words in E-flat Major from \u003cem\u003eSix Songs Without Words for Piano\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eLOUISE FARRENC: Etude in F Major from \u003cem\u003e25 Intermediate Studies\u003c\/em\u003e , Op. 42, No. 5\n• Etude in G Major from \u003cem\u003e12 Studies in Dexterity\u003c\/em\u003e , Op. 41, No. 2\n• Melody in A-flat Major\u003c\/p\u003e\n\u003cp\u003eEMMA HARTMANN: Piano Piece in A-flat Major from \u003cem\u003ePiano Pieces\u003c\/em\u003e , Op. Posthumous, No. 4\u003c\/p\u003e\n\u003cp\u003eCÉCILE HARTOG: Summer Song MARIE JAËLL: Friendly Teasing from \u003cem\u003eThe Good Days\u003c\/em\u003e\n• The Shepherd and the Echo from \u003cem\u003eThe Good Days\u003c\/em\u003e\n• Whispers of the Forests from \u003cem\u003eThe Good Days\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eNATALIA JONATHA: Edelweiss JOSEPHINE LANG: Homesickness from \u003cem\u003eThree Piano Pieces\u003c\/em\u003e\n• Minuet: Sadness from \u003cem\u003eThree Piano Pieces\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eKATE LODER: Mazurka in A Minor\u003c\/p\u003e\n\u003cp\u003eMARIANNA MARTINES: Allegro from Sonata in A Major EMILIE MAYER: Impromptu in A-flat Major, Op. 44\u003c\/p\u003e\n\u003cp\u003eFANNY MENDELSSOHN: Melody in E-flat Major from \u003cem\u003eSix Melodies for the Piano\u003c\/em\u003e , Op. 5, No. 6\n• Larghetto from \u003cem\u003eFour Songs for the Piano\u003c\/em\u003e , Op. 8, No. 3\u003c\/p\u003e\n\u003cp\u003eADELE AUS DER OHE: A Legend from \u003cem\u003eFour Piano Pieces\u003c\/em\u003e , Op. 9, No. 1\u003c\/p\u003e\n\u003cp\u003eFANNY SCHOLFIELD PETRIE: Sorrow\n• Joy\u003c\/p\u003e\n\u003cp\u003eDELPHINE VON SCHAUROTH: Song Without Words in E Minor from \u003cem\u003eSix Songs Without Words\u003c\/em\u003e , Op. 18, No. 4\u003c\/p\u003e\n\u003cp\u003eCLARA SCHUMANN: Romance in A Minor, WoO 28 (1892 version)\u003c\/p\u003e\n\u003cp\u003eANNA STUBENBERG: Austrian Dance in A-flat Major from \u003cem\u003eThe People of Kapfenberg\u003c\/em\u003e , Op. 67, No. 5\u003c\/p\u003e\n\u003cp\u003eMARIE SZYMANOWSKA: Polonaise in E Minor from \u003cem\u003e18 Dances in Different Genres for Piano\u003c\/em\u003e\n• Quadrille in F Major from \u003cem\u003e18 Dances in Different Genres for Piano\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eSTEPHANIE VRABELY: Pensée musicale\u003c\/p\u003e \u003c\/div\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003eBonis: Les Gitanos (grand valse espagnole) (1891)\u003c\/li\u003e\n\u003cli\u003eBonis: Il pleut (It's Raining!), Op. 102\u003c\/li\u003e\n\u003cli\u003eLittle Waltz in B-Flat Major, No. 12 from \u003ca href=\"\/pt\/collections\/chaminade-album-des-enfants-volume-2-childrens-album-op-126\"\u003eChaminade: Album des enfants - Volume 2 (Children's Album), Op. 126\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eChaminade: Melancholy, No. 1 from 2 Pieces, Op. 25\u003c\/li\u003e\n\u003cli\u003eSong without Words in E-Flat Major from \u003ca href=\"\/pt\/collections\/egeberg-6-sange-uden-ord-6-songs-without-words-1850\"\u003eEgeberg: 6 Sange uden Ord (6 Songs without Words) (1850)\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eEtude in F Major, No. 5 from \u003ca href=\"\/pt\/collections\/farrenc-20-etudes-of-medium-difficulty-vingt-etudes-de-moyenne-difficulte-op-42\"\u003eFarrenc: 20 Etudes of Medium Difficulty (Vingt études de moyenne difficulté), Op. 42\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eFarrenc: Etude in G Major, No. 2 from 12 études brillantes (Studies in Dexterity), Op. 41\u003c\/li\u003e\n\u003cli\u003eFarrenc: Melody in A-flat Major (1847)\u003c\/li\u003e\n\u003cli\u003ePiano Piece in A-Flat Major, No. 4 from \u003ca href=\"\/pt\/collections\/hartmann-klaverstykker-piano-pieces\"\u003eHartmann: Klaverstykker (Piano Pieces)\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eHartog: Summer Song (1891)\u003c\/li\u003e\n\u003cli\u003eFriendly Teasing from \u003ca href=\"\/pt\/collections\/jaell-les-beaux-jours-the-good-days\"\u003eJaëll: Les Beaux jours (The Good Days)\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe Shepherd and the Echo from \u003ca href=\"\/pt\/collections\/jaell-les-beaux-jours-the-good-days\"\u003eJaëll: Les Beaux jours (The Good Days)\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eWhispers of the Forests from \u003ca href=\"\/pt\/collections\/jaell-les-beaux-jours-the-good-days\"\u003eJaëll: Les Beaux jours (The Good Days)\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eJanotha: Edelweiss (1891)\u003c\/li\u003e\n\u003cli\u003eLang: Homesickness from 3 Piano Pieces (1890)\u003c\/li\u003e\n\u003cli\u003eLang: Minuet: Sadness from 3 Piano Pieces (1890)\u003c\/li\u003e\n\u003cli\u003eLoder: Mazurka in A Minor (1899)\u003c\/li\u003e\n\u003cli\u003eAllegro from \u003ca href=\"\/pt\/collections\/martines-keyboard-sonata-in-a-major-1765\"\u003eMartines: Keyboard Sonata in A Major (1765)\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eE. Mayer: Impromptu in A-flat Major, Op. 44\u003c\/li\u003e\n\u003cli\u003eMelody in E-Flat Major, No. 6 from \u003ca href=\"\/pt\/collections\/hensel-song-without-words-3-melodies-op-5\"\u003eHensel: Song without Words (3 Mélodies), Op. 5\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eLarghetto, No. 3 from \u003ca href=\"\/pt\/collections\/hensel-4-songs-without-words-op-8\"\u003eHensel: 4 Songs without Words, Op. 8\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eaus der Ohe: A Legend, No. 1 from 4 Klavierstücke, Op. 9\u003c\/li\u003e\n\u003cli\u003ePetrie: Sorrow\u003c\/li\u003e\n\u003cli\u003ePetrie: Joy\u003c\/li\u003e\n\u003cli\u003eSchauroth: Song without Words in E Minor, No. 4 from 6 Songs without Words, Op. 18\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/pt\/collections\/cl-schumann-romance-in-a-minor-woo-28\"\u003eCl. Schumann: Romance in A Minor, WoO 28\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003eAustrian Dance in A-Flat Major, No. 5 from \u003ca href=\"\/pt\/collections\/stubenberg-die-kapfenberger-op-67\"\u003eStubenberg: Die Kapfenberger, Op. 67\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003ePolonaise in E Minor from \u003ca href=\"\/pt\/collections\/szymanowska-18-dances-in-different-genres-1819\"\u003eSzymanowska: 18 Dances in Different Genres (1819)\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eQuadrille in F Major from \u003ca href=\"\/pt\/collections\/szymanowska-18-dances-in-different-genres-1819\"\u003eSzymanowska: 18 Dances in Different Genres (1819)\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eWurmbrand-Stuppach: Pensée musicale\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"Hal Leonard","offers":[{"title":"Default Title","offer_id":41888359743567,"sku":"HL00370901","price":17.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/e44cacb0ff2c7eef1321fcafbdf5975d.jpg?v=1780318155"},{"product_id":"choral-music-composed-by-women-carus","title":"Choral Music Composed by Women","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposers\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/fanny-mendelssohn-hensel\"\u003eFanny (Mendelssohn) Hensel (1805-1847)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/maddalena-casulana\"\u003eMaddalena Casulana (1544-1590)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/vittoria-raffaella-aleotti\"\u003eVittoria (Raffaella) Aleotti (1575-1620)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/barbara-strozzi\"\u003eBarbara Strozzi (1619-1677)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/clara-schumann\"\u003eClara Schumann (1819-1896)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/florence-price\"\u003eFlorence Price (1887-1953)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/margaret-ruthven-lang\"\u003eMargaret Ruthven Lang (1867-1972)\u003c\/a\u003e, Carole Nelson (1955-), Phoebe Knapp (1839-1908), Daphna Rosenberg (1967-), Abbie Betinis (1980-), \u003ca href=\"\/pt\/collections\/isabella-leonarda\"\u003eIsabella Leonarda (1620-1704)\u003c\/a\u003e, Dorothea Hofmann (1961-), Evita Rudžionyte (1999-), Lucia Birzer (1995-), Lea Morris, Anna Tabbush (1979-), Alicia Adélaide Needham (1863-1945), Dorothee Schabert (1952-), \u003ca href=\"\/pt\/collections\/reena-esmail\"\u003eReena Esmail (1983-)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/vivienne-olive\"\u003eVivienne Olive (1950-)\u003c\/a\u003e, Ika Peyron (1845-1922), \u003ca href=\"\/pt\/collections\/luise-adolpha-le-beau\"\u003eLuise Adolpha Le Beau (1850-1927)\u003c\/a\u003e, Alice Charlotta Tegnér (1864-1943), Miina Härma (1864-1941), Julija Ovseiciuk (1981-), Hedda Wagner (1876-1950), Ann Mounsey Bartholomew (1811-1891), Florence Ashton Marshall (1843-1922), Emily B. Tallmadge (1840-1900), Pauline Oliveros (1932-2016), Elise Lavater (1820-1901), Hanna Havrylets (1958-2022), Elisabeth Fußeder (2000-), \u003ca href=\"\/pt\/collections\/karin-rehnqvist\"\u003eKarin Rehnqvist (1957-)\u003c\/a\u003e, Julieta Dellarole (1990-), \u003ca href=\"\/pt\/collections\/josephine-lang\"\u003eJosephine Lang (1815-1880)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/ethel-smyth\"\u003eEthel Smyth (1858-1944)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/elfrida-andree\"\u003eElfrida Andrée (1841-1929)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/eleanor-daley\"\u003eEleanor Daley (1955-)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/melanie-bonis\"\u003eMélanie Bonis (1858-1937)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/amy-beach\"\u003eAmy Beach (1867-1944)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/louise-farrenc\"\u003eLouise Farrenc (1804-1875)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/felicitas-kukuck\"\u003eFelicitas Kukuck (1914-2001)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/agathe-backer-grndahl\"\u003eAgathe Backer Grøndahl (1847-1907)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation (this edition)\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eSATB Choir\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong class=\"original-instrumentation-title\"\u003eOriginally for\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eOrgan, Piano, Voice, Basso continuo, SATB Choir, Violin I, Violin II, Orchestra, Drum, Mixed Choir, Piano \/ Organ, SA Choir, Theorbo\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork Languages\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eEnglish, German\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790007311858\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.3\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.7\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 112\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eA real novelty in the German-speaking world, Choral Music Composed by Women features a total of 47 works for mixed choir.\u003c\/p\u003e\n\u003cp\u003eWomen composers have always made significant contributions to the choral repertoire. Numerous hidden gems for mixed choir are ready and waiting to be performed in concerts and church services. This choral collection spotlights female composers from Europe, North and South America and Israel, ranging from the Renaissance period to young composers of the present day. Many were pioneers of their time, who fought against strong opposition for acceptance as professional composers. You will discover beautiful sacred and secular works in a variety of styles from psalm settings, madrigals and romantic choral songs to experimental pieces, spirituals, canons and simple songs for choral events and community singing as well as contemporary music for chamber choirs. Mostly based on English or German texts, the works deal with a wide spectrum of themes, even reflecting current social issues. A fascinating repertoire from five centuries of music-making that features many unfamiliar names!\n47 sacred and secular compositions for SATB choir, some works are divisi and some with organ\/piano accompaniment\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e45 women composers born between 1540 and 2000\u003c\/li\u003e\n\u003cli\u003eMost pieces of easy to moderate difficulty; only a few divisi passages for male voices\u003c\/li\u003e\n\u003cli\u003eFeaturing commissioned works and pieces published for the first time\u003c\/li\u003e\n\u003cli\u003eMost texts in English or German\u003c\/li\u003e\n\u003cli\u003eFrom madrigals to simple songs for community singing\u003c\/li\u003e\n\u003cli\u003eSeparate editions available in print and digital form\u003c\/li\u003e\n\u003cli\u003ein cooperation with the Deutscher Chorverband e.V.\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003eBonis: Ave Verum, Op. 166\u003c\/li\u003e\n\u003cli\u003eNelson: Beloved (2014)\u003c\/li\u003e\n\u003cli\u003eKnapp: Blessed assurance (1873)\u003c\/li\u003e\n\u003cli\u003eRosenberg: Between darkness and light (2006)\u003c\/li\u003e\n\u003cli\u003eBetinis: Be Like the Bird (2009) (5 Voices)\u003c\/li\u003e\n\u003cli\u003eLeonarda: Canon Coronato à 3 (TTT), No. 11 from Salmi Concertati a 4 voci con Strumenti (1689)\u003c\/li\u003e\n\u003cli\u003eHofmann: Die Gedanken sind frei! (2012)\u003c\/li\u003e\n\u003cli\u003eLe Beau: Der schlummerlosen Sonne, Op. 9, No. 1\u003c\/li\u003e\n\u003cli\u003eRudžionyte: Evening Prayer (2024)\u003c\/li\u003e\n\u003cli\u003eBirzer: Fire (2022)\u003c\/li\u003e\n\u003cli\u003eGondoliera, No. 3 from \u003ca href=\"\/pt\/collections\/cl-schumann-3-gemischte-chore-abendfeyer-in-venedig-vorwarts-gondoliera-op-19\"\u003eCl. Schumann: 3 Gemischte Chöre (Abendfeyer in Venedig, Vorwärts, Gondoliera), Op. 19\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eCasulana: Gran miracol d'amore, No. 20 from Madrigals - Book 2 (1570)\u003c\/li\u003e\n\u003cli\u003eLang: Grant, We Beseech Thee, Merciful Lord, Op. 51\u003c\/li\u003e\n\u003cli\u003eMorris: Heart Wide Open (2020)\u003c\/li\u003e\n\u003cli\u003eTabbush: Harbour (2020)\u003c\/li\u003e\n\u003cli\u003eHor che la vaga Aurora from \u003ca href=\"\/pt\/collections\/aleotti-ghirlanda-de-madrigali-a-4-voci-1593\"\u003eAleotti: Ghirlanda de Madrigali a 4 voci (1593)\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eNeedham: How Dear to Me the Hour (1900)\u003c\/li\u003e\n\u003cli\u003eSchabert: Hymnus Baum des Lebens \/ O nobilissima viriditas (2024)\u003c\/li\u003e\n\u003cli\u003eKukuck: Ich steh an deiner Krippen hier (1962)\u003c\/li\u003e\n\u003cli\u003eOlive: I love a sunburnt country (2002)\u003c\/li\u003e\n\u003cli\u003ePeyron: Lofsång, Op. 14\u003c\/li\u003e\n\u003cli\u003eLang: Lied an den Mai (Maysong)\u003c\/li\u003e\n\u003cli\u003eTegnér: Loven Gud i himmelshöjd (Psalm 150) from 3 Psalms\u003c\/li\u003e\n\u003cli\u003eHärma: Lootuse laul (Psalm 121) (Song of Hope) (1882)\u003c\/li\u003e\n\u003cli\u003eOvseiciuk: Lux aeterna (2024)\u003c\/li\u003e\n\u003cli\u003eH. Wagner: Media vita, Op. 142\u003c\/li\u003e\n\u003cli\u003eMounsey Bartholomew: Mutability, No. 4 from 6 Four-Part Songs, Op. 30\u003c\/li\u003e\n\u003cli\u003eHensel: Nacht ruht auf den fremden Wegen, H. 225\u003c\/li\u003e\n\u003cli\u003eDaley: O ye who taste that Love is sweet (2006)\u003c\/li\u003e\n\u003cli\u003eFarrenc: O père qu'adore mon père - A Capella Version\u003c\/li\u003e\n\u003cli\u003eBeach: Peace I leave with You, No. 3 from 3 Choral Responses, Op. 8\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/pt\/collections\/price-praise-the-lord-1951\"\u003ePrice: Praise the Lord (1951)\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003eMarshall: Rest hath come (1884)\u003c\/li\u003e\n\u003cli\u003eTallmadge: Song of the Beautiful (1880)\u003c\/li\u003e\n\u003cli\u003eOliveros: Nos. 8, 12, 14, \u0026amp; 16 from Sonic Meditations (1971)\u003c\/li\u003e\n\u003cli\u003eLavater: Stille Nacht, du sinkst hernieder (1892)\u003c\/li\u003e\n\u003cli\u003eHavrylets: Tropar an die Heilige Mutter Gottes\u003c\/li\u003e\n\u003cli\u003eEsmail: Take What You Need - Chorale Version (2016)\u003c\/li\u003e\n\u003cli\u003eSmyth: The March of the Women, No. 3 from Songs of Sunrise (1910)\u003c\/li\u003e\n\u003cli\u003eGrøndahl: Til de Døde, No. 10 from Songs for Choir, Op. 67\u003c\/li\u003e\n\u003cli\u003eFußeder: Trinity Halleluja (2021)\u003c\/li\u003e\n\u003cli\u003eAndrée: Ur Drömliv (1882)\u003c\/li\u003e\n\u003cli\u003eRehnqvist: Universe (2022)\u003c\/li\u003e\n\u003cli\u003eDellarole: Vuele lejos (2020)\u003c\/li\u003e\n\u003cli\u003eCl. Schumann: Wenn ich ein Vöglein wär (3-Part Canon) (1840)\u003c\/li\u003e\n\u003cli\u003eB. Strozzi: Voi sete o bagli occhi from Madrigals, Op. 1 (2-5 Voices)\u003c\/li\u003e\n\u003cli\u003eHensel: Wer will mir wehren zu singen, H. 447\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"Carus","offers":[{"title":"Default Title","offer_id":42023894581327,"sku":"CV02.251\/00","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/8841cda42a1eae7a9fc26290d4bd7751.jpg?v=1752074422"},{"product_id":"25-songs-by-female-composers-schott","title":"25 Songs by Female Composers","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposers\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/fanny-mendelssohn-hensel\"\u003eFanny (Mendelssohn) Hensel (1805-1847)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/luise-adolpha-le-beau\"\u003eLuise Adolpha Le Beau (1850-1927)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/clara-schumann\"\u003eClara Schumann (1819-1896)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/anna-amalia\"\u003eAnna Amalia (1723-1787)\u003c\/a\u003e, Luise Reichardt, \u003ca href=\"\/pt\/collections\/josephine-lang\"\u003eJosephine Lang (1815-1880)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/corona-schroter\"\u003eCorona Schröter (1751-1802)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/emilie-zumsteeg\"\u003eEmilie Zumsteeg (1796-1857)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/johanna-kinkel\"\u003eJohanna Kinkel (1810-1858)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/alma-mahler\"\u003eAlma Mahler (1879-1964)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano, Voice\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790001081108\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.9\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 64\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/www.schott-music.com\/en\/preview\/viewer\/index\/?idx=MzgzNDM=\u0026amp;idy=38343\u0026amp;dl=0\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-book\" viewbox=\"0 0 16 16\" style=\"margin-right: 5px;\"\u003e\u003cpath d=\"M1 2.828c.885-.37 2.154-.769 3.388-.893 1.33-.134 2.458.063 3.112.752v9.746c-.935-.53-2.12-.603-3.213-.493-1.18.12-2.37.461-3.287.811V2.828zm7.5-.141c.654-.689 1.782-.886 3.112-.752 1.234.124 2.503.523 3.388.893v9.923c-.918-.35-2.107-.692-3.287-.81-1.094-.111-2.278-.039-3.213.492V2.687zM8 1.783C7.015.936 5.587.81 4.287.94c-1.514.153-3.042.672-3.994 1.105A.5.5 0 0 0 0 2.5v11a.5.5 0 0 0 .707.455c.882-.4 2.303-.881 3.68-1.02 1.409-.142 2.59.087 3.223.877a.5.5 0 0 0 .78 0c.633-.79 1.814-1.019 3.222-.877 1.378.139 2.8.62 3.681 1.02A.5.5 0 0 0 16 13.5v-11a.5.5 0 0 0-.293-.455c-.952-.433-2.48-.952-3.994-1.105C10.413.809 8.985.936 8 1.783z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e Look Inside! \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eContents:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAnna Amalia, Herzogin von Sachsen-Weimar: Auf dem Lande and in der Stadt\u003c\/li\u003e\n\u003cli\u003eC. Schröter: Erlkönig \/ Manchen langen Tag\u003c\/li\u003e\n\u003cli\u003eL. Reichardt: Die Blume der Blumen \/ Genoveva \/ Hinüber wall' ich\u003c\/li\u003e\n\u003cli\u003eE. Zumsteeg: Morgenfreude, Op. 4, No. 2 \/ Trennung ohne Abschied\u003c\/li\u003e\n\u003cli\u003eF. Hensel: Neue Liebe, neues Leben \/ Mignon \/ Die Ersehnte\u003c\/li\u003e\n\u003cli\u003eJ. Kinkel: An den Mond, Op. 7, No. 5 \/ Wunsch, Op. 7, No. 2 \/ Römische Nacht, Op. 15, No. 1\u003c\/li\u003e\n\u003cli\u003eJ. Lang: Frühzeitiger Frühling \/ Nur den Abschied schnell genommen, Op. 15, No. 1 \/ Ob ich manchmal Dein gedenke, Op. 27, No. 3\u003c\/li\u003e\n\u003cli\u003eC. Schumann: Liebst Du um Schönheit, Op. 12, No. 4 \/ Warum willst du and're fragen, Op. 12, No. 11 \/ Sie liebten sich beide, Op. 13, No. 2 \/ Es fiel ein Reif in der Frühlingsnacht\u003c\/li\u003e\n\u003cli\u003eL. A. Le Beau: Frühlingsnacht, Op. 18, No. 5 \/ Der Rose Bitte, Op. 39\u003c\/li\u003e\n\u003cli\u003eA. Mahler: Die stille Stadt \/ Ich wandle unter Blumen\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Schott","offers":[{"title":"Default Title","offer_id":42733035126863,"sku":"ED7810","price":31.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/4310584985eb8353ce8393b6eab55093.jpg?v=1767921940"},{"product_id":"lang-songs-of-sorrow-furore","title":"Lang: Songs of Sorrow","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/josephine-lang\"\u003eJosephine Lang (1815-1880)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Matthias Ehm\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation (this edition)\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano, Medium Voice\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong class=\"original-instrumentation-title\"\u003eOriginally for\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Voice\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork Language\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eGerman\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790501829675\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.3\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.6\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eContents:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLeb‘ wohl, leb‘ wohl du schöne Welt, 29, No. 1\u003c\/li\u003e\n\u003cli\u003eDer Pfad, den du so oft gezogen, 29, No. 2\u003c\/li\u003e\n\u003cli\u003eGib Dich dahin in Gottes Sinn 29, No. 3\u003c\/li\u003e\n\u003cli\u003eWie zieht ein Wandrer leicht dahin\u003c\/li\u003e\n\u003cli\u003e\"Meine Herde will ich weiden\"\u003c\/li\u003e\n\u003cli\u003eKlag‘ deine Not dem lieben Gott\u003c\/li\u003e\n\u003cli\u003eGebrochen ist der Sturm\u003c\/li\u003e\n\u003cli\u003eNur keinen Abschied, 43, No. 5\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eJosephine Lang's \"Lieder des Leids,\" based on poems by Albert Zeller (1804–1877), occupy a special place in her oeuvre, as Lang did not devote herself to the setting of sacred texts by any other poet to such an extent. Contrary to what the title \"Lieder des Leids\" might suggest, however, neither Zeller's texts nor Lang's settings are exclusively songs of lament. On the contrary, in Lang's selection, themes of consolation, gratitude, trust in God, and the joyful certainty of reunion in the hereafter prevail. in this way they are an expression of Lang's strong faith, which remained unshaken even in the face of the most severe blows of fate.\u003c\/p\u003e\n\u003cp\u003eAs early as Ferdinand Hiller (1811–1885), conductor, music writer, and a friend from her Munich years, recognized in Josephine Lang's \"Lieder des Leids,\", Op. 29, a \"special beauty of melody and […] deepest expression.\" The present edition brings together both the settings published during Lang's lifetime and the previously unpublished ones. in this way, it aims to provide a complete overview of this high-quality group of songs and to make them accessible for practical performance.\u003c\/p\u003e \u003c\/div\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003eSongs of Sorrow, Op. 29\u003c\/li\u003e\n\u003cli\u003eNur keinen Abschied, No. 5 from 5 Songs, Op. 43\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"Furore Edition","offers":[{"title":"Default Title","offer_id":43689008758863,"sku":"FUE15167","price":33.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/2f5483535b2679bd2b5feec66e6fbd75.jpg?v=1760560479"}],"url":"https:\/\/www.ficksmusic.com\/pt\/collections\/josephine-lang.oembed","provider":"Ficks Music","version":"1.0","type":"link"}