Haydn: Missa in Tempore Belli, Hob. XXII:9 - "Mass in Time of War"
Expected to ship in 1-2 weeks.
- Composer: Joseph Haydn (1732-1809)
- Format: Vocal Score
- Instrumentation: SATB Choir, Orchestra
- Work: Missa in Tempore Belli ("Mass in Time of War"), Hob. XXII:9
- ISBN:
- Size: 8.5 x 11.0 inches
- Pages: 84
Description
Haydn's Missa in Tempore Belli "Paukenmesse" was composed in 1796 for SATB chorus and soloists with orchestra. It is one of the finest of the six Hermenegild masses that, together with The Creation and The Seasons , represent the crowning glory of Haydn's final creative period. Although the work was originally written for relatively modest orchestral forces, the wind scoring was expanded when it was performed to great acclaim in Vienna in late 1796. This critical edition by Dr David Russell Hulme is the first to include both the original and Viennese scorings, and the vocal score contains a specially prepared piano reduction that provides a full and practical representation of the instrumental textures and clearly identifies the additional Viennese material. Complete orchestral and vocal material is available on hire/rental, and the vocal score is also available on sale.
- Popular choral work for choir and orchestra
- Edited by David Russell Hulme
- First critical edition to include both the Eisenstadt and Viennese scorings
- Specially prepared piano reduction with cues as to extra Viennese material
- Full score and parts available on hire
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
