A Panorama of Arias - Volume 2
Easy Operatic Arias & Operetta Excerpts for Male Voice
Expected to ship in 1-2 weeks.
- Composers: John Blow (1649-1708), George Frideric Handel (1685-1759), Wolfgang Amadeus Mozart (1756-1791), Johann Strauss II (1825-1899), Thomas Arne (1710-1778), Albert Lortzing (1801-1851), Saverio Mercadante (1795-1870), Antonio Vivaldi (1678-1741), Michael William Balfe (1808-1870), Gioachino Rossini (1792-1862), Gaetano Donizetti (1797-1848), Charles Gounod (1818-1893), Giovanni Paisiello (1740-1816), Joseph Haydn (1732-1809), Jacques Offenbach (1819-1880)
- Editor: Katalin Hegedüs-Gönczy
- Format: Book with Audio Access
- Instrumentation (this edition): Piano, Male Voice
- Originally for: Soprano, Orchestra, Tenor, Mixed Choir, Opera
- Work Language: Various
- ISMN:
- Size: 8.0 x 11.2 inches
- Pages: 96
Description
A Panorama of Arias contains a selection of arias from operas, operettas, and oratorical works of the 17th to 19th centuries in original language for those studying singing at beginner and intermediate levels. All arias have new, easy-to-play piano reductions, and some of them even include excerpts from recitatives. The sheet music comes with:
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professional audio recordings of the piano accompaniments and the orchestral accompaniments on authentic instruments
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audio recordings of native speakers reading the words of the arias
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literal translations of the words in English and Hungarian
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information on the works
Works:
- Blow: You who the slothful joys of city hate from Venus and Adonis (1687)
- Vivaldi: Dove il valor combatte from Orlando furioso, RV 819
- Diedi il core from Handel: Atalanta, HWV 35
- Vieni, o cara from Handel: Agrippina, HWV 6
- Arne: By the gaily circling glass from Comus (1738)
- O luna lucente from J. Haydn: Il mondo della luna (Dramma giocoso in tre atti), Hob. XXVIII:7
- Paisiello: Il barbiere di Siviglia, R 1.64
- Befraget mich ein zartes Kind from Mozart: Bastien and Bastienne, K. 50 (46b)
- D'ogni pietàmi spoglio from Mozart: Lucio Silla, K. 135
- Ho capito, signor sì from Mozart: Don Giovanni, K. 527
- Rossini: Tu mi conosci from L'inganno felice (1812)
- Mercadante: Bella, adorata incognita from Il giuramento (1837)
- Donizetti: Era pura, come in cielo from Adelia (1841)
- Vater, Mutter, Schwestern, Brüder from Lortzing: Undine
- 'Tis sad to leave our Fatherland from Balfe: The Bohemian Girl (1843)
- Que les songes heureux from Gounod: Philémon et Baucis, CG 4
- Offenbach: Vous allez être l'épouse from Belle Lurette (1880)
- Offenbach: Je viens de la Tur from Geneviève de Brabant (1859)
- J. Strauss II: Der Wein, der Wein from Ritter Pázmán (1892)
- J. Strauss II: Ein Gretchen mit lächelndem Munde from Fürstin Ninetta (1893)
- Dem Schäfer, der den Frieden liebt from J. Strauss II: Prinz Methusalem (1877)
- Generalslied from J. Strauss II: Prinz Methusalem (1877)
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.





