{"title":"Sheet music composed by Carlo Gesualdo (1566-1613)","description":"Carlo Gesualdo (1566-1613) was a composer from Italy. Read more on \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Carlo_Gesualdo\" target=\"_blank\"\u003eWikipedia\u003c\/a\u003e.","products":[{"product_id":"gesualdo-madrigals-book-1-op-1-breitkopf","title":"Gesualdo: Madrigals - Book 1 (Op. 1)","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/carlo-gesualdo\"\u003eCarlo Gesualdo (1566-1613)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditors\u003c\/strong\u003e: Glenn E Watkins, Wilhelm Weismann\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eSATB Choir\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork Language\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eItalian\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790200440249\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e7.5\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e10.6\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 84\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/www.breitkopf.com\/assets\/haendler\/samples\/9790200440249.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eCarlo Gesualdo's choral works were unique for the time around 1600, and it takes only a few measures to identify their distinct style. No other composer advanced the interpretation of the text in such a varied manner as Gesualdo, and none wrote harmonies that are so daring and of such incomparable freedom in all of music history. Beyond his musical contributions, Gesualdo's life itself reads like an adventure novel – another singular feature among composers of that era.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBaci soavi e cari\u003c\/li\u003e\n\u003cli\u003eBella Angioletta, da le vaghe piume\u003c\/li\u003e\n\u003cli\u003eCome esser può ch'io viva\u003c\/li\u003e\n\u003cli\u003eFelice primavera\u003c\/li\u003e\n\u003cli\u003eGelo ha madonna il seno\u003c\/li\u003e\n\u003cli\u003eMadonna, io ben vorrei\u003c\/li\u003e\n\u003cli\u003eMentre madonna il lasso fianco posa\u003c\/li\u003e\n\u003cli\u003eMentre mia stella, miri\u003c\/li\u003e\n\u003cli\u003eNon mirar, non mirare\u003c\/li\u003e\n\u003cli\u003eO dolce mio martire\u003c\/li\u003e\n\u003cli\u003eQuanto ha di dolce amore\u003c\/li\u003e\n\u003cli\u003eQuesti leggiadri odorosetti fiori\u003c\/li\u003e\n\u003cli\u003eSe da sí nobil mano\u003c\/li\u003e\n\u003cli\u003eSí gioioso mi fanno i dolor miei\u003c\/li\u003e\n\u003cli\u003eSon sí belle le rose\u003c\/li\u003e\n\u003cli\u003eTirsi morir volea\u003c\/li\u003e\n\u003c\/ol\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Breitkopf \u0026 Härtel","offers":[{"title":"Default Title","offer_id":32721534353487,"sku":"DV4771-01","price":118.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/949943ef248e6014438dc437469e7410.jpg?v=1751036834"},{"product_id":"gesualdo-madrigals-book-3-op-3-breitkopf","title":"Gesualdo: Madrigals - Book 3 (Op. 3)","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/carlo-gesualdo\"\u003eCarlo Gesualdo (1566-1613)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditors\u003c\/strong\u003e: Glenn E Watkins, Wilhelm Weismann\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eSATB Choir\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork Language\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eItalian\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790200440263\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e7.5\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e10.6\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 80\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/www.breitkopf.com\/assets\/haendler\/samples\/9790200440263.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eCarlo Gesualdo's choral works were unique for the time around 1600, and it takes only a few measures to identify their distinct style. No other composer advanced the interpretation of the text in such a varied manner as Gesualdo, and none wrote harmonies that are so daring and of such incomparable freedom in all of music history. Beyond his musical contributions, Gesualdo's life itself reads like an adventure novel – another singular feature among composers of that era.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAhi, disperata vita\u003c\/li\u003e\n\u003cli\u003eAhi, dispietata e cruda\u003c\/li\u003e\n\u003cli\u003eAncidetemi pur, grievi martiri\u003c\/li\u003e\n\u003cli\u003eCrudelissima doglia\u003c\/li\u003e\n\u003cli\u003eDeh, se già fu crudele\u003c\/li\u003e\n\u003cli\u003eDel bel de'bei vostri occhi\u003c\/li\u003e\n\u003cli\u003eDolce spirto d'amore\u003c\/li\u003e\n\u003cli\u003eDolcissimo sospiro\u003c\/li\u003e\n\u003cli\u003eDonna, se m'ancidente (six voices)\u003c\/li\u003e\n\u003cli\u003eLanguisco e moro, ahi, cruda\u003c\/li\u003e\n\u003cli\u003eMeraviglia d'Amore\u003c\/li\u003e\n\u003cli\u003eNon t'amo, o voce ingrata\u003c\/li\u003e\n\u003cli\u003eSe piange, aime, la donna del mio core\u003c\/li\u003e\n\u003cli\u003eSe vi miro pietosa\u003c\/li\u003e\n\u003cli\u003eVoi volete ch'io mora\u003c\/li\u003e\n\u003cli\u003eSospirava il mio core\u003c\/li\u003e\n\u003cli\u003eVeggio sí, dal mio sole\u003c\/li\u003e\n\u003c\/ol\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Breitkopf \u0026 Härtel","offers":[{"title":"Default Title","offer_id":32721535795279,"sku":"DV4773-01","price":98.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/4d0826c8db877297518cdd888d6427d8.jpg?v=1751036828"},{"product_id":"gesualdo-madrigals-book-2-op-2-breitkopf","title":"Gesualdo: Madrigals - Book 2 (Op. 2)","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/carlo-gesualdo\"\u003eCarlo Gesualdo (1566-1613)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditors\u003c\/strong\u003e: Glenn E Watkins, Wilhelm Weismann\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Hardcover\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eSATB Choir\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Hardcover\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork Language\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eItalian\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790200440256\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e7.5\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e10.6\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/www.breitkopf.com\/assets\/haendler\/samples\/9790200440256.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eCarlo Gesualdo's choral works were unique for the time around 1600, and it takes only a few measures to identify their distinct style. No other composer advanced the interpretation of the text in such a varied manner as Gesualdo, and none wrote harmonies that are so daring and of such incomparable freedom in all of music history. Beyond his musical contributions, Gesualdo's life itself reads like an adventure novel – another singular feature among composers of that era.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAll'apparir di quelle luci ardenti\u003c\/li\u003e\n\u003cli\u003eCandida man qual neve\u003c\/li\u003e\n\u003cli\u003eCara amoroso neo\u003c\/li\u003e\n\u003cli\u003eDalle odorate spoglie\u003c\/li\u003e\n\u003cli\u003eHai rotto e sciolto e spento\u003c\/li\u003e\n\u003cli\u003ein più leggiadro velo\u003c\/li\u003e\n\u003cli\u003eNon è questa la mano\u003c\/li\u003e\n\u003cli\u003eNon mai non cangerò\u003c\/li\u003e\n\u003cli\u003eNon mi toglia il ben mio\u003c\/li\u003e\n\u003cli\u003eO com'è gran martire\u003c\/li\u003e\n\u003cli\u003eSe così dolce e il duolo\u003c\/li\u003e\n\u003cli\u003eSento che nel partire\u003c\/li\u003e\n\u003cli\u003eSe per lieve ferita\u003c\/li\u003e\n\u003cli\u003eSe taccio, il duol s'avanza\u003c\/li\u003e\n\u003c\/ol\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Breitkopf \u0026 Härtel","offers":[{"title":"Default Title","offer_id":32721535860815,"sku":"DV4772-01","price":78.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/12ca9634f5f9e755c7b230c8f5f80c36.jpg?v=1751032330"},{"product_id":"gesualdo-madrigals-book-4-op-5-breitkopf","title":"Gesualdo: Madrigals - Book 4 (Op. 5)","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/carlo-gesualdo\"\u003eCarlo Gesualdo (1566-1613)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditors\u003c\/strong\u003e: Glenn E Watkins, Wilhelm Weismann\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eSATB Choir\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork Language\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eItalian\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790200440270\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e7.5\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e10.6\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 80\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/www.breitkopf.com\/assets\/haendler\/samples\/9790200440270.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eCarlo Gesualdo's choral works were unique for the time around 1600, and it takes only a few measures to identify their distinct style. No other composer advanced the interpretation of the text in such a varied manner as Gesualdo, and none wrote harmonies that are so daring and of such incomparable freedom in all of music history. Beyond his musical contributions, Gesualdo's life itself reads like an adventure novel – another singular feature among composers of that era.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eArde il mio cor, ed è si dolce il foco\u003c\/li\u003e\n\u003cli\u003eA voi, entre il mio core\u003c\/li\u003e\n\u003cli\u003eChe fai meco, mio cor\u003c\/li\u003e\n\u003cli\u003eCor mio, deh, non piangete (Guarini)\u003c\/li\u003e\n\u003cli\u003eEcco, morirò dunque\u003c\/li\u003e\n\u003cli\u003eIl sol, qualor più splende (six voices)\u003c\/li\u003e\n\u003cli\u003eIo tacerò, ma nel silenzio mio\u003c\/li\u003e\n\u003cli\u003eLuci serene e chiare (Ridolfo Arlotti)\u003c\/li\u003e\n\u003cli\u003eMentre gira costei\u003c\/li\u003e\n\u003cli\u003eMoro, e mentre sospiro\u003c\/li\u003e\n\u003cli\u003eOr, che in gioia credea\u003c\/li\u003e\n\u003cli\u003eQuesta crudele e pia\u003c\/li\u003e\n\u003cli\u003eSe chiudete nel core\u003c\/li\u003e\n\u003cli\u003eSparge la morte al mio Signor nel viso\u003c\/li\u003e\n\u003cli\u003eTalor sano desio\u003c\/li\u003e\n\u003c\/ol\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Breitkopf \u0026 Härtel","offers":[{"title":"Default Title","offer_id":32721539366991,"sku":"DV4774-01","price":98.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/7ea01f25c74740d9316ec112d4148c5f.jpg?v=1751036865"},{"product_id":"gesualdo-madrigals-book-5-op-13-breitkopf","title":"Gesualdo: Madrigals - Book 5 (Op. 13)","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/carlo-gesualdo\"\u003eCarlo Gesualdo (1566-1613)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditors\u003c\/strong\u003e: Glenn E Watkins, Wilhelm Weismann\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eSATB Choir\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork Language\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eItalian\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790200440287\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e7.5\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e10.6\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 88\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/www.breitkopf.com\/assets\/haendler\/samples\/9790200440287.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eCarlo Gesualdo's choral works were unique for the time around 1600, and it takes only a few measures to identify their distinct style. No other composer advanced the interpretation of the text in such a varied manner as Gesualdo, and none wrote harmonies that are so daring and of such incomparable freedom in all of music history. Beyond his musical contributions, Gesualdo's life itself reads like an adventure novel – another singular feature among composers of that era.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAsciugate i begli occhi\u003c\/li\u003e\n\u003cli\u003eCorrete, amanti, a prova\u003c\/li\u003e\n\u003cli\u003eDeh, coprite il bel seno\u003c\/li\u003e\n\u003cli\u003eDolcissima mia vita\u003c\/li\u003e\n\u003cli\u003eFelicissimo sonno\u003c\/li\u003e\n\u003cli\u003eGioite voi col canto\u003c\/li\u003e\n\u003cli\u003eItene, o miei sospiri\u003c\/li\u003e\n\u003cli\u003eLanguisce al fin chi da la vita parte\u003c\/li\u003e\n\u003cli\u003eMercè grido piangendo\u003c\/li\u003e\n\u003cli\u003eOcchi del mio cor vita\u003c\/li\u003e\n\u003cli\u003eO dolorosa gioia\u003c\/li\u003e\n\u003cli\u003eO tenebroso giorno\u003c\/li\u003e\n\u003cli\u003eO voi, troppo felici\u003c\/li\u003e\n\u003cli\u003ePoichè l'avida sete\u003c\/li\u003e\n\u003cli\u003eQual fora, donna, un dolce 'Ohimè'\u003c\/li\u003e\n\u003cli\u003eSe tu fuggi, io non resto\u003c\/li\u003e\n\u003cli\u003eSe vi duol il mio duolo\u003c\/li\u003e\n\u003cli\u003eS'io non miro non moro\u003c\/li\u003e\n\u003cli\u003eT'amo mia vita, la mia cara vita\u003c\/li\u003e\n\u003cli\u003eTu m'uccidi, oh crudele\u003c\/li\u003e\n\u003c\/ol\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Breitkopf \u0026 Härtel","offers":[{"title":"Default Title","offer_id":32721539629135,"sku":"DV4775-01","price":118.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/8022a3143b31ad776ee54af6df4b5847.jpg?v=1750590550"},{"product_id":"gesualdo-madrigals-book-6-op-14-breitkopf","title":"Gesualdo: Madrigals - Book 6 (Op. 14)","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/carlo-gesualdo\"\u003eCarlo Gesualdo (1566-1613)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditors\u003c\/strong\u003e: Glenn E Watkins, Wilhelm Weismann\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eSATB Choir\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork Language\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eItalian\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790200440294\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e7.5\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e10.6\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 112\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/issuu.com\/breitkopf\/docs\/dv_4776_issuu\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-book\" viewbox=\"0 0 16 16\" style=\"margin-right: 5px;\"\u003e\u003cpath d=\"M1 2.828c.885-.37 2.154-.769 3.388-.893 1.33-.134 2.458.063 3.112.752v9.746c-.935-.53-2.12-.603-3.213-.493-1.18.12-2.37.461-3.287.811V2.828zm7.5-.141c.654-.689 1.782-.886 3.112-.752 1.234.124 2.503.523 3.388.893v9.923c-.918-.35-2.107-.692-3.287-.81-1.094-.111-2.278-.039-3.213.492V2.687zM8 1.783C7.015.936 5.587.81 4.287.94c-1.514.153-3.042.672-3.994 1.105A.5.5 0 0 0 0 2.5v11a.5.5 0 0 0 .707.455c.882-.4 2.303-.881 3.68-1.02 1.409-.142 2.59.087 3.223.877a.5.5 0 0 0 .78 0c.633-.79 1.814-1.019 3.222-.877 1.378.139 2.8.62 3.681 1.02A.5.5 0 0 0 16 13.5v-11a.5.5 0 0 0-.293-.455c-.952-.433-2.48-.952-3.994-1.105C10.413.809 8.985.936 8 1.783z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e Look Inside! \u003c\/a\u003e \u003c\/div\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/www.breitkopf.com\/assets\/haendler\/samples\/9790200440294.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eCarlo Gesualdo's choral works were unique for the time around 1600, and it takes only a few measures to identify their distinct style. No other composer advanced the interpretation of the text in such a varied manner as Gesualdo, and none wrote harmonies that are so daring and of such incomparable freedom in all of music history. Beyond his musical contributions, Gesualdo's life itself reads like an adventure novel – another singular feature among composers of that era.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAlme d'Amor Rubelle\u003c\/li\u003e\n\u003cli\u003eAl mio gioir il ciel si fa sereno\u003c\/li\u003e\n\u003cli\u003eAncide sol la morte\u003c\/li\u003e\n\u003cli\u003eAncor che per amarti\u003c\/li\u003e\n\u003cli\u003eArdita Zanzaretta\u003c\/li\u003e\n\u003cli\u003eArdo per te, mio bene\u003c\/li\u003e\n\u003cli\u003eBeltà, poi che t'assenti\u003c\/li\u003e\n\u003cli\u003eCandido e verde fiore\u003c\/li\u003e\n\u003cli\u003eChiaro risplender suole\u003c\/li\u003e\n\u003cli\u003eDeh, come invan sospiro\u003c\/li\u003e\n\u003cli\u003eGià piansi nel dolore\u003c\/li\u003e\n\u003cli\u003eIo parto, e non più dissi\u003c\/li\u003e\n\u003cli\u003eIo pur respiro in cosí gran dolore\u003c\/li\u003e\n\u003cli\u003eMille volte il dí moro\u003c\/li\u003e\n\u003cli\u003eMoro, lasso, al mio duolo\u003c\/li\u003e\n\u003cli\u003eO dolce mio tesoro\u003c\/li\u003e\n\u003cli\u003eQuando ridente e bella\u003c\/li\u003e\n\u003cli\u003eQuel 'no' crudel che la mia speme ancise\u003c\/li\u003e\n\u003cli\u003eResta di darmi noia\u003c\/li\u003e\n\u003cli\u003eSe la mia morte brami\u003c\/li\u003e\n\u003cli\u003eVolan quasi farfalle\u003c\/li\u003e\n\u003cli\u003eTu piangi, o Filli mia\u003c\/li\u003e\n\u003cli\u003eTu segui, o bella Clori\u003c\/li\u003e\n\u003c\/ol\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Breitkopf \u0026 Härtel","offers":[{"title":"Default Title","offer_id":32721542250575,"sku":"DV4776-01","price":137.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/e5c7a90bb8de648da492851c35657381.jpg?v=1750692737"},{"product_id":"gesualdo-sacrae-cantiones-book-1-op-9-breitkopf","title":"Gesualdo: Sacrae Cantiones - Book 1 (Op. 9)","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/carlo-gesualdo\"\u003eCarlo Gesualdo (1566-1613)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditors\u003c\/strong\u003e: Glenn E Watkins, Wilhelm Weismann\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation (this edition)\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eSATB Choir\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong class=\"original-instrumentation-title\"\u003eOriginally for\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eSATB Choir\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/gesualdo-sacrae-cantiones-book-1-op-9\"\u003eSacrae Cantiones - Book 1, Op. 9\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork Language\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eItalian\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790200440317\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e7.5\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e10.6\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 72\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/www.breitkopf.com\/assets\/haendler\/samples\/9790200440317.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eCarlo Gesualdo's choral works were unique for the time around 1600, and it takes only a few measures to identify their distinct style. No other composer advanced the interpretation of the text in such a varied manner as Gesualdo, and none wrote harmonies that are so daring and of such incomparable freedom in all of music history. Beyond his musical contributions, Gesualdo's life itself reads like an adventure novel – another singular feature among composers of that era.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAve, Regina coelorum\u003c\/li\u003e\n\u003cli\u003eVenit lumen tuum Jerusalem\u003c\/li\u003e\n\u003cli\u003eAve, dulcissima Maria\u003c\/li\u003e\n\u003cli\u003eReminiscere miserationum tuarum\u003c\/li\u003e\n\u003cli\u003eDignare me, laudare te\u003c\/li\u003e\n\u003cli\u003eSancti Spiritus Domine\u003c\/li\u003e\n\u003cli\u003eDomine ne despicias\u003c\/li\u003e\n\u003cli\u003eHei mihi Domine\u003c\/li\u003e\n\u003cli\u003eLaboravi in gemitu meo\u003c\/li\u003e\n\u003cli\u003ePeccantem me quotidie\u003c\/li\u003e\n\u003cli\u003eO vos omnes\u003c\/li\u003e\n\u003cli\u003eExaudi Deus deprecationem meam\u003c\/li\u003e\n\u003cli\u003ePrecibus et meritis beatae Mariae\u003c\/li\u003e\n\u003cli\u003eO Crux benedicta\u003c\/li\u003e\n\u003cli\u003eTribularer si nescirem\u003c\/li\u003e\n\u003cli\u003eDeus refugium et virtus\u003c\/li\u003e\n\u003cli\u003eTribulationem et dolorem\u003c\/li\u003e\n\u003cli\u003eIllumina faciem tuam\u003c\/li\u003e\n\u003cli\u003eMaria mater gratiae\u003c\/li\u003e\n\u003c\/ol\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Breitkopf \u0026 Härtel","offers":[{"title":"Default Title","offer_id":32721543004239,"sku":"DV4778-01","price":98.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/262e45a1b2f2913ebc2039e1436b4f91.jpg?v=1750593042"},{"product_id":"gesualdo-sacrae-cantiones-book-2-op-10-breitkopf","title":"Gesualdo: Sacrae Cantiones - Book 2 (Op. 10)","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/carlo-gesualdo\"\u003eCarlo Gesualdo (1566-1613)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditors\u003c\/strong\u003e: Glenn E Watkins, Wilhelm Weismann\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eSATB Choir\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork Language\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eItalian\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790200440324\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e7.5\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e10.6\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 104\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/www.breitkopf.com\/assets\/haendler\/samples\/9790200440324.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eCarlo Gesualdo's choral works were unique for the time around 1600, and it takes only a few measures to identify their distinct style. No other composer advanced the interpretation of the text in such a varied manner as Gesualdo, and none wrote harmonies that are so daring and of such incomparable freedom in all of music history. Beyond his musical contributions, Gesualdo's life itself reads like an adventure novel – another singular feature among composers of that era.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eVirgo benedicta\u003c\/li\u003e\n\u003cli\u003eDa pacem Domine\u003c\/li\u003e\n\u003cli\u003eSana me Domine\u003c\/li\u003e\n\u003cli\u003eAve sanctissima Maria\u003c\/li\u003e\n\u003cli\u003eO Oriens\u003c\/li\u003e\n\u003cli\u003eDiscedite a me omnes\u003c\/li\u003e\n\u003cli\u003eGaudeamus omnes\u003c\/li\u003e\n\u003cli\u003eVeni Creator Spiritus\u003c\/li\u003e\n\u003cli\u003eO sacrum convivium\u003c\/li\u003e\n\u003cli\u003eAdoramus te Christe\u003c\/li\u003e\n\u003cli\u003eVeni sponsa Christi\u003c\/li\u003e\n\u003cli\u003eAssumpta est Maria\u003c\/li\u003e\n\u003cli\u003eVerba mea\u003c\/li\u003e\n\u003cli\u003eArdens est cor meum\u003c\/li\u003e\n\u003cli\u003eNe derelinquas me\u003c\/li\u003e\n\u003cli\u003eO Beata Mater\u003c\/li\u003e\n\u003cli\u003eAd te levavi\u003c\/li\u003e\n\u003cli\u003eFranciscus humilis et pauper\u003c\/li\u003e\n\u003cli\u003eO anima sanctissima\u003c\/li\u003e\n\u003cli\u003eIllumina nos\u003c\/li\u003e\n\u003c\/ol\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Breitkopf \u0026 Härtel","offers":[{"title":"Default Title","offer_id":32721543823439,"sku":"DV4779-01","price":137.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/cc71db4bac9e3431d963ca06a00e2c77.jpg?v=1750691630"},{"product_id":"gesualdo-responsoria-for-holy-week-breitkopf","title":"Gesualdo: Responsoria for Holy Week","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/carlo-gesualdo\"\u003eCarlo Gesualdo (1566-1613)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditors\u003c\/strong\u003e: Glenn E Watkins, Wilhelm Weismann\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation (this edition)\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eSATB Choir\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong class=\"original-instrumentation-title\"\u003eOriginally for\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eSATB Choir\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/gesualdo-responsoria-et-alia-ad-officium-hebdomad-sanct-spectantia-1611\"\u003eResponsoria et alia ad Officium Hebdomadæ Sanctæ spectantia (1611)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork Language\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eItalian\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790200440300\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e7.5\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e10.6\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 116\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/issuu.com\/breitkopf\/docs\/dv_4777_issuu\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-book\" viewbox=\"0 0 16 16\" style=\"margin-right: 5px;\"\u003e\u003cpath d=\"M1 2.828c.885-.37 2.154-.769 3.388-.893 1.33-.134 2.458.063 3.112.752v9.746c-.935-.53-2.12-.603-3.213-.493-1.18.12-2.37.461-3.287.811V2.828zm7.5-.141c.654-.689 1.782-.886 3.112-.752 1.234.124 2.503.523 3.388.893v9.923c-.918-.35-2.107-.692-3.287-.81-1.094-.111-2.278-.039-3.213.492V2.687zM8 1.783C7.015.936 5.587.81 4.287.94c-1.514.153-3.042.672-3.994 1.105A.5.5 0 0 0 0 2.5v11a.5.5 0 0 0 .707.455c.882-.4 2.303-.881 3.68-1.02 1.409-.142 2.59.087 3.223.877a.5.5 0 0 0 .78 0c.633-.79 1.814-1.019 3.222-.877 1.378.139 2.8.62 3.681 1.02A.5.5 0 0 0 16 13.5v-11a.5.5 0 0 0-.293-.455c-.952-.433-2.48-.952-3.994-1.105C10.413.809 8.985.936 8 1.783z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e Look Inside! \u003c\/a\u003e \u003c\/div\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/www.breitkopf.com\/assets\/haendler\/samples\/9790200440300.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eCarlo Gesualdo's choral works were unique for the time around 1600, and it takes only a few measures to identify their distinct style. No other composer advanced the interpretation of the text in such a varied manner as Gesualdo, and none wrote harmonies that are so daring and of such incomparable freedom in all of music history. Beyond his musical contributions, Gesualdo's life itself reads like an adventure novel – another singular feature among composers of that era.\u003c\/p\u003e\n\u003cp\u003eTenebrae Responsories for Maundy Thursday\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ein monte Oliveti\u003c\/li\u003e\n\u003cli\u003eTristis est anima mea\u003c\/li\u003e\n\u003cli\u003eEcce vidimus eum\u003c\/li\u003e\n\u003cli\u003eAmicus meus osculi\u003c\/li\u003e\n\u003cli\u003eJudas mercator pessimus\u003c\/li\u003e\n\u003cli\u003eUnus ex discipulis meis\u003c\/li\u003e\n\u003cli\u003eEram quasi agnus innocens\u003c\/li\u003e\n\u003cli\u003eUna hora non potuistis\u003c\/li\u003e\n\u003cli\u003eSeniores populi consilium\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eTenebrae Responsories for Good Friday\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eOmnes amici mei dereliquerunt me et praevaluerunt insidiantes mihi\u003c\/li\u003e\n\u003cli\u003eVelum templi scissum est\u003c\/li\u003e\n\u003cli\u003eVinea mea electa, ego te plantavi\u003c\/li\u003e\n\u003cli\u003eTamquam ad latronem existis cum gladiis et fustibus cemprehendere me\u003c\/li\u003e\n\u003cli\u003eTenebrae factae sunt, dum crucifixissent Jesum Judaei\u003c\/li\u003e\n\u003cli\u003eAnimam meam dilectam tradidi in manus iniquorum\u003c\/li\u003e\n\u003cli\u003eTradiderunt me in manus impiorum\u003c\/li\u003e\n\u003cli\u003eJesum tradidit impius summis principibus sacerdotum, et senioribus populi\u003c\/li\u003e\n\u003cli\u003eCaligaverunt oculi mei fletu meo\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eTenebrae Responsories for Holy Saturday\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSicut ovis ad occisionem\u003c\/li\u003e\n\u003cli\u003eJerusalem, surge\u003c\/li\u003e\n\u003cli\u003ePlange quasi virgo\u003c\/li\u003e\n\u003cli\u003eRecessit pastor noster\u003c\/li\u003e\n\u003cli\u003eO vos omnes\u003c\/li\u003e\n\u003cli\u003eEcce quomodo moritur justus\u003c\/li\u003e\n\u003cli\u003eAstiterunt reges terrae\u003c\/li\u003e\n\u003cli\u003eAestimatus sum\u003c\/li\u003e\n\u003cli\u003eSepulto Domino\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\"et alia\" – settings of:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMiserere mei, Deus (Psalm 51)\u003c\/li\u003e\n\u003cli\u003eBenedictus (Luke 1:68–79)\u003c\/li\u003e\n\u003c\/ol\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Breitkopf \u0026 Härtel","offers":[{"title":"Default Title","offer_id":32721543987279,"sku":"DV4777-01","price":157.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/6605a55246b07bd08fc07c7f8d96aed9.jpg?v=1751033602"},{"product_id":"gesualdo-instrumental-pieces-psalms-canzonettas-breitkopf","title":"Gesualdo: Instrumental Pieces, Psalms, Canzonettas","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/carlo-gesualdo\"\u003eCarlo Gesualdo (1566-1613)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditors\u003c\/strong\u003e: Glenn E Watkins, Wilhelm Weismann\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano, SATB Choir\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork Language\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eItalian\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790200440331\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e7.5\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e10.6\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 52\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/www.breitkopf.com\/assets\/haendler\/samples\/9790200440331.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eCarlo Gesualdo's choral works were unique for the time around 1600, and it takes only a few measures to identify their distinct style. No other composer advanced the interpretation of the text in such a varied manner as Gesualdo, and none wrote harmonies that are so daring and of such incomparable freedom in all of music history. Beyond his musical contributions, Gesualdo's life itself reads like an adventure novel – another singular feature among composers of that era.\u003c\/p\u003e\n\u003cp\u003eContents:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCanzon francesca\u003c\/li\u003e\n\u003cli\u003eGagliarda\u003c\/li\u003e\n\u003cli\u003eSalmi delle Compiete\u003c\/li\u003e\n\u003cli\u003eCanzonetta\u003c\/li\u003e\n\u003cli\u003eAll'ombra degl' allori\u003c\/li\u003e\n\u003cli\u003eCome vivi cor mio\u003c\/li\u003e\n\u003cli\u003eMadrigali á sei voci\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Breitkopf \u0026 Härtel","offers":[{"title":"Default Title","offer_id":32721619615823,"sku":"DV4780-01","price":78.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/e38ddd70d94e52264fadfec25037ca51.jpg?v=1750591815"},{"product_id":"european-sacred-music-oup","title":"European Sacred Music","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposers\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/giovanni-pierluigi-da-palestrina\"\u003eGiovanni Pierluigi da Palestrina (1525-1594)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/mikhail-glinka\"\u003eMikhail Glinka (1804-1857)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/wolfgang-amadeus-mozart\"\u003eWolfgang Amadeus Mozart (1756-1791)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/johann-sebastian-bach\"\u003eJohann Sebastian Bach (1685-1750)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/josquin-des-prez\"\u003eJosquin des Prez (1450-1521)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/tomas-luis-de-victoria\"\u003eTomás Luis de Victoria (1548-1611)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/carlo-gesualdo\"\u003eCarlo Gesualdo (1566-1613)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/edvard-grieg\"\u003eEdvard Grieg (1843-1907)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/felice-anerio\"\u003eFelice Anerio (1560-1614)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/francisco-guerrero\"\u003eFrancisco Guerrero (1528-1599)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/francis-poulenc\"\u003eFrancis Poulenc (1899-1963)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/orlande-de-lassus\"\u003eOrlande de Lassus (1530-1594)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/giovanni-gabrieli\"\u003eGiovanni Gabrieli (1554-1612)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/claudio-monteverdi\"\u003eClaudio Monteverdi (1567-1643)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/giuseppe-verdi\"\u003eGiuseppe Verdi (1813-1901)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/jan-pieterszoon-sweelinck\"\u003eJan Pieterszoon Sweelinck (1562-1621)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/sergei-rachmaninoff\"\u003eSergei Rachmaninoff (1873-1943)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/igor-stravinsky\"\u003eIgor Stravinsky (1882-1971)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/franz-schubert\"\u003eFranz Schubert (1797-1828)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/hans-leo-hassler\"\u003eHans Leo Hassler (1564-1612)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/antonio-lotti\"\u003eAntonio Lotti (1667-1740)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/jacob-handl-gallus\"\u003eJacob (Handl) Gallus (1550-1591)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/cesar-franck\"\u003eCésar Franck (1822-1890)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/josef-rheinberger\"\u003eJosef Rheinberger (1839-1901)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/gregorio-allegri\"\u003eGregorio Allegri (1582-1652)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/johannes-brahms\"\u003eJohannes Brahms (1833-1897)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/gioachino-rossini\"\u003eGioachino Rossini (1792-1862)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/pablo-casals\"\u003ePablo (Pau) Casals (1876-1973)\u003c\/a\u003e, Dom (John) João IV (1604-1656), Lodovico Grossi da Viadana (1560-1627), \u003ca href=\"\/pt\/collections\/heinrich-schutz\"\u003eHeinrich Schütz (1585-1672)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/felix-mendelssohn\"\u003eFelix Mendelssohn (1809-1847)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/anton-arensky\"\u003eAnton Arensky (1861-1906)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/anton-bruckner\"\u003eAnton Bruckner (1824-1896)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/gabriel-faure\"\u003eGabriel Fauré (1845-1924)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/max-reger\"\u003eMax Reger (1873-1916)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/dieterich-buxtehude\"\u003eDieterich Buxtehude (1637-1707)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/john-rutter\"\u003eJohn Rutter (1945-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Vocal Score\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation (this edition)\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003ePiano, SATB Choir\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong class=\"original-instrumentation-title\"\u003eOriginally for\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eCello, Organ, Piano, Basso continuo, SATB Choir, Orchestra, Double Choir (SATB + SATB), Harp, SSATB Choir, Tenor, Chamber Orchestra, Female Choir, Organ (or Piano), SSAATTBB Choir, SSATTB Choir, Strings, Chamber Ensemble\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork Languages\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eEnglish, French, German, Latin, Russian\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISBN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9780193436954\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e7.7\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e10.8\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 384\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eListen\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cfigure\u003e\u003caudio controls src=\"https:\/\/fdslive.oup.com\/www.oup.com\/academic\/mp3\/music\/Rutter\/01Jubilatedeo.mp3\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/figure\u003e \u003cfigure\u003e\u003caudio controls src=\"https:\/\/fdslive.oup.com\/www.oup.com\/academic\/mp3\/music\/Rutter\/02Beatusvir.mp3\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/figure\u003e \u003cfigure\u003e\u003caudio controls src=\"https:\/\/fdslive.oup.com\/www.oup.com\/academic\/mp3\/music\/Rutter\/03Christieadoramuste.mp3\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/figure\u003e \u003cfigure\u003e\u003caudio controls src=\"https:\/\/fdslive.oup.com\/www.oup.com\/academic\/mp3\/music\/Rutter\/04Cantatedomino.mp3\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/figure\u003e \u003cfigure\u003e\u003caudio controls src=\"https:\/\/fdslive.oup.com\/www.oup.com\/academic\/mp3\/music\/Rutter\/05Sicutcervus.mp3\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/figure\u003e \u003cfigure\u003e\u003caudio controls src=\"https:\/\/fdslive.oup.com\/www.oup.com\/academic\/mp3\/music\/Rutter\/06Exultatedeo.mp3\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/figure\u003e \u003cfigure\u003e\u003caudio controls src=\"https:\/\/fdslive.oup.com\/www.oup.com\/academic\/mp3\/music\/Rutter\/09Timorettemnor.mp3\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/figure\u003e \u003cfigure\u003e\u003caudio controls src=\"https:\/\/fdslive.oup.com\/www.oup.com\/academic\/mp3\/music\/Rutter\/10Aveverumcorpus.mp3\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/figure\u003e \u003cfigure\u003e\u003caudio controls src=\"https:\/\/fdslive.oup.com\/www.oup.com\/academic\/mp3\/music\/Rutter\/11Laudatedominum.mp3\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/figure\u003e \u003cfigure\u003e\u003caudio controls src=\"https:\/\/fdslive.oup.com\/www.oup.com\/academic\/mp3\/music\/Rutter\/12Magnificat.mp3\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/figure\u003e \u003cfigure\u003e\u003caudio controls src=\"https:\/\/fdslive.oup.com\/www.oup.com\/academic\/mp3\/music\/Rutter\/15Cruxfedelis.mp3\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/figure\u003e \u003cfigure\u003e\u003caudio controls src=\"https:\/\/fdslive.oup.com\/www.oup.com\/academic\/mp3\/music\/Rutter\/14Ovosomnes.mp3\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/figure\u003e \u003cfigure\u003e\u003caudio controls src=\"https:\/\/fdslive.oup.com\/www.oup.com\/academic\/mp3\/music\/Rutter\/16AveMaria.mp3\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/figure\u003e \u003cfigure\u003e\u003caudio controls src=\"https:\/\/fdslive.oup.com\/www.oup.com\/academic\/mp3\/music\/Rutter\/08Ovosomnes.mp3\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/figure\u003e \u003cfigure\u003e\u003caudio controls src=\"https:\/\/fdslive.oup.com\/www.oup.com\/academic\/mp3\/music\/Rutter\/18Psalm100.mp3\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/figure\u003e \u003cfigure\u003e\u003caudio controls src=\"https:\/\/fdslive.oup.com\/www.oup.com\/academic\/mp3\/music\/Rutter\/19Seligsinddietoten.mp3\" type=\"audio\/mpeg\"\u003e\u003c\/audio\u003e\u003c\/figure\u003e \u003c\/div\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eEuropean Sacred Music\u003c\/em\u003e is a collection of over 50 of the finest examples of sacred choral music from continental Europe, ranging from the sixteenth to twentieth centuries. John Rutter has prepared completely new editions of all the pre-twentieth-century items, going back to the earliest and most reliable manuscript or printed sources. New English singing translations are provided for most pieces, and playable keyboard reductions.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAllegri: Miserere\u003c\/li\u003e\n\u003cli\u003eAnerio (F.): Christus factus est\u003c\/li\u003e\n\u003cli\u003eArensky: The Lord's Prayer\u003c\/li\u003e\n\u003cli\u003eBach: O Jesu Christ, meins Lebens Licht, BWV 118\u003c\/li\u003e\n\u003cli\u003eBrahms: Ach, arme Welt, Op. 110, No. 2\u003c\/li\u003e\n\u003cli\u003eBrahms: Geistliches Lied, Op. 30\u003c\/li\u003e\n\u003cli\u003eBrahms: Warum ist das Licht, Op. 74, No. 1\u003c\/li\u003e\n\u003cli\u003eBruckner: Ave Maria\u003c\/li\u003e\n\u003cli\u003eBruckner: Christus factus est\u003c\/li\u003e\n\u003cli\u003eBruckner: Locus iste\u003c\/li\u003e\n\u003cli\u003eBruckner: Os justi\u003c\/li\u003e\n\u003cli\u003eBuxtehude: Magnificat\u003c\/li\u003e\n\u003cli\u003eCasals: O vos omnes\u003c\/li\u003e\n\u003cli\u003eFaur'e: Cantique de Jean Racine\u003c\/li\u003e\n\u003cli\u003eFranck: Panis angelicus\u003c\/li\u003e\n\u003cli\u003eGabrieli (G): Jubilate Deo a 8\u003c\/li\u003e\n\u003cli\u003eGesualdo: O vos omnes\u003c\/li\u003e\n\u003cli\u003eGlinka: The Cherubic Hymn\u003c\/li\u003e\n\u003cli\u003eGrieg: Ave maris stella\u003c\/li\u003e\n\u003cli\u003eGuerrero: Ave Virgo sanctissima\u003c\/li\u003e\n\u003cli\u003eHandl (Gallus): Pater noster\u003c\/li\u003e\n\u003cli\u003eHassler: Dixit Maria\u003c\/li\u003e\n\u003cli\u003eJohn IV of Portugal: Crux fidelis\u003c\/li\u003e\n\u003cli\u003eJosquin Desprez: Ave Maria\u003c\/li\u003e\n\u003cli\u003eLassus: Adoramus te, Christe\u003c\/li\u003e\n\u003cli\u003eLassus: Ave verum Corpus\u003c\/li\u003e\n\u003cli\u003eLassus: Timor et tremor\u003c\/li\u003e\n\u003cli\u003eLotti: Crucifixus a 8\u003c\/li\u003e\n\u003cli\u003eMendelssohn: Verleih uns Frieden\u003c\/li\u003e\n\u003cli\u003eMendelssohn: Psalm 43 (Richte mich, Gott)\u003c\/li\u003e\n\u003cli\u003eMonteverdi: Beatus vir\u003c\/li\u003e\n\u003cli\u003eMonteverdi: Cantate Domino\u003c\/li\u003e\n\u003cli\u003eMonteverdi: Christe, adoramus te\u003c\/li\u003e\n\u003cli\u003eMoza rt: Ave verum Corpus\u003c\/li\u003e\n\u003cli\u003ePalestrina: Exsultate Deo\u003c\/li\u003e\n\u003cli\u003ePalestrina: Sicut cervus\u003c\/li\u003e\n\u003cli\u003ePalestrina: Tu es Petrus and Quodcumque ligaveris\u003c\/li\u003e\n\u003cli\u003ePoulenc: Salve Regina\u003c\/li\u003e\n\u003cli\u003eRachmaninoff: Ave Maria\u003c\/li\u003e\n\u003cli\u003eRheinberger: Abendlied, Op. 69, No. 3\u003c\/li\u003e\n\u003cli\u003eReger: Unser lieben Frauen Traum\u003c\/li\u003e\n\u003cli\u003eRossini: O salutaris Hostia\u003c\/li\u003e\n\u003cli\u003eSchubert: Psalm 23\u003c\/li\u003e\n\u003cli\u003eSch\"utz: Psalm 100\u003c\/li\u003e\n\u003cli\u003eSch\"utz: Selig sind die Toten\u003c\/li\u003e\n\u003cli\u003eStravinsky: Ave Maria\u003c\/li\u003e\n\u003cli\u003eSweelinck: Laudate Dominum\u003c\/li\u003e\n\u003cli\u003eTchaikovsky: Hymn to the Virgin\u003c\/li\u003e\n\u003cli\u003eVerdi: Ave Maria\u003c\/li\u003e\n\u003cli\u003eViadana: Exsultate justi\u003c\/li\u003e\n\u003cli\u003eVictoria: Ave Maria a 4\u003c\/li\u003e\n\u003cli\u003eVictoria: Jesu, dulcis memoria\u003c\/li\u003e\n\u003cli\u003eVictoria: O quam gloriosum\u003c\/li\u003e\n\u003cli\u003eVictoria: O vos omnes\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003e\u003ca href=\"\/pt\/collections\/allegri-miserere\"\u003eAllegri: Miserere\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003eAnerio: Christus factus est\u003c\/li\u003e\n\u003cli\u003eArensky: Our Father, No. 3 from Sacred Choruses from the Liturgy of St. John Chrysostom, Op. 40\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/pt\/collections\/bach-o-jesu-christ-meins-lebens-licht-funeral-cantata-bwv-118\"\u003eBach: O Jesu Christ, meins Lebens Licht (Funeral Cantata), BWV 118\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003eWarum ist das Licht gegeben dem Mühseligen?, No. 1 from \u003ca href=\"\/pt\/collections\/brahms-2-motets-op-74\"\u003eBrahms: 2 Motets, Op. 74\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eAch, arme Welt, du trügst mich, No. 2 from \u003ca href=\"\/pt\/collections\/brahms-3-motets-op-110\"\u003eBrahms: 3 Motets, Op. 110\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/pt\/collections\/brahms-geistliches-lied-spiritual-song-op-30\"\u003eBrahms: Geistliches Lied (\"Spiritual Song\"), Op. 30\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/pt\/collections\/bruckner-ave-maria-wab-6\"\u003eBruckner: Ave Maria, WAB 6\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/pt\/collections\/bruckner-christus-factus-est-wab-11\"\u003eBruckner: Christus factus est, WAB 11\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"\/pt\/collections\/bruckner-os-justi-meditabitur-wab-30\"\u003eBruckner: Os justi meditabitur, WAB 30\u003c\/a\u003e (SSAATTBB)\u003c\/li\u003e\n\u003cli\u003eBuxtehude: Magnificat anima mea Domine, BuxWV Anh. 1\u003c\/li\u003e\n\u003cli\u003eCasals: O vos omnes (1932)\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/pt\/collections\/faure-cantique-de-jean-racine-op-11-n-42a\"\u003eFauré: Cantique de Jean Racine, Op. 11, N 42a\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/pt\/collections\/franck-panis-angelicus-cff-209-fwv-61b\"\u003eFranck: Panis angelicus, CFF 209, FWV 61b\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/pt\/collections\/gabrieli-jubilate-deo-omnis-terra-motet-for-11-voices-1597\"\u003eGabrieli: Jubilate Deo, omnis terra (Motet for 11 Voices) (1597)\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003eO vos omnes, No. 11 from \u003ca href=\"\/pt\/collections\/gesualdo-sacrae-cantiones-book-1-op-9\"\u003eGesualdo: Sacrae Cantiones - Book 1, Op. 9\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eGlinka: Херувимская (Cherubim's Song) (1837)\u003c\/li\u003e\n\u003cli\u003eGrieg: Ave, maris stella (Version for Choir), EG 150b\u003c\/li\u003e\n\u003cli\u003eGuerrero: Ave Virgo sanctissima (1566)\u003c\/li\u003e\n\u003cli\u003eGallus: Pater noster (1586)\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/pt\/collections\/hassler-dixit-maria-from-cantiones-sacrae-1591\"\u003eHassler: Dixit Maria (from Cantiones sacrae) (1591)\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003eJoão IV: Crux fidelis (1615)\u003c\/li\u003e\n\u003cli\u003ePrez: Ave Maria…virgo serena (1502)\u003c\/li\u003e\n\u003cli\u003eLassus: Adoramus te, Christe, LV 1083\u003c\/li\u003e\n\u003cli\u003eLassus: Ave verum corpus, LV 730\u003c\/li\u003e\n\u003cli\u003eLassus: Timor et tremor (1566)\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/pt\/collections\/lotti-crucifixus-for-8-voices\"\u003eLotti: Crucifixus (for 8 Voices)\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/pt\/collections\/mendelssohn-psalm-43-richte-mich-gott-und-fuhre-meine-sache-mwv-b-46-op-78-no-2\"\u003eMendelssohn: Psalm 43 (Richte mich, Gott und führe meine Sache), MWV B 46, Op. 78, No. 2\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/pt\/collections\/mendelssohn-verleih-uns-frieden-gnadiglich-mwv-a-11-woo-5\"\u003eMendelssohn: Verleih uns Frieden gnädiglich, MWV A 11, WoO 5\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/pt\/collections\/monteverdi-beatus-vir-psalm-112-sv-268\"\u003eMonteverdi: Beatus vir (Psalm 112), SV 268\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/pt\/collections\/monteverdi-cantate-domino\"\u003eMonteverdi: Cantate Domino\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/pt\/collections\/monteverdi-christe-adoramus-te-sv-294\"\u003eMonteverdi: Christe adoramus te, SV 294\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/pt\/collections\/mozart-ave-verum-corpus-k-618\"\u003eMozart: Ave verum corpus, K. 618\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003ePalestrina: Exsultate Deo (1584)\u003c\/li\u003e\n\u003cli\u003ePalestrina: Tu es Petrus\u003c\/li\u003e\n\u003cli\u003ePalestrina: Sicut cervus desiderat. Sitivit anima mea (1604)\u003c\/li\u003e\n\u003cli\u003ePoulenc: Salve Regina, FP 110\u003c\/li\u003e\n\u003cli\u003eAve Maria, No. 6 from \u003ca href=\"\/pt\/collections\/rachmaninoff-all-night-vigil-op-37\"\u003eRachmaninoff: All-Night Vigil, Op. 37\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"\/pt\/collections\/rheinberger-abendlied-op-69-no-3-jwv-55\"\u003eRheinberger: Abendlied, Op. 69, No. 3, JWV 55\u003c\/a\u003e (SSATTB)\u003c\/li\u003e\n\u003cli\u003eUnser lieben Frauen Traum, No. 4 from \u003ca href=\"\/pt\/collections\/reger-acht-geistliche-gesange-8-sacred-songs-op-138\"\u003eReger: Acht geistliche Gesänge (8 Sacred Songs), Op. 138\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eRossini: O salutaris Hostia (1857)\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/pt\/collections\/schubert-psalm-23-gott-ist-mein-hirt-d-706\"\u003eSchubert: Psalm 23 (\"Gott ist mein Hirt\"), D 706\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/pt\/collections\/schutz-psalm-100-jauchzet-dem-herren-alle-welt-swv-36\"\u003eSchütz: Psalm 100 (\"Jauchzet dem Herren, alle Welt\"), SWV 36\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003eSchütz: Selig sind die Toten, SWV 391\u003c\/li\u003e\n\u003cli\u003eStravinsky: Ave Maria (Bogoroditse D'vo) (1934)\u003c\/li\u003e\n\u003cli\u003eSweelinck: Laudate Dominum (Psalm 117)\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/pt\/collections\/verdi-ave-maria\"\u003eVerdi: Ave Maria\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003eViadana: Exsultate just\u003c\/li\u003e\n\u003cli\u003eT.L. Victoria: Ave Maria (for 4 Voices)\u003c\/li\u003e\n\u003cli\u003eT.L. Victoria: O quam gloriosum (1572)\u003c\/li\u003e\n\u003cli\u003eT.L. Victoria: O vos omnes (Tenebræ Responsory No. 2 for Holy Saturday) (1585)\u003c\/li\u003e\n\u003cli\u003eT.L. Victoria: Jesu, dulcis memoria\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"Oxford University Press","offers":[{"title":"Default Title","offer_id":39287729717327,"sku":"9780193436954","price":30.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/3f9fc49829d87647f84484e9fc8d25f2.jpg?v=1750598865"},{"product_id":"gesualdo-italian-madrigals-volume-1-o-dolce-mio-tesore-millel-volte-il-di-moro-breitkopf","title":"Gesualdo: Italian Madrigals - Volume 1 (O dolce mio tesore \u0026 Millel volte il di moro)","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/carlo-gesualdo\"\u003eCarlo Gesualdo (1566-1613)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eSATB Choir\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/gesualdo-italian-madrigals\"\u003eItalian Madrigals\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790200471403\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e7.5\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e10.6\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 12\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/www.breitkopf.com\/assets\/pdf\/4241_DV7721_PDF_DV_7721_AS.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eListen on Soundcloud\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003ciframe title=\"soundcloud\" width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F187502073\u0026amp;auto_play=false\u0026amp;buying=false\u0026amp;liking=false\u0026amp;download=false\u0026amp;sharing=false\u0026amp;show_artwork=false\u0026amp;show_comments=false\u0026amp;show_playcount=false\u0026amp;show_user=true\u0026amp;hide_related=false\u0026amp;visual=false\u0026amp;start_track=0\u0026amp;callback=true\"\u003e\u003c\/iframe\u003e \u003c\/div\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eThe single editions from the ten-volume Gesualdo edition, which presented the composers complete works for the first time in a text-critical and practical version, offer the most beautiful madrigals and sacred choral works in the customary editorial quality.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Breitkopf \u0026 Härtel","offers":[{"title":"Default Title","offer_id":39394430353487,"sku":"DV7721-02","price":5.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/49f108b9e785f725e42363fccba47fde.jpg?v=1750528996"},{"product_id":"gesualdo-italian-madrigals-volume-2-mentre-gira-costei-dolcissoma-mia-vita-breitkopf","title":"Gesualdo: Italian Madrigals - Volume 2 (Mentre gira costei \u0026 Dolcissoma mia vita)","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/carlo-gesualdo\"\u003eCarlo Gesualdo (1566-1613)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: 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\u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eThe single editions from the ten-volume Gesualdo edition, which presented the composers complete works for the first time in a text-critical and practical version, offer the most beautiful madrigals and sacred choral works in the customary editorial quality.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Breitkopf \u0026 Härtel","offers":[{"title":"Default Title","offer_id":39394430517327,"sku":"DV7722-02","price":5.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/df1d6fa92a4bf83e5df248cffad0da5a.jpg?v=1750521588"},{"product_id":"gesualdo-italian-madrigals-volume-3-itene-o-miei-sospiri-mentre-mia-stella-miri-breitkopf","title":"Gesualdo: Italian Madrigals - Volume 3 (Itene, o miei sospiri \u0026 Mentre, mia stella, miri)","description":"\u003cul\u003e 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class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eThe single editions from the ten-volume Gesualdo edition, which presented the composers complete works for the first time in a text-critical and practical version, offer the most beautiful madrigals and sacred choral works in the customary editorial quality.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Breitkopf \u0026 Härtel","offers":[{"title":"Default Title","offer_id":39394430877775,"sku":"DV7723-02","price":5.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/60ef4800b7f0402349653989b1354b02.jpg?v=1750579812"},{"product_id":"gesualdo-italian-madrigals-volume-4-ancide-sol-la-morte-moro-lasso-al-mio-duolo-breitkopf","title":"Gesualdo: Italian Madrigals - Volume 4 (Ancide sol la morte \u0026 Moro, lasso, al mio duolo)","description":"\u003cul\u003e 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class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eThe single editions from the ten-volume Gesualdo edition, which presented the composers complete works for the first time in a text-critical and practical version, offer the most beautiful madrigals and sacred choral works in the customary editorial quality.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Breitkopf \u0026 Härtel","offers":[{"title":"Default Title","offer_id":39394431238223,"sku":"DV7724-02","price":5.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/81112b43383e541f884105a794d88054.jpg?v=1750525673"},{"product_id":"gesualdo-sacrae-cantiones-volume-1-breitkopf","title":"Gesualdo: Sacrae Cantiones - Volume 1","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca 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global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-book\" viewbox=\"0 0 16 16\" style=\"margin-right: 5px;\"\u003e\u003cpath d=\"M1 2.828c.885-.37 2.154-.769 3.388-.893 1.33-.134 2.458.063 3.112.752v9.746c-.935-.53-2.12-.603-3.213-.493-1.18.12-2.37.461-3.287.811V2.828zm7.5-.141c.654-.689 1.782-.886 3.112-.752 1.234.124 2.503.523 3.388.893v9.923c-.918-.35-2.107-.692-3.287-.81-1.094-.111-2.278-.039-3.213.492V2.687zM8 1.783C7.015.936 5.587.81 4.287.94c-1.514.153-3.042.672-3.994 1.105A.5.5 0 0 0 0 2.5v11a.5.5 0 0 0 .707.455c.882-.4 2.303-.881 3.68-1.02 1.409-.142 2.59.087 3.223.877a.5.5 0 0 0 .78 0c.633-.79 1.814-1.019 3.222-.877 1.378.139 2.8.62 3.681 1.02A.5.5 0 0 0 16 13.5v-11a.5.5 0 0 0-.293-.455c-.952-.433-2.48-.952-3.994-1.105C10.413.809 8.985.936 8 1.783z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e Look Inside! \u003c\/a\u003e \u003c\/div\u003e \u003cdiv class=\"one-half 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0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003col\u003e\n\u003cli\u003eJohann Nepomuk David | Kyrie \"Herre Gott, erbarme Dich\"\u003c\/li\u003e\n\u003cli\u003eFelix | Heilig MWV B 47\u003c\/li\u003e\n\u003cli\u003eGiovanni Pierluigi Palestrina | Missa brevis\u003c\/li\u003e\n\u003cli\u003eHans Leo Haßler | Missa \"Dixit Maria\"\u003c\/li\u003e\n\u003cli\u003eAntonio Lotti | Missa in C\u003c\/li\u003e\n\u003cli\u003eGiovanni Battista Casali | Missa in G\u003c\/li\u003e\n\u003cli\u003eJohann Nepomuk David | Missa choralis (de angelis) Werk 43\u003c\/li\u003e\n\u003cli\u003eJohann Nepomuk David | Deutsche Messe Werk 42\u003c\/li\u003e\n\u003cli\u003eHugo Distler | Eine deutsche Choralmesse, Op. 3\u003c\/li\u003e\n\u003cli\u003eJacobus Gallus | Pater Noster\u003c\/li\u003e\n\u003cli\u003eClaudio Monteverdi | Lauretanische Litanei\u003c\/li\u003e\n\u003cli\u003eCarlo Gesualdo | Sacrae Cantiones: O vos omnes\u003c\/li\u003e\n\u003cli\u003eCarlo Gesualdo | Sacrae Cantiones: Domine, ne despicias deprecationem meam\u003c\/li\u003e\n\u003cli\u003eCarlo Gesualdo | Sacrae Cantiones: Reminiscere miserationum tuarum\u003c\/li\u003e\n\u003cli\u003eCarlo Gesualdo | Sacrae Cantiones: Dignare me, laudare te\u003c\/li\u003e\n\u003cli\u003eCarlo Gesualdo | Sacrae Cantiones: Peccantem me quotidie\u003c\/li\u003e\n\u003cli\u003eMax Reger | Zwanzig Responsorien: 9. Dein Wort, o Herr, wohnt weit and ewig\u003c\/li\u003e\n\u003cli\u003eMax Reger | Zwanzig Responsorien: 10. Wir kennen keinen andern Gott\u003c\/li\u003e\n\u003cli\u003eMax Reger | Zwanzig Responsorien: 11. Fürchte Gott and halte seine Gebote\u003c\/li\u003e\n\u003cli\u003eMax Reger | Zwanzig Responsorien: 12. Dein, o Herr, ist die Kraft\u003c\/li\u003e\n\u003cli\u003eMax Reger | Zwanzig Responsorien: 13. Sieh drein, o Herr, aus deinem Heiligtum\u003c\/li\u003e\n\u003cli\u003eMax Reger | Zwanzig Responsorien: 14. Preis den Herrn alle Zeiten\u003c\/li\u003e\n\u003cli\u003eMax Reger | Zwanzig Responsorien: 15. Herr, führe mich auf dem Pfad deiner Gebote\u003c\/li\u003e\n\u003cli\u003eGünter Raphael | Das Glaubensbekenntnis, Op. 64\u003c\/li\u003e\n\u003cli\u003eVolker Bräutigam | Drei Seligpreisungen\u003c\/li\u003e\n\u003cli\u003eReinhard Ohse | Liturgische Gesänge: Kyrie der böhmischen Brüder\u003c\/li\u003e\n\u003cli\u003eReinhard Ohse | Liturgische Gesänge: Ein deutsches Gloria\u003c\/li\u003e\n\u003cli\u003eReinhard Ohse | Liturgische Gesänge: Credo\u003c\/li\u003e\n\u003cli\u003eReinhard Ohse | Liturgische Gesänge: Das Dreimalheilig (Sanctus)\u003c\/li\u003e\n\u003cli\u003eReinhard Ohse | Liturgische Gesänge: Agnus Die\u003c\/li\u003e\n\u003cli\u003eSiegfried Strohbach | Sechs Evangelien-Motets: 1. Jesus, der Retter im Seesturm\u003c\/li\u003e\n\u003cli\u003eSiegfried Strohbach | Sechs Evangelien-Motets: 2. Jesus and Martha\u003c\/li\u003e\n\u003cli\u003eSiegfried Strohbach | Sechs Evangelien-Motets: 3. Jesus and der Oberzöllner Zacchäus\u003c\/li\u003e\n\u003cli\u003eSiegfried Strohbach | Sechs Evangelien-Motets: 4. Jesus heilt einen Gelähmten\u003c\/li\u003e\n\u003cli\u003eReinhard Ohse | Pharisäer and Zöllner\u003c\/li\u003e\n\u003cli\u003eJohann Nepomuk David | Sechs Evangelien-Motets: 2. Lasset die Kindlein zu mir kommen\u003c\/li\u003e\n\u003cli\u003eJohann Nepomuk David | Sechs Evangelien-Motets: 3. Die Ehebrecherin\u003c\/li\u003e\n\u003cli\u003eJohann Nepomuk David | Sechs Evangelien-Motets: 4. Das Scherflein der Witwe\u003c\/li\u003e\n\u003cli\u003eJohann Nepomuk David | Sechs Evangelien-Motets: 5. Der barmherzige Samariter\u003c\/li\u003e\n\u003cli\u003eJohann Nepomuk David | Sechs Evangelien-Motets: 6. Die zwei Blinden\u003c\/li\u003e\n\u003cli\u003eSiegfried Strohbach | Sechs Evangelien-Motets: 6. Jesus, die Auferstehung and das Leben\u003c\/li\u003e\n\u003cli\u003eDmitrij Bortnjanskij | Concerto No. XV \"Priídite vospoím, ljúdie\"\u003c\/li\u003e\n\u003cli\u003eDmitrij Bortnjanskij | Concerto No. XVI \"Voznesú Tja Bóže moj, cajú moj\"\u003c\/li\u003e\n\u003cli\u003eDmitrij Bortnjanskij | Concerto No. XVII \"Kol' vozljúblenna selénija Tvojá\"\u003c\/li\u003e\n\u003c\/ol\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Breitkopf \u0026 Härtel","offers":[{"title":"Default Title","offer_id":40572005154895,"sku":"ChB5334-00","price":40.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/5ecd756ea44fd71703b5b02e68477732.jpg?v=1751900790"},{"product_id":"gesualdo-madrigali-a-cinque-voci-volume-i-barenreiter","title":"Gesualdo: Madrigali a cinque voci - Volume I","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/carlo-gesualdo\"\u003eCarlo Gesualdo (1566-1613)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eSATB Choir\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Hardcover\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork Language\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eItalian\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790006559909\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.4\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 112\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eGesualdo's \"Libro primo di Madrigali a cinque voci\" was first published in 1594 in part books by Baldini in Ferrara. (However, we know that a \"private\" printing had existed previously, but no trace of it has survived). The present edition is based on the Ferrara first printing, but also draws on all surviving later sources (as well as those of the texts) for comparison.\u003c\/p\u003e\n\u003cp\u003eIn addition to explanations concerning the transmission of the printed edition as well as philological questions, the editor's extensive introduction offers a new perspective on the collection's stylistic characteristics, refuting the summary classification of former scholars as a youthfully immature work: Marco Della Sciucca rehabilitates the 1st Madrigal Book as an organically constructed and internally coherent opus, which shows an innovative exegesis of its texts and is open to the central achievements of the most experimental madrigalists, first and foremost Luzzasco Luzzaschi. Gesualdo's original harmonic solutions and virtuoso contrapuntal textures never prove to be an end in themselves, but are always committed to the expressive musical realisation of the verses and their diverse nuances; they thus represent a profound exploration of the content and structure of the poetic texts.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Default Title","offer_id":40581667160143,"sku":"BA10381-01","price":532.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/14ca855c5010323b6c113f642f3f2de9.jpg?v=1780052756"},{"product_id":"gesualdo-madrigali-a-cinque-voci-volume-ii-barenreiter","title":"Gesualdo: Madrigali a cinque voci - Volume II","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/carlo-gesualdo\"\u003eCarlo Gesualdo (1566-1613)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eSATB Choir\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Hardcover\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork Language\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eItalian\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790006557226\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.4\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 87\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eIn contrast to the two preceding, modern-time editions of Carlo Gesualdo's \"Libro Secondo\" by Francesco Vatielli (Rome 1956) and Wilhelm Weismann (Hamburg 1962), both of which were based on the \"Full Scorea\" (Genoa 1613) by Simone Molinaro, this new critical edition edited by Marco Mangani is based on the first edition which appeared in part-books published by Baldini in Ferrara in 1594. in addition, all further available sources have been taken into consideration and as a result many new readings are being presented.\u003c\/p\u003e\n\u003cp\u003eThis new volume also offers a critical edition of the texts set to music and a bibliographical description of the \"editio princeps\" by Francesco Saggio.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Default Title","offer_id":41867311022159,"sku":"BA10382-01","price":349.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/b8036d17792568992d1d010febb8f022.jpg?v=1780290193"},{"product_id":"gesualdo-madrigali-a-cinque-voci-volume-iii-barenreiter","title":"Gesualdo: Madrigali a cinque voci - Volume III","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/carlo-gesualdo\"\u003eCarlo Gesualdo (1566-1613)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eSATB Choir\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Hardcover\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork Language\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eItalian\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790006557233\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.3\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 111\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eCarlo Gesualdo's \"Madrigali a cinque voci, Libro Terzo\" (\"Third book of five voices madrigals\") is the third book that Gesualdo issued in Ferrara by the ducal printer Antonio Baldini but, likely, it is the first he wrote after his arrival in Ferrara and his wedding with Eleonora d'Este. Glenn Watkins, in one of the most important books about Gesualdo, writes: \"The music of [this volume] marks the appearance of a new decidedly personal language\". The \"Libro Terzo\", indeed, is notable at least for two reasons: first, the more specific and careful choice of poems, all originated in the Ferrarese court (most of them are anonymous; the only poets identified are B. Guarini, R. Arlotti, A. Pocaterra); second, the search for a personal language, founded on juxtaposition of contrasting musical solutions (imitation vs. homophony, static sections vs. dynamic sections, just for example), and even more daring use of dissonance and chromaticism with expressive function (as in the 9th madrigal, \"Non t'amo, o voc'ingrata\").\u003c\/p\u003e\n\u003cp\u003eThis new critical edition, based on the \"editio princeps\" (Ferrara 1595, unfortunately incomplete today) and the first Venetian edition (1603), offers a more authentic image of these madrigals, in particular in the use of accidentals, that Molinaro's \"Full Scorea\" of 1613 had simplified and conventionalised.\u003c\/p\u003e\n\u003cp\u003eAs in the other volumes of this series, the book consists of a detailed introduction, the bibliographic description of the \"editio princeps,\" the separated edition of the poetic texts and of the music, completed by the critical apparatus. All the texts are presented in Italian and in English language. in addition, a small selection of facsimiles of the original prints is given.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Default Title","offer_id":41867387961423,"sku":"BA10383-01","price":438.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/5b3a81b8bf726b099b5317ae2fcd6177.jpg?v=1781008643"},{"product_id":"gesualdo-madrigali-a-cinque-voci-volume-v-barenreiter","title":"Gesualdo: Madrigali a cinque voci - Volume V","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/carlo-gesualdo\"\u003eCarlo Gesualdo (1566-1613)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eSATB Choir\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Hardcover\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork Language\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eItalian\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790006557219\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.3\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 123\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eCarlo Gesualdo‘s fifth \"Book of Madrigals\" contains twenty-one pieces set for five voices. in terms of their formal structure, contrapuntal approach, chromaticism, and freedom of part writing, they are regarded as some of his most experimental compositions. This edition is based on the first edition by Carlino, which was published in 1611 under direct supervision of Gesualdo but has only been preserved in parts, as well as the edition published by Gardano in 1614 which was also presented in partbook form.\u003c\/p\u003e\n\u003cp\u003eThe detailed Preface discusses the editorial approach while describing and evaluating all relevant sources. Furthermore, conclusions regarding the distribution and importance of Gesualdo's music are drawn from an analytical look at its dedicatees, and all essential characteristics of the compositions included in this volume are covered.\u003c\/p\u003e\n\u003cp\u003eAdditionally, the poems set to music by Gesualdo have been meticulously evaluated and edited for contemporary interpretation (N. Panizza). They are available in separate critical editions.\nThe concluding Critical Commentary contains an index of all handed down sources, listing all deviations from the two primary sources.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Default Title","offer_id":41867393630287,"sku":"BA10385-01","price":474.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/36e512546632dc7dd5acfb072cbae9da_3c7cc5ef-eec9-482d-9d16-5eafcea81db7.jpg?v=1781007117"},{"product_id":"gesualdo-responsoria-et-alia-ad-officium-hebdomad-sanct-spectantia-barenreiter","title":"Gesualdo: Responsoria et alia ad Officium Hebdomadæ Sanctæ spectantia","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/carlo-gesualdo\"\u003eCarlo Gesualdo (1566-1613)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation (this edition)\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eSATB Choir\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong class=\"original-instrumentation-title\"\u003eOriginally for\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eSATB Choir\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/gesualdo-responsoria-et-alia-ad-officium-hebdomad-sanct-spectantia-1611\"\u003eResponsoria et alia ad Officium Hebdomadæ Sanctæ spectantia (1611)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Hardcover\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork Language\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eLatin\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790006557288\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.3\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 220\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eCarlo Gesualdo‘s \"Responsoria\" were printed in 1611, the same year as the last two of his madrigal books. Despite having received little attention at the time and during the following centuries, this collection can be regarded as part of the composer's spiritual heritage in many respects. It was to become a central part of his oeuvre.\u003c\/p\u003e\n\u003cp\u003eThe edition contains 27 responsories, nine each for Maundy Thursday, Good Friday and Holy Saturday, divided into three nocturnes for each respective day; and two compositions for the Lauds of Holy Week, \"Benedictus\" and \"Miserere\" (Psalm 50).\nThe Foreword discusses the editorial approach and offers a description as well as an evaluation of the preserved partbooks. Based on detailed coverage of how the selected texts relate to the liturgy, as well as the six-part structure of the pieces and other musical principles, conclusions could be drawn regarding the nature and character of the assembled compositions.\u003c\/p\u003e\n\u003cp\u003eThe Critical Commentary records all readings of handed down copies, elaborating particularly on the use of accidentals.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Bärenreiter","offers":[{"title":"Default Title","offer_id":41867398348879,"sku":"BA10389-01","price":620.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/c9ae85a94616420cb8eb87b59c1e44d6.jpg?v=1781691984"},{"product_id":"gesualdo-stravinsky-monumentum-boosey","title":"Gesualdo-Stravinsky: Monumentum","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposers\u003c\/strong\u003e: \u003ca href=\"\/pt\/collections\/carlo-gesualdo\"\u003eCarlo Gesualdo (1566-1613)\u003c\/a\u003e, \u003ca href=\"\/pt\/collections\/igor-stravinsky\"\u003eIgor Stravinsky (1882-1971)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Study Score\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eChamber Ensemble\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Stravinsky: Monumentum pro Gesualdo di Venosa ad CD annum (1960)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790060026614\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eRecomposed for instruments by Igor Stravinsky\u003c\/p\u003e\n\u003cp\u003eContents:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\"Asciugate I begli ochi\"\u003c\/li\u003e\n\u003cli\u003e\"Ma tu, cagion di quella\"\u003c\/li\u003e\n\u003cli\u003e\"Belta poi che t'assenti\"\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Boosey \u0026 Hawkes","offers":[{"title":"Default Title","offer_id":44759991844943,"sku":"HPS725","price":19.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/fe4a2e71e991561589d3ccc49af0cac7.jpg?v=1773443692"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/collections\/nteqju6jix5qnwaev97u.png?v=1667232912","url":"https:\/\/www.ficksmusic.com\/pt\/collections\/carlo-gesualdo.oembed","provider":"Ficks Music","version":"1.0","type":"link"}