The Art of Song - Grade 7
Expected to ship in about a week.
Shipping Policy- Composers: George Frideric Handel (1685-1759), Wolfgang Amadeus Mozart (1756-1791), Robert Schumann (1810-1856), Giuseppe Verdi (1813-1901), Hugo Wolf (1860-1903), Johannes Brahms (1833-1897), Ludwig van Beethoven (1770-1827), Henry Purcell (1659-1695), Francesco Paolo Tosti (1846-1916), Thomas Morley (1557-1602), Edward German (1862-1936), Franz Schubert (1797-1828), Philip Rosseter (1568-1623), Arthur Sullivan (1842-1900)
- Instrumentation (this edition): Piano, High Voice
- Originally for: Piano, Voice, High Voice, SATB Choir, Soprano, Orchestra, Opera
- Work Languages: English, German, Italian
- ISMN:
- Size: 8.9 x 12.0 inches
Description
A selection of songs from the ABRSM singing syllabus for High Voice (Revised and Expanded Edition)
Drawing on the comprehensive Edition Peters catalogue and incorporating new editions of many songs, The Art of Song series provides: an extensive selection of songs and arias from the new ABRSM singing syllabus (valid from 2009); new editions of wide-ranging repertoire covering composers from Purcell and Byrd through Brahms and Schubert to Verdi and Sullivan; new versions of songs in different keys to suit different voice-types
Works:
- Morley: I saw my lady weeping
- Purcell: What shall I do, Z. 627
- Purcell: If music be the food of love, Z. 379
- Rosseter: When Laura Smiles
- How beautiful are the feet from Handel: Messiah, HWV 56
- Un moto di gioia from Mozart: Le nozze di Figaro (The Marriage of Figaro), K. 492
- But Thou didst not leave His soul in hell from Handel: Messiah, HWV 56
- Behold and see if there be any sorrow from Handel: Messiah, HWV 56
- An Epithalamium - Thrice happy lovers from Purcell: The Fairy-Queen, Z. 629
- Beethoven: Ich liebe dich, so wie du mich, WoO 123
- Feldeinsamkeit, No. 2 from Brahms: 6 Songs, Op. 86
- O liebliche Wangen, No. 4 from Brahms: 5 Songs, Op. 47
- Wiegenlied, No. 4 from Brahms: 5 Songs, Op. 49
- Scheiden und meiden, No. 2 from Brahms: 5 Poems, Op. 19
- Schubert: An den Frühling, D 283
- Schubert: An den Frühling, D 587
- Schubert: Die Forelle, D 550, Op. 32
- Schubert: Nachtviolen, D 752
- Schubert: Frühlingsglaube, D 686, Op. 20, No. 2
- Mondnacht, No. 5 from R. Schumann: Liederkreis, Op. 39
- Die Lotosblume, No. 7 from R. Schumann: Myrthen, Op. 25
- Verdi: Il Poveretto (1843)
- Tosti: 'A Vucchella (1907)
- Der Musikant, No. 2 from Wolf: Eichendorff-Lieder (1889)
- Der Gärtner, No. 17 from Wolf: Mörike-Lieder (1888)
- She had a letter from her love from German: Merrie England
- Is life a boon? from Sullivan: The Yeoman of the Guard (1888)
- The sun, whose rays are all ablaze from Sullivan: The Mikado (1885)
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Digital Download
Digital, PDF version of the score.


