The Faber Music Women Composers Piano Anthology
Expected to ship in about a week.
- Composers: Fanny (Mendelssohn) Hensel (1805-1847), Dora Pejačević (1885-1923), Hélène de Montgeroult (1764-1836), Agnes Obel (1980-), Chiquinha Gonzaga (1847-1935), Marianna von Martinez (1744-1812), Imogen Holst (1907-1984), Vítězslava Kaprálová (1915-1940), Cécile Chaminade (1857-1944), Lili Boulanger (1893-1918), Julia Wolfe (1958-), Olivia Belli, Eydís Evensen (1994-), Hania Rani, Signe Lund-Skabo (1868-1950), Annelie, Sarah Watson, Florence Price (1887-1953), Clara Schumann (1819-1896), Cassandra Miller (1976-), Phildel Hoi Yee Ng (1983-), Frances Shelley, Natalia Tsupryk, Lisa Illean (1983-), Poppy Ackroyd, Aija Alsina, Büşra Kayıkçı, Marie Jaëll (1846-1925), Morfydd Owen (1891-1918), Ethel Smyth (1858-1944), Teresa Carreño (1853-1917), Jean Coulthard (1908-2000), Mélanie Bonis (1858-1937), Amy Beach (1867-1944), Louise Farrenc (1804-1875), Anna Bon (1738-1769), Agathe Backer Grøndahl (1847-1907), Elisabetta de Gambarini (1730-1765), Rachel Portman (1960-)
- Instrumentation (this edition): Piano
- Originally for: Piano, Keyboard, Harpsichord
- ISBN:
- Size: 9.1 x 12.0 inches
Description
The Faber Music Women Composers Piano Anthology is an essential collection of music by women from across the centuries. Beautifully presented with Vanessa Bell's "A Conversation" (1913–1916) on the cover, this timeless collection features over 50 works suitable for intermediate pianists by composers including Clara Schumann, Florence Price, Imogen Holst, Cassandra Miller, and Hania Rani.
The Faber Music Piano Anthology series has been created for pianists to enjoy and return to again and again. All the pieces have been expertly transcribed for piano solo and are presented in beautiful, sewn-bound books.
Works:
- Portman: a gift
- Montgeroult: Adagio non troppo from Piano Sonata, Op. 5, No. 3
- No. 19 - Adagio religioso from Farrenc: 20 Etudes of Medium Difficulty (Vingt études de moyenne difficulté), Op. 42
- Kaprálová: Andante semplice from April Preludes
- No. 1 - Andante from Cl. Schumann: 3 Romances, Op. 11
- No. 2 - Andantino from Farrenc: 25 Easy Etudes (Vingt cinq études faciles), Op. 50
- Belli: Anima I
- Jaëll: Aube (Promenade matinale)
- No. 7 - Bébé s’endort from Bonis: Scènes enfantines, Op. 92
- Pejačević: Berceuse, Op. 2
- Owen: Branwen
- Evensen: Brotin
- Beach: By The Still Waters
- Pejačević: Chanson sans Paroles, Op. 10
- Obel: Chord Left
- Gonzaga: Corta-Jaca
- L. Boulanger: D'un Jardin Clair
- Wolfe: Earring (2000)
- Rani: Eden
- Montgeroult: Etude No. 36 in F Major
- Gai printemps (Impromptu) from Bonis: 5 Pieces, Op. 11
- The Goblin and the Mosquito from Price: At Our House
- Gonzaga: Heloísa
- Miller: Harvest
- Coulthard: No. 9 - Innocence from 13 Preludes
- Sonata No. 4 - Largo from Bon: 6 Sonatas for Keyboard, Op. 2
- Lund-Skabo: Legende
- Annelie: Loist
- Carreño: Mi Teresita (Little Waltz)
- Grøndahl: Nocturne from Piano Suite in G Minor, Op. 20
- Smyth: Nocturne (Kanon in Gegenbewegung)
- Watson: Peggy's Cove
- Hoi Yee Ng: Piano B
- Belli: Prélude
- I. Holst: Prelude and Dance
- Sarabande in D minor from Smyth: Four-part Dances (1880)
- Scherzo from Cl. Schumann: Piano Sonata in G Minor (1842)
- Hensel: Schluss
- Beach: Scottish Legend, Op. 54, No. 1
- Shelley: Sentiens
- No. 5 - Siciliana. Andante from Gambarini: The 6 Sets of Leessons for the Harpsichord, Op. 1
- Chaminade: Solitude
- Tsupryk: Son Kolo Vikon
- Part II from Illean: Sonata in ten parts
- No. 1 - Souvenance from Chaminade: 6 Romances sans paroles, Op. 76
- Price: Spinning Dreams at the Washtub
- Grøndahl: No. 6 - Springdans from Norske folkeviser og folkedanse, Op. 33
- Rani: Stampa
- Ackroyd: Strata
- Martinez: Tempo di minuetto
- Alsina: Wednesday
- Kayıkçı: Yesil
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
