The Singer's Musical Theatre Anthology – Mezzo-Soprano/Belter - Volume 4
Expected to ship in 1-2 weeks.
- Editor: Richard Walters
- Work Language: English
- ISBN:
- Size: 9.0 x 12.0 inches
- Pages: 256
Description
The world's most trusted source for great theatre literature for singing actors. Includes access to piano accompaniments online. The book features authentic editions of each song in the original keys. The songs have been carefully chosen for each voice type and are culled from a wide selection of classic and contemporary shows.
Contents:
- AIDA: The Past Is Another Land, I Know the Truth
- ANNIE GET YOUR GUN: I Got Lost in His Arms
- ASPECTS OF LOVE: Anything But Lonely
- AVENUE Q: There's a Fine, Fine Line
- THE BEAUTIFUL GAME: Our Kind of Love
- BELLS ARE RINGING: I' m Going Back
- THE BEST LITTLE WHOREHOUSE IN TEXAS: Hard Candy Christmas
- THE BOY FROM OZ: Don't Cry Out Loud
- CHESS: Heaven Help My Heart
- CHICAGO: Nowadays, Roxie
- A CHORUS LINE: The Music and the Mirror
- ELEGIES FOR ANGELS, PUNKS, AND RAGING QUEENS: Angels, Punks, and Raging Queens
- FOLLIES: I' m Still Here
- THE FULL MONTY: Life with Harold
- GRAND HOTEL: I Want to Go to Hollywood
- GREASE: There Are Worse Things I Could Do
- HAIRSPRAY: I Can Hear the Bells, Miss Baltimore Crabs
- I LOVE YOU, YOU'RE PERFECT, NOW CHANGE: I Will Be Loved Tonight
- JESUS CHRIST SUPERSTAR: I Don't Know How to Love Him
- THE LAST FIVE YEARS: Still Hurting, See I' m Smiling
- THE LION KING: Shadowland
- MONTY PYTHON'S SPAMALOT: Whatever Happened to My Part?
- THE PRODUCERS: When You Got It, Flaunt It
- SONGS FOR NEW WORLD: Just One Step
- A STAR IS BORN (film): The Man that Got Away
- THOROUGHLY MODERN MILLIE: Gimme Gimme
- WICKED: Popular, I' m Not that Girl, The Wizard and I
- THE WILD PARTY: Look at Me Now, How Did We Come to This?
- WISH YOU WERE HERE: Shopping Around
- WONDERFUL TOWN: One Hundred Easy Ways
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.


