{"product_id":"dennehy-moireen-schirmer","title":"Dennehy: Moireen","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/collections\/donnacha-dennehy\"\u003eDonnacha Dennehy (1970-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Score \u0026amp; Set of Parts - \u003ca href=\"\/pages\/format-descriptions\"\u003eFormat guide\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eViolin, Clarinet, Vibraphone\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Moireen (2026) (opt. tuned gong)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eDuration: 11 minutes\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eComposer note\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMoireen\u003c\/em\u003e is a reduced version of \u003cem\u003eMoire\u003c\/em\u003e , especially made for F-Plus on the occasion of their appearance at PASIC in 2026.\u003c\/p\u003e\n\u003cp\u003eMoire might be considered an Irish name, or at least a variation on one. I suppose I have form in writing pieces with real names, such as \u003cem\u003ePaddy\u003c\/em\u003e, \u003cem\u003eBridget\u003c\/em\u003e, etc. So I like \u003cem\u003enaming\u003c\/em\u003e pieces. But \u003cem\u003emoire\u003c\/em\u003e could also refer to moiré, the optical illusion that happens when two similar patterns collide or are overlaid. This collision of similar materials to produce a new perceptual disturbance or frisson not explicitly there in the notes themselves is a driving idea of this piece. I make little progressions or processes where the pitches or rhythms tend towards something, but they do it in different ways and then these are superimposed on top of each other. The approach is like a canon in that it plays with something new being created out of the superimposition of similar material, but here it is rarely \u003cem\u003edelayed\u003c\/em\u003e , and the little changes between the similar-ish material create interesting glitches on the surface that add to the moiré effect, often compounded by oscillating pulsing glisses that merge between the cracks of the varied but similar material. Sometimes, one instrument is doing a quantized version of the other: where the violin is glissing between nodes on the harmonic series, the clarinet is leading to them in a terraced fashion while the vibe is only hitting on the closest equal tempered equivalent. Ultimately this patterning is a way of creating a kind of vibrating organism that somehow transforms and goes beyond the three individual instruments. Together, more is possible, as it were.\u003c\/p\u003e\n\u003cp\u003e— Donnacha Dennehy\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"G. Schirmer","offers":[{"title":"Default Title","offer_id":67817560637519,"sku":"GSP84480SET","price":53.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/ad3afedfda4ea19c9a0d3e3de1253346.webp?v=1792521411","url":"https:\/\/www.ficksmusic.com\/products\/dennehy-moireen-schirmer","provider":"Ficks Music","version":"1.0","type":"link"}