{"product_id":"czernowin-ina-schott","title":"Czernowin: Ina","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/chaya-czernowin\"\u003eChaya Czernowin (1957-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation (this edition)\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eFlute Ensemble\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong class=\"original-instrumentation-title\"\u003eOriginally for\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eBass Flute, Electronics\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Ina (1989)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Saddle-Stitch\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790001135948\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.9\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 88\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003efor live solo bass flute and six other flutes (pre-recorded or live)\u003c\/p\u003e\n\u003cp\u003eThe idea of the composite instrument can be traced back to the works I wrote for pre­recorded and live soloist beginning around 1988. in my works \u003cem\u003eAfatsim\u003c\/em\u003e for mixed ensemble, \u003cem\u003eDie\u003c\/em\u003e \u003cem\u003eKreuzung\u003c\/em\u003e for U (Alto-Shô or Accordion), Alto-Saxophone and Double Bass, and the \u003cem\u003eString Quartet\u003c\/em\u003e, disparate instruments become a single composite instrument. Contrarily, in \u003cem\u003eIna\u003c\/em\u003e and other pieces of this time, a singular instrument is unbraided into disparate voices. At the time, this suggested an exploration into the drama of the singular persona (and thus the singular per­former) confronted with the many divergent voices within. Ina unequivocally retains a cer­tain narrative and dramatic conception in its play between the soloist and his or her internal environment. The piece is dedicated to John Sebastian Winston. – Chaya Czernowin\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Schott","offers":[{"title":"Score \u0026 Set of Parts","offer_id":44475732721743,"sku":"ED9680","price":48.0,"currency_code":"USD","in_stock":true},{"title":"Score \u0026 Set of Parts - Digital Download","offer_id":45106690555983,"sku":"Q788614","price":48.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/c8ff5d253fea6ed0d9efe5ea24aafefe.jpg?v=1770937546","url":"https:\/\/www.ficksmusic.com\/ja\/products\/czernowin-ina-schott","provider":"Ficks Music","version":"1.0","type":"link"}