{"product_id":"cooman-movements-zimbel","title":"Cooman: Movements","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/carson-cooman\"\u003eCarson Cooman (1982-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Score \u0026amp; Set of Parts\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eCello, Violin I, Violin II, Harpsichord\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Movements, Op. 1639\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eThe straightforward, baroque-ish title means that the overall work is comprised of a number of short pieces. It also means that each individual piece is animated by movement, both in terms of its rhythm and the distribution of its material.\u003c\/p\u003e\n\u003cp\u003eIn the 20th and 21st centuries, it is almost always the case that themes are unified in a cyclic way and shared across \"movements\" of a work. However, in the case of this piece, a version of the baroque model largely holds sway. Each movement is thus intended as a piece entirely complete within itself, no matter how short. The effect from the overall work is perhaps akin to a set of short poems. However, the final movement is a reprise of the opening movement. One cannot escape one's own era entirely (!), and so this cyclic nod ends the work.\u003c\/p\u003e\n\u003cp\u003eDuration: 18′\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Zimbel Press","offers":[{"title":"Default Title","offer_id":45463802019919,"sku":"80101699","price":52.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/562f6d67d787aaf08976df12c697bea8.png?v=1780609957","url":"https:\/\/www.ficksmusic.com\/ja\/products\/cooman-movements-zimbel","provider":"Ficks Music","version":"1.0","type":"link"}