McDowall: Crossing the Bridge (Version for String Orchestra)
Expected to ship in 2-3 weeks.
- Composer: Cecilia McDowall (1951-)
- Format: Full Score
- Instrumentation (this edition): String Orchestra
- Originally for: Flute Ensemble
- Work: Crossing the Bridge (2011)
- ISBN:
- Size: 9.1 x 13.0 inches
- Pages: 32
Description
- Mostar | 2. London Bridge – crossing to America: a short span | 3. Brooklyn Bridge
The structure of this work is itself like that of a bridge. The short middle movement, London Bridge, spans the divide by taking the last phrase of Mostar as its opening, exploring the darker tones of the lower instruments, and the first bar of Brooklyn Bridge as its close. in this movement the old English song, London bridge is falling down, is playfully decorated and shared between the parts. London Bridge, which had spanned the River Thames, England, was transported to Lake Havasu City, Arizona, in 1967.
The opening movement, Mostar, refers to the old single arch stone bridge in Mostar, Bosnia and Herzegovina, which became such a symbol of peace and hope in the late 1990's. in the outer sections of this movement the flutes explore the characteristic ‘fall' at the end of the phrase which is quite a feature of some middle European music. The central section is lively and has a whirling, folk-dance feel to it.
At the time Brooklyn Bridge was built (1883) it was one of the longest suspension bridges in the world. It connects Manhattan with Brooklyn across the East River, always busy with traffic, and has a powerful presence on the New York skyline. The third movement of Crossing the Bridge is one of perpetual motion, opening with a bright, staccato texture, and is in the shape of a palindrome or arch. Restless and energetic it drives the work to an upbeat conclusion.
The title, Crossing the Bridge, comes from a Haiku by the poet Alan Spence:
Crossing the bridge – the other side is lost in mist.
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
