Not finding what you're looking for? Just email us at hello@ficksmusic.com or call us at +1 215-592-1681

Daron Hagen

Hagen: Suite for Piano

$ 20.25
次精算時に配送料を算出。

Expected to ship in 1-2 weeks.

Peermusic Classical  |  SKU: 70442-501  |  バーコード: 680160695409
  • Composer: Daron Hagen (1961-)
  • Instrumentation: Piano
  • Work: Suite for Piano (2009)
  • UPC: 680160695409
  • Size: 8.9 x 12.0 inches

Description

"Suite for Piano has four thematically related movements. The first movement, Toccata, is a virtuosic rondo whose first theme is a fugue subject I wrote as a student at Juilliard during the early eighties and always wanted to have some fun with, and a jazzy little riff based on an octatonic scale. The second movement, Sarabande, is written in the spirit of Leonard Bernstein's Anniversaries and is a musical portrait of my mother. Aria began as the very first sketch for my opera Amelia; in the story, a little girl sings this music as an apostrophe to the stars. The final Medley takes a fragment of the traditional Irish ballad The Croppy Boy and subjects it to some brutal compositional chiaroscuro as it is intercut with ideas from the previous movements. I am a pianist, so I set myself specific challenges for each movement: the first highlights touch and velocity, the second voicing, the third a long singing line and pedaling, and the last dramatic shifts in color, tempo, and dynamics."

—Daron Hagen

Peermusic Classical

Hagen: Suite for Piano

$ 20.25

Description

"Suite for Piano has four thematically related movements. The first movement, Toccata, is a virtuosic rondo whose first theme is a fugue subject I wrote as a student at Juilliard during the early eighties and always wanted to have some fun with, and a jazzy little riff based on an octatonic scale. The second movement, Sarabande, is written in the spirit of Leonard Bernstein's Anniversaries and is a musical portrait of my mother. Aria began as the very first sketch for my opera Amelia; in the story, a little girl sings this music as an apostrophe to the stars. The final Medley takes a fragment of the traditional Irish ballad The Croppy Boy and subjects it to some brutal compositional chiaroscuro as it is intercut with ideas from the previous movements. I am a pianist, so I set myself specific challenges for each movement: the first highlights touch and velocity, the second voicing, the third a long singing line and pedaling, and the last dramatic shifts in color, tempo, and dynamics."

—Daron Hagen

商品を表示