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Hayes Biggs

H. Biggs: In Recovery Mode

$ 38.00
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American Composers Alliance (ACA)  |  SKU: ACA-BIGH-002  |  バーコード: 9790600236619
  • Composer: Hayes Biggs (1957-)
  • Instrumentation: Piano, Violin, Clarinet
  • Work: In Recovery Mode (2025)
  • ISMN: 9790600236619
  • Size: 8.9 x 12.0 inches

Description

Composer's Note:

The "recovery" here is from nothing dire, not illness nor computer-related disaster. It's more like reclaiming, repurposing, recycling, and reusing. This recovery of is that of old melodies and other thematic material of mine that languished for years in search of a piece or pieces in which they could find a proper home.

In 1987 I composed a short lullaby in celebration of the birth of a family member's new baby. That tune actually did find its way into a piece for instrumental septet, When you are reminded by the instruments (1997), but I decided to recycle it yet again in this work. in the new piece, that tune, played in artificial harmonics by the violin, doubled at times in the right hand of the piano, begins the proceedings, and recurs in a few later passages. Soon after, the clarinet enters with a fragment I came up with some years ago, thinking I would use it in an unaccompanied solo for that instrument.

American Composers Alliance (ACA)

H. Biggs: In Recovery Mode

$ 38.00

Description

Composer's Note:

The "recovery" here is from nothing dire, not illness nor computer-related disaster. It's more like reclaiming, repurposing, recycling, and reusing. This recovery of is that of old melodies and other thematic material of mine that languished for years in search of a piece or pieces in which they could find a proper home.

In 1987 I composed a short lullaby in celebration of the birth of a family member's new baby. That tune actually did find its way into a piece for instrumental septet, When you are reminded by the instruments (1997), but I decided to recycle it yet again in this work. in the new piece, that tune, played in artificial harmonics by the violin, doubled at times in the right hand of the piano, begins the proceedings, and recurs in a few later passages. Soon after, the clarinet enters with a fragment I came up with some years ago, thinking I would use it in an unaccompanied solo for that instrument.

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