{"title":"Sheet music composed by Sheree Clement (1955-)","description":"Sheree Clement (1955-) is a composer from United States of America.","products":[{"product_id":"clement-vocalise-for-the-naked-emperor-subito","title":"Clement: Vocalise for the Naked Emperor","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/sheree-clement\"\u003eSheree Clement (1955-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Score \u0026amp; Set of Parts\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eOboe, Piano Quartet (Piano, Violin, Viola, Cello)\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Vocalise for the Naked Emperor (2024)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eIn Hans Christian Andersen's folk tale, \"The Emperor's New Clothes\", two swindlers pose as tailors and offer to supply the emperor with elegant new clothes that are so magnificent that they are invisible to those who are stupid or incompetent. As the story proceeds, they produce a series of increasingly fabulous (and expensive) imaginary outfits which the emperor parades in the street… until a child states the obvious, that he's got no clothes on at all. Reading the tale as a young person I was riveted to the idea of a succession of increasingly ornate imaginary garments. This music is organized like the story – in episodes, each reaching for more color, more exquisite moments than the prior, and ultimately begging a question.\u003c\/p\u003e\n\u003cp\u003eThe story and its message still speak to us today. in 2021 Greta Thunberg, a teen-age environmental activist, remarked that corporate reports on their carbon footprints are like the emperor's new clothes – clever fraud made by crafty swindlers. She said, \"But the facts do not lie. and we know that our emperors are naked.\" Thank you, Greta!\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Subito","offers":[{"title":"Default Title","offer_id":42759009534031,"sku":"26020150","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/d7e71b7cdf06da35253cb2a6f6f26a46.jpg?v=1768413771"},{"product_id":"clement-table-manners-rude-awakening","title":"Clement: Table Manners","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/sheree-clement\"\u003eSheree Clement (1955-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eSoprano, Baritone\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/clement-table-manners-2020\"\u003eTable Manners (2020)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork Language\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eEnglish\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eA droll and tense micro-opera for two voices, somewhere between a duet and a dual, about closeness, connection and greed with forks, knives and spoons. Text by Phillis Levin. for two similar voices, many deskbells and about forty pounds of silverware.\u003c\/p\u003e\n\u003cp\u003eInstrumentation: Soprano, Bass-Baritone \u0026amp; Deskbells (set of 20 A3-E5)\u003c\/p\u003e\n\u003cp\u003eDuration: 11′\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Rude Awakening Music","offers":[{"title":"Default Title","offer_id":43567631663183,"sku":"26020071","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/dfd9d40ace81bea53334e76bfc5910ad.jpg?v=1769798143"},{"product_id":"clement-table-manners-version-for-2-high-voices-rude-awakening","title":"Clement: Table Manners (Version for 2 High Voices)","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/sheree-clement\"\u003eSheree Clement (1955-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation (this edition)\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eSoprano\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong class=\"original-instrumentation-title\"\u003eOriginally for\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eSoprano, Baritone\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/clement-table-manners-2020\"\u003eTable Manners (2020)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eA droll and tense micro-opera for two voices, somewhere between a duet and a dual, about closeness, connection and greed with forks, knives and spoons. Text by Phillis Levin. for two similar voices, many deskbells and about forty pounds of silverware.\u003c\/p\u003e\n\u003cp\u003eInstrumentation: 2 High Voices, Deskbells (set of 20 A3-E5)\u003c\/p\u003e\n\u003cp\u003eDuration: 11′\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Rude Awakening Music","offers":[{"title":"Default Title","offer_id":43567636054095,"sku":"26020070","price":33.79,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/ea56d4412d3f5df2e8b7f84d70a79e8a.webp?v=1757024938"},{"product_id":"clement-intermezzo-no-13-subito","title":"Clement: Intermezzo No. 13","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/sheree-clement\"\u003eSheree Clement (1955-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Score \u0026amp; Set of Parts\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eChamber Ensemble\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Intermezzo No. 13\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eBetween 1978 to 2015 I composed a set of Thirteen Piano Preludes. Writing them served as a diary for me. As I completed each one I thought that the ‘grown up' thing to do would be to take an attitude of ‘project complete, move on' . But my attention kept returning to them – particularly when I had insomnia. in the wee hours the preludes continued to grow, as I repositioned the ideas in completely new sound palettes. ‘Round Trip Ticket – A Theme with Seven Variations' for pierrot + 2 percussionists (2007) was the first fruit of this effort. It uses Prelude No. 6 as a theme, arranged for marimba and wooden percussion instruments. My insomnia project is ongoing, with drafts in various states, like a workbench full of dolls in various stages of construction \/ deconstruction. Intermezzo No. 13 is mostly ‘just an arrangement' of Prelude No. 13 – no new phrases, no big deletions, no variations. But musical ideas that started life on a pitched percussion instrument – the piano – often have to change a lot when they land in a mixed ensemble of instruments that sustain. Tunes that had been a series of ‘plinks' can be transformed into expansive, fluid bands of sound, taking more time as they're shared across an ensemble. in other instances, the ensemble version requires a second line that would have cluttered the piano version. Complex rhythms that fit neatly on the piano require more time in an ensemble. Because there is more information conveyed in only slightly more time, Intermezzo No. 13 sounds faster than Prelude No. 13, even though they are marked at the same tempo.\u003c\/p\u003e\n\u003cp\u003eInstrumentation: flute, clarinet, bass clarinet, trumpet, percussion (vibraphone, bongos), viola, cello, double bass\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Subito","offers":[{"title":"Default Title","offer_id":45103507865679,"sku":"26020160","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/84499b35fdc45456df3010ade0a533e3.png?v=1776374503"},{"product_id":"clement-wherewith-i-strive-rude-awakening","title":"Clement: wherewith I strive","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/sheree-clement\"\u003eSheree Clement (1955-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Set of Parts\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eFlute, Soprano, Harp\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: wherewith I strive (1995)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork Language\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eEnglish\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eIncludes Score with Flute \u0026amp; Harp parts.\u003c\/p\u003e\n\u003cp\u003eThree poems about mortality and being here: an epigram by Thomas Wyatt, an excerpt from The Book of Job – the epic poem of moral outrage and anxiety that has served us well during trying times – and a lyric by Phillis Levin, plus a solo flute interlude, which can be performed separately.\u003c\/p\u003e\n\u003cp\u003eDuration: 12′\u003c\/p\u003e\n\u003cp\u003eComposed: 1995\/2003\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Rude Awakening Music","offers":[{"title":"Default Title","offer_id":45119851954255,"sku":"26020090","price":51.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/7ad8a5c26ec12ac71c646fc0e2a7bdc1.jpg?v=1776808788"}],"url":"https:\/\/www.ficksmusic.com\/ja\/collections\/sheree-clement.oembed","provider":"Ficks Music","version":"1.0","type":"link"}