{"title":"Pärt: Tabula rasa (1977)","description":null,"products":[{"product_id":"part-tabula-rasa-special-edition-universal","title":"Pärt - Tabula Rasa - Special Edition","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/arvo-part\"\u003eArvo Pärt (1935-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Study Score \u0026amp; CD\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Violin, Violin I, Violin II, String Orchestra, Handbells, Cello Ensemble\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790008083150\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e6.7\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e9.4\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/app.universaledition.com\/resources\/musterseiten\/ue35222.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eIn 1984, ECM brought a new sound into the musical world with the release of Arvo Pärt‘s \"Tabula rasa\", the first album on the label‘s New Series imprint. Now, on the occasion of Pärt‘s 75th birthday, this special edition with enclosed CD has been produced by ECM in collaboration with Universal Edition. It includes manuscript scores of \"Tabula rasa\" and \"Cantus in Memory of Benjamin Britten\", published for the first time, and study scores of the album‘s four works. Rounding off the volume is a discography of Arvo Pärt‘s works on ECM with corresponding publishing details, as well as an essay by Paul Griffiths.\u003c\/p\u003e\n\u003cp\u003e• Facsimiles of \"Tabula rasa\" and \"Cantus\" manuscript scores, published for the first time\u003c\/p\u003e\n\u003cp\u003e• Complete study scores of \"Fratres\", \"Cantus\" and \"Tabula rasa\"\u003c\/p\u003e\n\u003cp\u003e• Audio CD, text and photos from the original 1984 album\u003c\/p\u003e\n\u003cp\u003e• Introductory note by Paul Griffiths\u003c\/p\u003e \u003c\/div\u003e \u003cp\u003eWorks:\u003c\/p\u003e \u003cul\u003e\n\u003cli\u003e\u003ca href=\"\/ja\/collections\/part-fratres\"\u003eFratres\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/ja\/collections\/part-cantus-in-memoriam-benjamin-britten-1977\"\u003eCantus in Memoriam Benjamin Britten (1977)\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/ja\/collections\/part-fratres-for-4-8-12-cellos\"\u003eFratres (for 4, 8, 12 cellos)\u003c\/a\u003e\u003c\/li\u003e\n\u003cli\u003e\u003ca href=\"\/ja\/collections\/part-tabula-rasa-1977\"\u003eTabula rasa (1977)\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003c\/div\u003e","brand":"Universal Edition","offers":[{"title":"Default Title","offer_id":31809008828495,"sku":"UE35222","price":40.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/2ef4654a04bc37dba8c0073726259fa3.jpg?v=1750518464"},{"product_id":"part-tabula-rasa-universal","title":"Pärt: Tabula Rasa","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/arvo-part\"\u003eArvo Pärt (1935-)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Study Score\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Violin I, Violin II, String Orchestra\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/part-tabula-rasa-1977\"\u003eTabula rasa (1977)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790008064869\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 48\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eInspired by the concerto grosso from the Baroque period - a small group of instruments, against the rest of the orchestra - the first movement, Con moto (with movement), features Vivaldi-like textures resulting from its use of static rhythms and homophonic structure. The prepared piano - in which different objects are put into the instrument, thus creating different starling sounds (in this piece screws between the strings) - makes a clear reference to bells. The first movement develops through a juxtaposition of two different episodes: one rhythmically active and one calm section in which only one violin and piano take part. The motion in the active section increases gradually in register and rhythmic activity and culminates in an extensively arpeggiated, almost violent, section. in the second movement, Senza moto (without movement), the prepared piano serves an even more important function - providing the only rhythmic and coloristic contrasts to be extended canon sections in which the celli expand a diatonic scale upwards and downwards, similar to the technique used in Cantus, followed in canon by the first violins. Per F. Broman 1997 (taken from the booklet of BIS CD 834)\u003c\/p\u003e\n\u003cp\u003ePreparation of the Piano: Metal screws of 5 or 6 mm diameter should be used. The screws should each be placed behind the dampers. Division of the strings into octaves by the screws is not necessary. in order to prepare the strings, they should be carefully separated by a felt wedge before the screws are inserted or removed, in order to avoid damage to the strings. Via the preparation, one of the three strings always vibrates freely, thus determining the pitch. The two strings prepared with the screw produce an alienated tone colour effect. As large a concert grand should be used as possible (not an upright piano). To achieve the desired tone colour, it is essential that the piano is prepared, and amplified.Ludus\u003c\/p\u003e\n\u003cp\u003eSilentium\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Universal Edition","offers":[{"title":"Default Title","offer_id":42835251855439,"sku":"UE31938","price":65.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/38292f4b942e80abba212f9b0a902933.jpg?v=1752100185"}],"url":"https:\/\/www.ficksmusic.com\/ja\/collections\/part-tabula-rasa-1977.oembed","provider":"Ficks Music","version":"1.0","type":"link"}