Not finding what you're looking for? Just email us at hello@ficksmusic.com or call us at +1 215-592-1681

Shelley Hanson

Hanson: Tocata & La Tumba de Alejandro Garcia Caturla (arr. for concert band)

from "Islas y Montañas"

$ 120.00
次精算時に配送料を算出。
Format

Expected to ship in 1-2 weeks.

Boosey & Hawkes  |  SKU: M051659890  |  バーコード: 9790051659890
  • Composer: Shelley Hanson
  • Instrumentation (this edition): Concert Band
  • Originally for: Orchestra
  • ISMN: 9790051659890
  • Size: 9.0 x 12.0 inches

Listen

Description

Shelley Hanson originally composed Islas y Montañas for orchestra. Many traditional rhythms of the Santeria religion are incorporated in this piece. Although "tocata" is the word used in Spanish for "fanfare," it is also used here in the sense of its root meaning, "touch." Tocata is the first movement and functions as a fanfare or introduction. It features the entire ensemble clapping rhythmic patterns based on the Cuban 3/2-clave rhythm. It's a great way to get the crowd ready for La Tumba de Alejandro Garcia Caturla, originally the fourth movement from Islas y Montañas. It is beautifully transcribed here for concert band. It is a musical rumination about Cuban composer Alejandro Garcia Caturla (1906-1940) who studied with Nadia Boulanger but was later assassinated while presiding as a judge. It opens with a haunting English horn cadenza (alternate cueing provided) followed by harmonic shifts, intense soli writing and driving rhythms that sweep through the ensemble.

Works:

N/A
Boosey & Hawkes

Hanson: Tocata & La Tumba de Alejandro Garcia Caturla (arr. for concert band)

下限 $ 12.95

Listen

Description

Shelley Hanson originally composed Islas y Montañas for orchestra. Many traditional rhythms of the Santeria religion are incorporated in this piece. Although "tocata" is the word used in Spanish for "fanfare," it is also used here in the sense of its root meaning, "touch." Tocata is the first movement and functions as a fanfare or introduction. It features the entire ensemble clapping rhythmic patterns based on the Cuban 3/2-clave rhythm. It's a great way to get the crowd ready for La Tumba de Alejandro Garcia Caturla, originally the fourth movement from Islas y Montañas. It is beautifully transcribed here for concert band. It is a musical rumination about Cuban composer Alejandro Garcia Caturla (1906-1940) who studied with Nadia Boulanger but was later assassinated while presiding as a judge. It opens with a haunting English horn cadenza (alternate cueing provided) followed by harmonic shifts, intense soli writing and driving rhythms that sweep through the ensemble.

Works:

Format

  • Score & Set of Parts
  • Full Score
商品を表示