Pergolesi: Lo frate 'nnammorato
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- Composer: Giovanni Battista Pergolesi (1710-1736)
- Format: Full Score
- Instrumentation: Opera
- Work: Lo frate 'nnammorato
- ISMN:
- Size: 8.1 x 11.0 inches
- Pages: 569
Description
Naples, 27 September 1732. A new commedeja pe mmuseca was staged at the Teatro dei Fiorentini, by two young and promising authors: Gennarantonio Federico, heir to a generation of Neapolitan theatre poets who had forged the genre in the previous two decades, and Giovanni Battista Pergolesi, a composer who was a candidate to conquer a hegemonic position in the city's musical panorama after the departure of some of the masters who had dominated it until then (Pietro Vinci and Johann Adolf Hasse among others). The theatrical backgrounds of both were sparse: Federico had a few comic dramas for the spoken word theatre and two comedies for music to his credit, Pergolesi ventured for the first time in his career with a commedeja. Yet Lo frate 'nnammorato was an exorbitant success, remaining on the programme in the Neapolitan theatre for many weeks and earning a series of revivals over the next twenty years, the first of which – in 1734, again at the Florentines – was overseen by both authors.
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
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Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
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Hardbound. Generally either linen-covered or half-leather.
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Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Pergolesi: Lo frate 'nnammorato
