{"title":"Sheet music composed by Nicky Sohn","description":"","products":[{"product_id":"sohn-can-you-stop-the-time-no-just-theory","title":"Sohn: Can you stop the time? (No) (Version for Chamber Orchestra)","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/nicky-sohn\"\u003eNicky Sohn\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Full Score - \u003ca href=\"\/ja\/pages\/format-descriptions\"\u003eFormat guide\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eChamber Orchestra\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/sohn-can-you-stop-the-time-no-2022\"\u003eCan You Stop the Time? (No) (2022)\u003c\/a\u003e (1 1 1 1 – 1 1 1 0 – perc – hp – single str)\u003c\/li\u003e \u003cli class=\"binding\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Spiral Bound\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094009751\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 44\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eTime is the question, the answer, and the method of life. Despite knowing the units of time and what they roughly mean, this comes second to how we feel it. One could trudge through what feels like hours of a boring lecture, fending off sleep, to have only spent ten minutes. The opposite is true as well. for instance, a whole day with someone you love can pass by like a blur and you may forget what time does to you—sleep, hunger, and life is entirely disregarded.\u003c\/p\u003e\n\u003cp\u003e_Can You Stop the Time?___ is about this second meaning of time and is a question we've all thought about in some form, at some point in our lives. Concurrently, this piece explores textures that resemble time slipping away too quickly, incorporating elements of tremolo, trills, ascending and descending runs, and sudden changes in dynamics.\u003c\/p\u003e\n\u003cp\u003eThe moment that we ask \"Can you stop the time?\" is a moment too precious to forfeit. But time cannot be stopped, so we accept the answer that gives us another option, the future—one with hope and promise of good fortune. The piece was commissioned by the National Orchestral Institute + Festival in 2022.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestral instrumentation:\u003c\/strong\u003e 1 1 1 1 – 1 1 1 0 – perc – hp – single str\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45023509905487,"sku":"JAT-165-003-FS","price":81.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/a0d8254be7fe6e6b5c05cbe1a553f013.webp?v=1791040662"},{"product_id":"sohn-home-just-theory","title":"Sohn: Home","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/nicky-sohn\"\u003eNicky Sohn\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Full Score - \u003ca href=\"\/ja\/pages\/format-descriptions\"\u003eFormat guide\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eViolin, String Orchestra\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/sohn-home-2022\"\u003eHome (2022)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Spiral Bound\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094009799\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 119\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003econcerto for solo violin and string ensemble\u003c\/p\u003e\n\u003cp\u003e\"Home\" was written in tandem with the Women's Home, a rehabilitation facility that strengthens communities and supports families while women overcome their addiction.\u003c\/p\u003e\n\u003cp\u003eAlong with violinist Mary Grace Johnson and choreographer Kayla Collymore, I had the privilege of interviewing three women who had gone through the rehabilitation program at the Women's Home. Inspired by these women's hardships, unique odysseys, and remarkable perseverance, \"Home\" invokes the lifecycle of the Phoenix, a mythological creature that is swallowed by its own flames and is reborn from its ashes. Much like the immortal and fearless Phoenix, these three women rose from the ashes of their past, reborn with a new hope for the future.\u003c\/p\u003e\n\u003cp\u003eWhen I began this work, I was determined to stay true to myself musically while continuing to challenge my compositional boundaries. I wanted my embrace of a new compositional approach to reflect and honor the vulnerability of a new life journey. This was my way of paying respect to the experiences of these extraordinary women. The resulting piece expresses pain in a raw and truthful light while serving as a larger commentary on the the cruel and unrelenting nature of the world. Most importantly, it intends to pay homage to individuals who choose to shoulder great burden in order to find a brighter path.\u003c\/p\u003e\n\u003cp\u003eWhen sharing their accounts, all three women acknowledged what's done is done. They believed that the the individual is in control of the ways in which life unfolds. Pain can transform into something new, and through the scorching flames and the resulting ashes, a new life can be found. with the notion of rebirth in mind, the piece culminates in a turbulent rhythmic unity, the energy of which quickly melts into a prolonged and quiet sustain. This I felt symbolized a sign of togetherness and acceptance while also ushering in a new beginning.\u003c\/p\u003e\n\u003cp\u003eWriting \"Home\" opened my eyes to the importance of community. I learned that coming together and working toward a collective goal is necessary in order to overcome odds. As I reflect upon the community that has supported me through the writing process, I want to express my deepest gratitude to the Kinetic Ensemble, my family and friends, and especially to Mary Grace Johnson. It has been an honor to be included in a project that carried such personal significance for her. This experience truly would not have been possible without her tremendous support, inspiration and kindness.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestral instrumentation:\u003c\/strong\u003e solo violin; string ensemble (minimum 3.3.3.2.1)\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45023511969871,"sku":"JAT-165-007-FS","price":97.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/3e560b1089a8259c1d7492268a49cfe2.webp?v=1791068543"},{"product_id":"sohn-if-you-love-for-beauty-just-theory","title":"Sohn: If you love for beauty","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/nicky-sohn\"\u003eNicky Sohn\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Full Score - \u003ca href=\"\/ja\/pages\/format-descriptions\"\u003eFormat guide\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, String Orchestra\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: If You Love for Beauty (2019)\u003c\/li\u003e \u003cli class=\"binding\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Spiral Bound\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094009805\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e10.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e13.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 53\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\"If You Love for Beauty\" is a piece commissioned for the 10th anniversary of the Chelsea Music Festival. Reflecting upon the momentous career of the exceptional romantic pianist and composer Clara Schumann, it was inevitable to be moved by her role as a female musician in the 19th century. As a contemporary female composer from Korea, studying Schumann's life was an essential and significant path for me—it led me to a perspective in which I closely reevaluated my work and what it meant to be outside the status quo. I felt it was necessary to honor and dedicate this piece to her work, as well as interpret her artistic ideas into mine. To do this, I incorporated and quoted the form and melodic ideas from Schumann's lyrical and ornate \"Liebst du um Schönheit\". in contrast to my usual rhythm driven work, this composition for piano and strings is focused heavily on melody and harmony, and is embellished with florid texture and drama. Recognizing the sound and spirit of Schumann's oeuvre, \"If You Love for Beauty\" resonates with a vibrant and romantic mood.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45023544901711,"sku":"JAT-165-008-FS","price":70.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/ad85adb556c24d4c901c13e3b1a5cf60.webp?v=1791040678"},{"product_id":"sohn-the-blue-hour-just-theory","title":"Sohn: The Blue Hour","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/nicky-sohn\"\u003eNicky Sohn\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Full Score - \u003ca href=\"\/ja\/pages\/format-descriptions\"\u003eFormat guide\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eOrchestra\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: The Blue Hour (2025)\u003c\/li\u003e \u003cli class=\"binding\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Spiral Bound\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094009850\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e11.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e16.9\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 33\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cstrong\u003eOrchestral instrumentation:\u003c\/strong\u003e 3[1.2\/afl.3.\/picc] 3[1.2.3\/eh] 3 3 – 4 3 3 1 – timp+3 – kbd[pf\/cel] – str\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45023550799951,"sku":"JAT-165-013-FS","price":81.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/4a9b3f94778a98f50eb6faf30f402171.webp?v=1791040686"},{"product_id":"sohn-a-tale-of-the-bunny-and-the-turtle-just-theory","title":"Sohn: A Tale of the Bunny and the Turtle","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/nicky-sohn\"\u003eNicky Sohn\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Full Score - \u003ca href=\"\/ja\/pages\/format-descriptions\"\u003eFormat guide\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eOrchestra\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: A Tale of the Bunny and the Turtle (2025)\u003c\/li\u003e \u003cli class=\"binding\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Spiral Bound\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094009737\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e11.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e16.9\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 99\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eThe stories we are told as children shape our sense of morality, values, and the logic we use to move through the world. I grew up in Korea and came to the United States as a teenager, so the stories that influenced me most in childhood were Korean folktales. These are stories that everyone in Korea knows, but are unfamiliar to many outside of it. Through music, I want to share those stories and invite listeners into that world.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA Tale of the Bunny and the Turtle\u003c\/em\u003e is based on the Korean folktale 별주부전. in the story, the Dragon King of the sea falls gravely ill, and the only cure is said to be the liver of a rabbit. A loyal turtle is sent to the land above to bring a rabbit back to the underwater palace. with flattery and promises of wonder, the turtle persuades the rabbit to travel with him to the sea, where the truth of the situation is revealed. Faced with death, the rabbit survives through quick wit, claiming that his liver has been left behind on land. When the turtle carries him back to retrieve it, the rabbit escapes, leaving the others to face the consequences.\u003c\/p\u003e\n\u003cp\u003eRevisiting this story as an adult has been surprising. As a child, I understood it in very black and white terms, with a clever hero and a triumphant ending. Now, I find myself thinking more deeply about what follows that victory. The shame and guilt the turtle must feel after failing his mission, and the fate of the Dragon King, who is not only a ruler but also a son, a father, and the center of an entire kingdom. These layers of consequence make the story feel less like a simple moral lesson and more like a reflection of real life, where one person's survival often comes at the expense of another.\u003c\/p\u003e\n\u003cp\u003eThe music follows the narrative of the story very closely, unfolding like a tone poem across twelve sections. Each section traces a moment in the tale, from illness and persuasion to deception and escape. I am happy to share this Korean folktale through sound, and whatever meaning or moral listeners take from it is entirely their own.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestral instrumentation:\u003c\/strong\u003e 2[1.2\/pic] 2 2 2 – 4 3 3 1 – timp + 4 – hp – str\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45023562006607,"sku":"JAT-165-001-FS","price":97.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/79757e6d4148bd18a80e0fed665ca822.webp?v=1791040689"},{"product_id":"sohn-a-tale-of-the-bunny-and-the-tiger-just-theory-1","title":"Sohn: A Tale of the Bunny and the Tiger","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/nicky-sohn\"\u003eNicky Sohn\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Full Score - \u003ca href=\"\/ja\/pages\/format-descriptions\"\u003eFormat guide\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eOrchestra\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: A Tale of the Bunny and the Tiger (2025)\u003c\/li\u003e \u003cli class=\"binding\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Spiral Bound\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094009744\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e11.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e16.9\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 77\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eThe stories we are told as children shape our sense of morality, values, and the logic we use to move through the world. I grew up in Korea and came to the US as a teenager, so the stories that influenced me most in childhood were Korean folktales. These are stories that everyone in Korea knows, but are unfamiliar to many outside of it. Through music, I want to share those stories and invite listeners into that world.\u003c\/p\u003e\n\u003cp\u003eRevisiting these tales now as an adult has been surprising. As a child, I understood them in very black and white terms. There was a good side and a bad side, and someone always had to win. But with age, I have started to feel that life does not work like that. I used to love or hate things instantly. I was impatient and intolerant of complexity. Now I try to pause, to notice the other side, even if I do not always succeed.\u003c\/p\u003e\n\u003cp\u003eThis story in particular has stayed with me for years. When I was young, I absolutely believed the bunny must live. and of course, he should. But now I also think about the tiger. Hunger is real. Consequences are real. and while the bunny is clever, he also uses cruelty to escape danger. As children, we were told he was witty and quick, and he is. But the story also carries another layer I could not see back then.\u003c\/p\u003e\n\u003cp\u003eThe music follows the story closely, like a tone poem, unfolding across twelve narrative sections. I am happy to share this Korean folktale through my music. Whatever meaning or moral you take from it is entirely your own.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestral instrumentation:\u003c\/strong\u003e 2[1.2\/pic] 2 2 2 – 2 2 2 1 – timp + 1 – str\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45023569248335,"sku":"JAT-165-002-FS","price":97.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/ac122a98e04cebe5580e13b676b68abe.webp?v=1791040708"},{"product_id":"sohn-on-its-way-just-theory","title":"Sohn: On its way","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/nicky-sohn\"\u003eNicky Sohn\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Full Score - \u003ca href=\"\/ja\/pages\/format-descriptions\"\u003eFormat guide\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eOrchestra\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: On Its Way (2019)\u003c\/li\u003e \u003cli class=\"binding\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Spiral Bound\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094009836\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e11.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e16.9\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 55\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eOn its way\u003c\/em\u003e is an orchestra piece commissioned for the Jacob Druckman Prize of the Aspen Music Festival. This kinetic composition shows the vivid color of something often overlooked as grey and mundane: a life in transit, actions existing seemingly only for the purpose of a final destination. Pondering on the oversimplified idea of a final stop brings one to realize that the commute never stops—there is always something to wait for, always somewhere to be. Coupled with this year's theme, \"Being American\", the endless exploration towards a different, novel place is an element that is indelible in the history here. The work, and most importantly, the spirit of American composers show that the music here is no different than its history—it is one continuous path of evolution, never ceasing to find an ultimate conclusion. Striving to capture the beauty of movement, \u003cem\u003eOn its way\u003c\/em\u003e brings excitement and energy to the wait.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestral instrumentation:\u003c\/strong\u003e 2 2 2 2 – 2 3 3 1 – timp + 3 – hp, pf, str\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45023619186767,"sku":"JAT-165-011-FS","price":81.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/14315b8eab76e6d650bb49ffb6902e2d.webp?v=1791040717"},{"product_id":"sohn-moon-bunny-just-theory","title":"Sohn: Moon Bunny","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/nicky-sohn\"\u003eNicky Sohn\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Full Score - \u003ca href=\"\/ja\/pages\/format-descriptions\"\u003eFormat guide\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eOrchestra\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Moon Bunny (2020)\u003c\/li\u003e \u003cli class=\"binding\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Spiral Bound\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094009829\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e11.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e16.9\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 77\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eCommissioned as one of the winners of the DeGaetano Institute of the Orchestra of St. Luke's, \u003cem\u003eMoon Bunny\u003c\/em\u003e is a piece inspired by the ideas of Bach's Musical Offering. in his piece, Bach takes materials and motifs to generate musical puzzles in a piece as an offering to the king.\u003c\/p\u003e\n\u003cp\u003eWhen I heard the news that my sister was planning to get married this year, I immediately wanted to dedicate a piece to her. After pondering over this idea, it soon became apparent to me that referencing the Korean folk song \"Half Moon\" would be the perfect fit—as American children sing the nursery rhyme \"pattycake,\" Korean children sing the folk song \"Half Moon\" when playing a similar clapping game. This was a song my sister and I sang, always in unison, ever since we were very small. Referencing back to our childhood together seemed appropriate in such a monumental time in her life, allowing the both of us to touch back onto something so deeply rooted and fundamental yet simultaneously needing a reminder of its existence and gravity.\u003c\/p\u003e\n\u003cp\u003eTo emulate Bach's ideas in his musical offering, I took a few melodic themes from the folk song and twisted it into several different textures and colors. While the original source material is simple and catchy, Moon Bunny transforms these easy-going lines into something larger, tangled, and ultimately, different. in retrospect, I suppose this piece brings forth an apt analogy of our two lives—first taking shape together with a simple tune sung in unison, then gradually evolving into more complicated entities that are unique but undoubtedly connected.\u003c\/p\u003e\n\u003cp\u003eIn 1747, Bach presented his piece as an offering to the king. in 2020, I present my offering to my beloved sister.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestral instrumentation:\u003c\/strong\u003e 2[1.2\/pic] 2 2 2 – 2 2 0 0 – timp+2 – str\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45023624462415,"sku":"JAT-165-010-FS","price":81.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/6cba32624bc16f8cf227ddb5d419e679.webp?v=1791093636"},{"product_id":"sohn-is-this-the-happiest-place-on-earth-just-theory","title":"Sohn: Is this the happiest place on earth?","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/nicky-sohn\"\u003eNicky Sohn\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Full Score - \u003ca href=\"\/ja\/pages\/format-descriptions\"\u003eFormat guide\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eOrchestra\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Is this the happiest place on earth? (2025)\u003c\/li\u003e \u003cli class=\"binding\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Spiral Bound\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094009812\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e11.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e16.9\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 33\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eFor generations, Disney has defined the sound and imagery of the American dream. Its films, music, and storytelling shaped how children across the world imagine wonder, hope, and happiness. Yet beneath the shimmer lies a more complicated truth, one built on corporate mythology, idealized innocence, and the commodification of imagination itself.\u003c\/p\u003e\n\u003cp\u003eSo many of the images of a perfect world for me as a young girl were created by the movies and pictures made by Disney. Like countless children from my generation, I wanted the pretty dress, the castle, the prince, the beautiful life that a princess deserves. But as I grew older, I realized none of that was truly me. These ideas had been placed into my system long before I understood who I was, suggesting what I should want before I ever questioned it. and the larger idea of Disney and Disneyland being the happiest place on earth shaped how I imagined the United States, a place where endless opportunities, kind people, and constant happiness seemed to be all around.\u003c\/p\u003e\n\u003cp\u003eBut this dream comes at a high price. The United States and Disney are deeply capitalistic, and those endless opportunities often reveal themselves to be highly competitive, pressurizing, and exhausting. People are constantly trying to stay afloat, and especially today, many feel more isolated and misunderstood than ever. At some point, no matter what you believe, you begin to wonder if this really is the happiest place on earth.\u003c\/p\u003e\n\u003cp\u003eThis work explores the tension between fantasy and reality. It charts the blurred line between the magic we were taught to believe in and the truth beneath it, a portrait of Disney's empire and of America's own obsession with happiness, spectacle, and perfection.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestral instrumentation:\u003c\/strong\u003e 2[1.2\/pic] 2 2 2 – 4 3 3 1 – timp + 2 – hp, pf+cel, str\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45023630917711,"sku":"JAT-165-009-FS","price":81.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/f118b5d8b064130e19eac41bda0a620e.webp?v=1774457324"},{"product_id":"sohn-the-world-according-to-just-theory","title":"Sohn: The World According To...","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/nicky-sohn\"\u003eNicky Sohn\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Full Score - \u003ca href=\"\/ja\/pages\/format-descriptions\"\u003eFormat guide\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eCello, Orchestra\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: The World According To... (2025)\u003c\/li\u003e \u003cli class=\"binding\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Spiral Bound\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094009874\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e11.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e16.9\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 83\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eThis concerto was born out of the collision of worlds—between the values I was raised with and the expectations imposed on me when I married across cultures. I grew up believing that dignity and respect belonged to every person, regardless of gender or race. But I was confronted with traditions and behaviors that denied those values experiences that left me feeling unsafe and silenced, especially in the political climate of the country I now call my second home.\u003c\/p\u003e\n\u003cp\u003eThe first movement, Your Name, reflects the story of my family being pressed again and again for their \"real names.\" Whatever I say I want to be called is my name. To deny that is not innocent curiosity, but an act rooted in prejudice—an erasure of dignity and identity.\u003c\/p\u003e\n\u003cp\u003eThe second movement, The Devil Is a Good Liar, confronts the hypocrisy of someone who claimed to be a devout Christian, yet whose actions—lying, isolating, manipulating, and perpetuating harm—stood in direct opposition to the faith he professed. for me, this contradiction made him not godly at all, but closer to the devil himself.\u003c\/p\u003e\n\u003cp\u003eThe final movement, Something Is Wrong, rises from the necessity of speaking out, even when it is uncomfortable or unresolved. It is an act of defiance to say aloud that silence is not acceptable. The piece ends not with resolution, but with a kind of sigh—acknowledging that the struggle continues.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe World According to…\u003c\/em\u003e is, ultimately, about reclaiming voice in the face of voices that tried to silence it. The cello speaks here as witness, as survivor, and as challenger.\u003c\/p\u003e\n\u003cp\u003eI would like to thank Jamie Clark and Kenny Lee for this wonderful opportunity to write for them, and for trusting me with the freedom to express my voice through this piece. Jamie and I have both worked hard as people—not as women, or as any label the world might want to impose—and it is through that persistence that we have become who we are today. I am also deeply grateful to my husband—for his support, and for being my partner as we navigate these hardships together.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestral instrumentation:\u003c\/strong\u003e solo cello; 2 2 2 2 – 2 2 2 1 – timp+2 – pno cel hp – str\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45023642452047,"sku":"JAT-165-077-FS","price":118.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/254feb27d5d1c17fe5664204c43aec16.webp?v=1791171990"},{"product_id":"sohn-crossway-just-theory","title":"Sohn: Crossway","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/nicky-sohn\"\u003eNicky Sohn\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Full Score - \u003ca href=\"\/ja\/pages\/format-descriptions\"\u003eFormat guide\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eSoprano, Mezzo Soprano, Chamber Orchestra\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Crossway (2024)\u003c\/li\u003e \u003cli class=\"binding\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Spiral Bound\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork language\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eEnglish\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094009867\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e11.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e16.9\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 52\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eCrossway\u003c\/em\u003e was created in collaboration with my dear brother Justin Son, commissioned by the Albany Symphony in honor of the 200th anniversary of the Erie Canal. This historic waterway, connecting the Hudson River and Lake Erie, stands as a testament to the ingenuity and ambition of its creators. Its impact on American history cannot be overstated, as it revolutionized transportation across the Appalachians, catalyzing the settlement of the Great Lakes region and propelling the economic ascent of New York State. Dubbed \"The Nation's First Superhighway,\" it served as a conduit for the westward expansion of the United States.\u003c\/p\u003e\n\u003cp\u003eJustin and I delved into the history and significance of the canal, engaging in discussions that gradually transformed the project's focus. Our exploration led us to reflect on the fluidity of water itself—how it converges and diverges, never following a predictable path. This fluidity mirrored the flow of relationships in our lives. People enter and exit, emotions swell and recede, much like the currents coursing through the canal. While the canal birthed new connections and opportunities, it also marked the end of journeys and the bittersweet farewells that accompany them.\u003c\/p\u003e\n\u003cp\u003eInspired by our conversations and personal experiences, Justin created a poignant poem that encapsulated the essence of our collaboration and the broader themes of transience and interconnectedness. \u003cem\u003eCrossway\u003c\/em\u003e emerged as a deeply personal and intimate work, reflecting not only our artistic vision but also our shared journey as individuals navigating the ever-changing currents of life.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestral instrumentation:\u003c\/strong\u003e soprano voice, mezzo soprano voice; 1 1 1 1 s.sax t.sax – 1 1 1 0 – 0+1 – synth – 1 1 1 1 1\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45023646187599,"sku":"JAT-165-022-FS","price":81.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/9e819f40ca8ffa8e5be412996401de3a.webp?v=1791093603"},{"product_id":"sohn-symphony-no-1-just-theory","title":"Sohn: Symphony No. 1","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/nicky-sohn\"\u003eNicky Sohn\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Full Score - \u003ca href=\"\/ja\/pages\/format-descriptions\"\u003eFormat guide\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eOrchestra\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Symphony No. 1 (2024)\u003c\/li\u003e \u003cli class=\"binding\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Spiral Bound\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094009843\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e11.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e16.9\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 77\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eSymphony No. 1\u003c\/em\u003e intertwines the depths of my personal experience with the boundless, inescapable realms of universal truths. Rooted in the transformative journey of being part of the Composing Earth Cohort through the Gabriela Lena Frank Creative Academy of Music, the work serves as a reminder of our planet's precarious state that urges contemplation and action.\u003c\/p\u003e\n\u003cp\u003eMy childhood in Korea was cradled under an expansive cerulean sky. Over my days of unburdened innocence and vibrant playgrounds, there it was, watching over me and my old neighborhood friends. Yet, upon my return to Korea as an adult after decades abroad, I was confronted with a grave reality: the once vivid blue had succumbed to a somber urban grey, an undeniable testament to the nation's unsuccessful battle against air pollution. This shift in the skies above—so different from the memories of my youth—was poignantly symbolized by the children of today, who, I discovered, reach for grey crayons to color it instead of the stubby blue ones that colored the skies of my own childhood.\u003c\/p\u003e\n\u003cp\u003eIn the midst of these reflections, another memory of blue seemed to bloom inside me. It was a recollection of blissful afternoons in the remote countryside of southern France in May of 2022. This epiphany came as I pondered the sky, realizing why those weeks in France felt like something that could most accurately be described as childlike euphoria. The uninterrupted blue, morphing into a pallet of rich tones with the day's progression, formed a canopy over a rose-adorned garden where I stayed, enveloped by nature and the warmth of a cherished love. Though the skies and the people of my life had since changed, the blue sky that hung over that secluded French garden was precisely the one I remembered. That blue has been woven into the very fabric of \u003cem\u003eSymphony No. 1.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe symphony unfolds in four movements, each symbolizing stages of change, loss, introspection, and hope. A melody conceived in the summer of 2022, shortly after my time in France, threads through the work as a leitmotif. in the opening movement, \"Memories of Blue\", the melody presents itself delicately, painting an expressive landscape of past moments. This nostalgic feeling then transforms itself into an assertive force in \"The Blue Hour\". It then is filled with great tension, dancing between the edge of beautiful memories and stark realities in \"Fading Blue\", the third movement. Finally, in \"Letter to My Blue,\" the symphony's finale, the recurring themes culminate with a powerful resonance to create a hopeful, invigorating closure.\u003c\/p\u003e\n\u003cp\u003eThe influence of Berlioz's \"Symphony Fantastique\" has been profound in my musical odyssey. His portrayal of personal experiences and emotions has been instrumental in shaping my creative ethos. Drawing inspiration from his innovative use of the \"Idée fixe\" to embody emotional states, I have too composed my symphony with a similar thematic persistence, creating an exploration of memory, sentiment, and transformation that echoes Berlioz's masterpiece.\u003c\/p\u003e\n\u003cp\u003eIn \u003cem\u003eSymphony No. 1,\u003c\/em\u003e I seek to illustrate that the most personal of experiences often resonate with what is universal. The symphony's narrative reflects a quintessential truth of life: while we cannot reclaim the past, we can find solace and hope somewhere in our own memory. It reminds us that in times of illness, we yearn for health, and during the long, grey winters, our hearts await the first of May. in the same vein as Berlioz's symphonic journey, this work is a tribute to the past, a reflection of the present, and an ode to the future. with the passing of one thing comes another. with the loss of an envisioned future there will be another dream to be had. with old dreams and new hopes in mind, \u003cem\u003eSymphony No. 1\u003c\/em\u003e paints an auditory canvas that calls for introspection, transformation, and the enduring spirit of eternal renewal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestral instrumentation:\u003c\/strong\u003e 3[1.2\/afl.3.\/picc] 3[1.2.3\/eh] 3 3 – 4 3 3 1 – timp+3 – kbd[pf\/cel] – str\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45023662637135,"sku":"JAT-165-012-FS","price":118.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/c01a5eb5aafe3086ce8f3834a1af7fc3.webp?v=1791307435"},{"product_id":"sohn-guitar-concerto-no-1-just-theory","title":"Sohn: Guitar Concerto No. 1","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/nicky-sohn\"\u003eNicky Sohn\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Full Score - \u003ca href=\"\/ja\/pages\/format-descriptions\"\u003eFormat guide\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eOrchestra, Guitar\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/sohn-guitar-concerto-2024\"\u003eGuitar Concerto (2024)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Spiral Bound\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094009775\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e11.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e16.9\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 117\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eGuitar Concerto\u003c\/em\u003e has been a dream project for me for years. Bokyung has been one of the most important people in my life for almost a decade. She has not only been in a Major supporter and advocate of my music but also the musician who introduced me to the beauty of the classical guitar. Guiding me through all of my guitar music, she has been the best collaborator a composer could ask for. When she enters the stage, it feels as if the whole world stops, and only Bokyung and her guitar exist. It is always an absolute joy\nand honor to have my music performed by her, and this guitar concerto would not be possible without her.\u003c\/p\u003e\n\u003cp\u003eMy focus on this work was singular: to make her shine as a soloist as much as I could. Bokyung has a sparkling, magical tone, and while her technique is flawless, her lyrical playing has the power to move any listener. Based on our past collaborations, I aimed to create something beautiful that also showcases her impressive caliber as one of today's leading guitarists.\u003c\/p\u003e\n\u003cp\u003eThe three movements of the concerto each explore different moods, tempi, and atmospheres, all designed to highlight her extraordinary talent. They share recognizable original melodic components that recycle throughout the piece, transforming into different textures and motifs. This process resembles our lives and friendships throughout the years, constantly evolving yet always retaining a core essence.\u003c\/p\u003e\n\u003cp\u003eI would also like to thank the Albany Symphony and Maestro David Alan Miller for trusting both me and Bokyung to pursue our dream project. Their support and belief in our vision have made this concerto possible, and I am deeply grateful for the opportunity to bring this work to life with such a wonderful orchestra and conductor.\u003c\/p\u003e\n\u003cp\u003eThe concerto has now been adapted, commissioned by Tanglewood, unfolding in two movements: a slow, meditative first movement, and a fast, dynamic second. The version reimagined for sinfonietta, a smaller ensemble that creates a more intimate atmosphere while still preserving the piece's rich depth and vibrancy.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMovements (orchestra)\u003c\/strong\u003e I. Fast II. Slow III. Fast\u003c\/p\u003e\n\u003cp\u003e**Instrumentation:\n** Orchestra: solo guitar; 2 2 2 2 – 2 2 0 0 – timp – str\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45023691538511,"sku":"JAT-165-005-FS","price":118.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/f7fa19b1a33923a3de716a7258939e46.webp?v=1791158308"},{"product_id":"sohn-do-you-remember-just-theory","title":"Sohn: Do you remember?","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/nicky-sohn\"\u003eNicky Sohn\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Full Score - \u003ca href=\"\/ja\/pages\/format-descriptions\"\u003eFormat guide\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Chamber Orchestra\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Do you remember? (2025)\u003c\/li\u003e \u003cli class=\"binding\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Spiral Bound\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094009768\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e11.0\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e16.9\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 119\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eOne of the greatest joys of being a composer is writing for friends, and I feel especially fortunate that my closest friends are extraordinary musicians whose artistry I deeply admire. Among them is pianist Chelsea de Souza, my best friend for many years, with whom I have shared countless projects and an ever-growing musical bond. When we began imagining this piece together, it felt natural to create something that would capture the essence of our friendship: a journey through music we love and memories we hold dear.\u003c\/p\u003e\n\u003cp\u003eThe music traces songs that have shaped our friendship: Earth, Wind \u0026amp; Fire's September, recalling our first meeting in the fall; the songs of Tom Misch, which became the soundtrack to our drives through Houston; and Boyz II Men's End of the Road, a karaoke favorite that now carries the bittersweet resonance of leaving Houston and closing one chapter of our lives together.\u003c\/p\u003e\n\u003cp\u003eAs we grow older and live farther apart, I find myself beginning conversations with Chelsea with the words, \"Do you remember?\" Those words are proof of the many memories we've made—moments we want to hold close and never forget—and also a hope for all the memories yet to come. And, of course, they happen to open one of the most iconic pop songs ever written: Do you remember…?\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestral instrumentation:\u003c\/strong\u003e solo piano; 1 1 1 1 – 1 1 1 0 – 2 perc – hp – str\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45023695536207,"sku":"JAT-165-004-FS","price":118.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/c5de551af5d6c9ff9536d535094964b4.webp?v=1791070577"},{"product_id":"sohn-lullaby-for-those-fast-asleep-version-for-violin-piano-adjustable","title":"Sohn: Lullaby for Those Fast Asleep (Version for Violin \u0026 Piano)","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/nicky-sohn\"\u003eNicky Sohn\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Violin\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/sohn-lullaby-for-those-whose-fast-asleep-2021\"\u003eLullaby for Those Whose Fast Asleep (2021)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094010443\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eCOVID-19 has changed everything. The most fundamental aspects of humans, naturally social beings, have been stripped from us. Visiting friends and family has become a challenge for many, and for me and many individuals who live, study, or work in a foreign country, the idea of returning home has become even more distant and unreachable.\u003c\/p\u003e\n\u003cp\u003e\"Lullaby for Those Fast Asleep\" was co-commissioned by Lucia Lin and the Gabriela Lena Frank Creative Academy of Music with Additional Support from Ronald Chase and Bard Music West for the in Tandem project. Lucia and I had a conversation before I began writing. We had discussed the widening division between people around the world, whether it be racial divide as shown throughout America, or the physical and political divide of nations and peoples made from the recession of international trade, talk, and travel. in this era of distancing, a warm place that we can call \"home\" is narrowing.\u003c\/p\u003e\n\u003cp\u003eThis piece is based on a Korean lullaby called \"The Baby on an Island\". It tells the story of a baby all alone at night while its mother picks oysters by the shore. in place of its mother's voice, the ocean sings and the baby falls asleep waiting for her return. Although the story does not mention this, I've always thought about how the ocean continues singing, even after the baby is fast asleep. with \"Lullaby for Those Fast Asleep\", I wanted to be the ocean that keeps singing, even after the ones who have waited for the world to heal can no longer listen.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45176099733583,"sku":"JAT-165-046-SP","price":43.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/a9b4815b5cd0cdee54350f416ca77ad4.webp?v=1790808269"},{"product_id":"sohn-lyon-miniatures-just-theory","title":"Sohn: Lyon Miniatures","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/nicky-sohn\"\u003eNicky Sohn\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Lyon Miniatures (2024)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094010498\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eLyon Miniatures\u003c\/em\u003e is a collection inspired by my personal journey spanning from May 2022 to May 2023. Its inspiration traces back to a trip to Lyon, France in the early summer of 2022—an experience that initially felt like a dream. However, as time unfolded, the once-magical memories took on a bittersweet color, prompting me to translate my emotions into short melodies. These compositions reflect not only the moments of joy experienced during the trip but also the melancholy that settled in later on.\u003c\/p\u003e\n\u003cp\u003eCrafting \u003cem\u003eLyon Miniatures\u003c\/em\u003e was an intensely personal endeavor, undertaken without any intention of sharing them with others It had been over a decade since I last composed purely to document and encapsulate my emotions, without being tied to any project, performance, or audience.\u003c\/p\u003e\n\u003cp\u003eThese short pieces can be performed in any order, individually or collectively.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45176108646479,"sku":"JAT-165-047-FS","price":32.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/05f87dc7287c4d8b93fb158bfd574aec.webp?v=1790822795"},{"product_id":"sohn-uneven-flow-just-theory","title":"Sohn: Uneven Flow","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/nicky-sohn\"\u003eNicky Sohn\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Uneven Flow (2024)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094010559\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eUneven Flow\u003c\/em\u003e was written for pianist Jonathan Mak as part of his commissioning project, which aimed to explore how monumental world events impact artistic expression and the music composed around these events, particularly in response to the large wars occurring in recent years. The commissioning theme was broad, not limited to wars alone; composers were invited to explore ideas of conflicts, struggles, and the emotional impacts of these events.\u003c\/p\u003e\n\u003cp\u003eIn approaching this commission, I aimed to create something virtuosic and showy—an absolute privilege when writing for an award-winning pianist like Jonathan, who possesses such monstrous technique and musicality. The piece embodies the idea of how flow and safety are disrupted by conflicts between countries, influencing everyone's daily lives and causing discomfort and interruptions in our routines.\u003c\/p\u003e\n\u003cp\u003eThe title \u003cem\u003eUneven Flow\u003c\/em\u003e was inspired by the song Even Flow by Pearl Jam, which describes the experience of homelessness and the disruptions in life. Just as Eddie Vedder's lyrics reflect the unpredictable and often harsh realities faced by a homeless man, this piece reflects the unpredictable disturbances that affect our daily lives due to global conflicts. While it addresses serious themes, it is also a concert showpiece designed to celebrate Jonathan's incredible abilities as a pianist.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45176611307599,"sku":"JAT-165-066-FS","price":32.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/4c2ced71c4a40ab1fe11877bc875fbbb.webp?v=1790811678"},{"product_id":"sohn-rodeo-just-theory","title":"Sohn: Rodeo","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/nicky-sohn\"\u003eNicky Sohn\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Set of Parts - \u003ca href=\"\/ja\/pages\/format-descriptions\"\u003eFormat guide\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano Trio (Piano, Violin, Cello)\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Rodeo (2024)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094010719\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eWhen the Menil Trio approached me about commissioning a piece, I was absolutely thrilled. Over the past several years in Houston, I've had the privilege of hearing these three wonderful musicians frequently, and I've come to know them both personally and musically. It's always a treat to compose for people I understand so well musically, and I was beyond excited when we landed on the idea of crafting a composition inspired by the Houston Rodeo.\u003c\/p\u003e\n\u003cp\u003eLiving in Houston for several years now, one of my favorite local events has undoubtedly been the Rodeo. It's Houston's pride and joy, an absolute whirlwind of fun—I've even taken to calling it the Gesamtkunstwerk of fun, and it truly lives up to the title. The Houston Rodeo offers everything one could imagine and more. From an endless array of fried foods, sweet treats, and barbecue to Agventure, where one can witness the miracle of birth with live hatching chicks and newborn animals, including opportunities to pet bunnies, it's a sensory overload. Then there's the excitement of the livestock show—cowboys riding bulls, cowgirls barrel racing, and the heartwarming chaos of events like the calf scramble and Mutton Bustin', where little kids bravely attempt to ride sheep, often with comical results. and let's not forget the colossal Carnival with its rides and attractions. Truly, the Houston Rodeo is an absolute blast.\u003c\/p\u003e\n\u003cp\u003eI wanted to compose a piece that captured the spirit of these events and activities. The work is divided into seven sections, each titled—I. Rodeo, II. Agventure, III. Saddle Bronc, IV. Barrel Racing, V. Calf Scramble, VI. Mutton Bustin', and VII. Y'all Come Back and See Us!\nExperiencing this Gesamtkunstwerk firsthand is a must. The piece reflects my excitement and perhaps even my obsession with the event, and I'm grateful to the Menil Trio for giving me the opportunity to compose for them on one of my favorite occasions of the year.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45176612257871,"sku":"JAT-165-053-SP","price":43.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/da06c5b0ba1daeafa5452b24044d8172.webp?v=1790789623"},{"product_id":"sohn-left-on-sweetleaf-just-theory","title":"Sohn: Left on Sweetleaf","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/nicky-sohn\"\u003eNicky Sohn\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Score \u0026amp; Set of Parts - \u003ca href=\"\/ja\/pages\/format-descriptions\"\u003eFormat guide\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eFlute Quartet (4 Flutes)\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Left on Sweetleaf (2025)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094010429\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003efor flute quartet (flute 1-2 doubling piccolo, flute 4 doubling alto flute)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLeft on Sweetleaf\u003c\/em\u003e is inspired by my first six months living in Orange County. When Emissary Quartet approached me for a piece, they shared that their first album's theme would be \"momentum.\" in a world full of change, uncertainty, and, in many ways, fear, I believe it's more important than ever to cherish and celebrate the small moments of peace we find at home.\u003c\/p\u003e\n\u003cp\u003eMoving to Orange County was a significant shift for me—I had never lived in the suburbs before. At first, the quiet lifestyle felt unfamiliar, but over time, I began to notice the subtle momentum in my daily routines. The repetition of simple actions created a rhythm that shaped my days. These seemingly small moments built on each other, forming a steady motion that brought both comfort and creativity. Achieving a sense of domestic bliss takes effort and care, yet its importance and the happiness it brings are often overlooked.\u003c\/p\u003e\n\u003cp\u003eEach movement of this piece reflects these everyday moments, highlighting the quiet yet persistent motion within them. Though they may seem fleeting, each action carries its own energy, propelling life forward in its own way. Not a single moment is insignificant—every experience has its own momentum.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45176613109839,"sku":"JAT-165-044-SP","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/882bc0ff279eadfd0badb36e4f212cda.webp?v=1790811714"},{"product_id":"sohn-home-on-the-range-just-theory","title":"Sohn: Home on the Range","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/nicky-sohn\"\u003eNicky Sohn\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Set of Parts - \u003ca href=\"\/ja\/pages\/format-descriptions\"\u003eFormat guide\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano Quartet (Piano, Violin, Viola, Cello)\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Home on the Range (2024)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094010375\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 24\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eHome on the Range\u003c\/em\u003e is a composition inspired by the American folk tune of the same title. Growing up in Korea, I fondly remember my mother singing this tune to me, albeit with Korean lyrics. Until I did the research to find an American folk tune to work with, I remained unaware of the melody's true origin. This revelation prompted me to reflect on the remarkable ability of folk tunes to transcend cultural boundaries, creating a sense of familiarity and nostalgia across the globe.\u003c\/p\u003e\n\u003cp\u003eThe piece comprises seven sections, each intricately woven around the original tune. At times, I explore intervalic relationships derived from the melody, while in other instances, the entire melodic line is skillfully embedded throughout the composition. This project marked a departure from my usual creative process; tasked with completing a 5-7 minute chamber piece in just 14 days for the competition, I found myself making musical decisions at an unprecedented speed. The result was a fascinating journey of rapid composition, where every note was imbued with a sense of urgency and creative spontaneity.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45176615829583,"sku":"JAT-165-039-SP","price":54.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/b67d66194e3402347ee09dd07c703eb3.webp?v=1790833114"},{"product_id":"sohn-collection-of-distant-memories-version-for-clarinet-guitar-just-theory","title":"Sohn: Collection of distant memories (Version for Clarinet \u0026 Guitar)","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/nicky-sohn\"\u003eNicky Sohn\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Set of Performance Scores - \u003ca href=\"\/ja\/pages\/format-descriptions\"\u003eFormat guide\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eClarinet, Guitar\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/sohn-collection-of-distant-memories-2021\"\u003eCollection of Distant Memories (2021)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eThese three pieces for clarinet and guitar are based on well-known Korean melodies.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGrilled Chestnut\u003c\/em\u003e During winters, it was common to run into chestnut roasters on the street! (Not so much anymore.) The smell of roasted chestnuts would spread over several blocks, and my parents would sometimes get the chest- nuts for me to snack on. The memory of me holding a brown bag, filled with roasted chestnuts, and waiting for my dad to open them for me is very dear to me, and even after 20 or so years, when I think of these memories, I can smell the roasted chestnuts on a cold, snowy day. The original melody is cheerful and energetic, but I wanted to make the melody to reflect my nostalgia.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRamen and nine-holed-coal\u003c\/em\u003e is a silly song from an animated tv-show Dooly the Little Dinosaur. Dooly and his friends enter a singing competition and sing this famous song where they talk about how the ramen cooked on a nine-holed-cole is the best. It is such a well-known tune, and my attempt in this movement was to hide the melody as much as I could! I wanted to make this movement as distant as it can be to the original source. The melody is stretched out immensely, and almost neglected. I used the original melody as a skeleton of the work, and wrote a moving, fluid line.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMom and mackerel\u003c\/em\u003e is a famous pop song from the 80s. It is a storytelling song where the singer finds a salted mackerel in the refrigerator at night while getting some water during sleep. That is his favorite food, and by seeing this prepared, he can feel his mom's love. Love can be expressed in many ways. Parents from my generation or older tend not to be the most vocal or expressive. One of my mom's love languages to her children definitely has been food. She may not tell me all things she feels about me or my siblings, but if we come back home, she asks us what we want to eat for weeks in ad- vance! Even though the original song is upbeat, and energetic, this song shares a very intimate sentiment. The movement is groovy and cheerful- I mean, wouldn't you be excited for your breakfast after seeing the salted mackerel?!\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45176624644175,"sku":"JAT-165-020-FS","price":54.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/8946e962b34d0edf874477fc81d3c00e.webp?v=1790922339"},{"product_id":"sohn-collection-of-distant-memories-version-for-violin-guitar-just-theory","title":"Sohn: Collection of distant memories (Version for Violin \u0026 Guitar)","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/nicky-sohn\"\u003eNicky Sohn\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Set of Performance Scores - \u003ca href=\"\/ja\/pages\/format-descriptions\"\u003eFormat guide\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation (this edition)\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eViolin, Guitar\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong class=\"original-instrumentation-title\"\u003eOriginally for\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eClarinet, Guitar\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/sohn-collection-of-distant-memories-2021\"\u003eCollection of Distant Memories (2021)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eThese three pieces (originally for clarinet and guitar) are based on well-known Korean melodies.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGrilled Chestnut\u003c\/em\u003e During winters, it was common to run into chestnut roasters on the street! (Not so much anymore.) The smell of roasted chestnuts would spread over several blocks, and my parents would sometimes get the chest- nuts for me to snack on. The memory of me holding a brown bag, filled with roasted chestnuts, and waiting for my dad to open them for me is very dear to me, and even after 20 or so years, when I think of these memories, I can smell the roasted chestnuts on a cold, snowy day. The original melody is cheerful and energetic, but I wanted to make the melody to reflect my nostalgia.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRamen and nine-holed-coal\u003c\/em\u003e is a silly song from an animated tv-show Dooly the Little Dinosaur. Dooly and his friends enter a singing competition and sing this famous song where they talk about how the ramen cooked on a nine-holed-cole is the best. It is such a well-known tune, and my attempt in this movement was to hide the melody as much as I could! I wanted to make this movement as distant as it can be to the original source. The melody is stretched out immensely, and almost neglected. I used the original melody as a skeleton of the work, and wrote a moving, fluid line.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMom and mackerel\u003c\/em\u003e is a famous pop song from the 80s. It is a storytelling song where the singer finds a salted mackerel in the refrigerator at night while getting some water during sleep. That is his favorite food, and by seeing this prepared, he can feel his mom's love. Love can be expressed in many ways. Parents from my generation or older tend not to be the most vocal or expressive. One of my mom's love languages to her children definitely has been food. She may not tell me all things she feels about me or my siblings, but if we come back home, she asks us what we want to eat for weeks in ad- vance! Even though the original song is upbeat, and energetic, this song shares a very intimate sentiment. The movement is groovy and cheerful- I mean, wouldn't you be excited for your breakfast after seeing the salted mackerel?!\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45176633524303,"sku":"JAT-165-020.03-FS","price":54.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/8946e962b34d0edf874477fc81d3c00e.webp?v=1790922339"},{"product_id":"sohn-chestertons-gardens-version-for-cello-piano-just-theory","title":"Sohn: Chesterton's Gardens (Version for Cello \u0026 Piano)","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/nicky-sohn\"\u003eNicky Sohn\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eCello, Piano\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/sohn-chestertons-gardens-2016\"\u003eChesterton's Gardens (2016)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094010139\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eChesterton's Gardens\u003c\/em\u003e is a contemplative composition for cello and piano, written for cellist Philip Sheegog. Inspired by G., K. Chesterton's writings and the captivating world of \"The Secret Garden,\" the piece reflects my bittersweet emotions during a significant move from New York City to the West Coast, after spending eight years immersed in its vibrant energy.\u003c\/p\u003e\n\u003cp\u003eThe composition draws its inspiration from the enigmatic description of a garden and house found in Chesterton's work—a place with no exit into the outside world, symbolizing unexpected paths and unchosen circumstances. Chesterton's Garden explores the metaphor of the secluded garden as a reflection of the hidden chambers within our hearts, where feelings of loneliness and seclusion endure even amidst the presence of loved ones.\u003c\/p\u003e\n\u003cp\u003eThrough sentimental melodies and dreamy textures, the cello takes on a poignant voice, depicting the spirit of the secret garden, while the piano weaves delicate harmonies and textures representing the surrounding world. Chesterton's Garden invites listeners on an introspective journey, encouraging reflection on the transient nature of life and the resilience found within the hidden spaces of our souls.\u003c\/p\u003e\n\u003cp\u003eQuote-\u003c\/p\u003e\n\u003cp\u003e\"It was an old house, with high walls and tall poplars almost overhanging the Seine; but the oddity—and perhaps the police value—of its architecture was this: that there was no ultimate exit at all except through this front door, which was guarded by Ivan and the armoury. The garden was large and elaborate, and there were many exits from the house into the garden. But there was no exit from the garden into the world outside; all round it ran a tall, smooth, unscalable wall with special spikes at the top; no bad garden, perhaps, for a man to reflect in whom some hundred criminals had sworn to kill.\"\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45176636047439,"sku":"JAT-165-019.01-SP","price":32.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/83ca6b3c952b5e741217f8e1186064ea.webp?v=1790772843"},{"product_id":"sohn-chestertons-gardens-version-for-flute-clarinet-cello-just-theory","title":"Sohn: Chesterton's Gardens (Version for Flute, Clarinet, \u0026 Cello)","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/nicky-sohn\"\u003eNicky Sohn\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Score \u0026amp; Set of Parts - \u003ca href=\"\/ja\/pages\/format-descriptions\"\u003eFormat guide\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation (this edition)\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eCello, Clarinet, Flute\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong class=\"original-instrumentation-title\"\u003eOriginally for\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eCello, Piano\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/sohn-chestertons-gardens-2016\"\u003eChesterton's Gardens (2016)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003e\u003cem\u003eChesterton's Gardens\u003c\/em\u003e is a contemplative composition originally for cello and piano, written for cellist Philip Sheegog. Inspired by G., K. Chesterton's writings and the captivating world of \"The Secret Garden,\" the piece reflects my bittersweet emotions during a significant move from New York City to the West Coast, after spending eight years immersed in its vibrant energy.\u003c\/p\u003e\n\u003cp\u003eThe composition draws its inspiration from the enigmatic description of a garden and house found in Chesterton's work—a place with no exit into the outside world, symbolizing unexpected paths and unchosen circumstances. Chesterton's Garden explores the metaphor of the secluded garden as a reflection of the hidden chambers within our hearts, where feelings of loneliness and seclusion endure even amidst the presence of loved ones.\u003c\/p\u003e\n\u003cp\u003eThrough sentimental melodies and dreamy textures, the cello takes on a poignant voice, depicting the spirit of the secret garden, while the piano weaves delicate harmonies and textures representing the surrounding world. Chesterton's Garden invites listeners on an introspective journey, encouraging reflection on the transient nature of life and the resilience found within the hidden spaces of our souls.\u003c\/p\u003e\n\u003cp\u003eQuote-\u003c\/p\u003e\n\u003cp\u003e\"It was an old house, with high walls and tall poplars almost overhanging the Seine; but the oddity—and perhaps the police value—of its architecture was this: that there was no ultimate exit at all except through this front door, which was guarded by Ivan and the armoury. The garden was large and elaborate, and there were many exits from the house into the garden. But there was no exit from the garden into the world outside; all round it ran a tall, smooth, unscalable wall with special spikes at the top; no bad garden, perhaps, for a man to reflect in whom some hundred criminals had sworn to kill.\"\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45176638767183,"sku":"JAT-165-019.02.02-SP","price":38.25,"currency_code":"USD","in_stock":true}]},{"product_id":"sohn-butterfly-short-version-just-theory","title":"Sohn: Butterfly (Short Version)","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/nicky-sohn\"\u003eNicky Sohn\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Score \u0026amp; Set of Parts - \u003ca href=\"\/ja\/pages\/format-descriptions\"\u003eFormat guide\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eString Quartet (Violin I, Violin II, Viola, Cello)\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/sohn-butterfly-2024\"\u003eButterfly (2024)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094010092\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eDuration: 6'\u003c\/p\u003e\n\u003cp\u003e\"Butterfly\" is a composition inspired by the enchanting journey of butterflies and the invigorating thrill of their journey of constant new beginnings.\u003c\/p\u003e\n\u003cp\u003eMuch like the initial liftoff of a resting butterfly, the work delves into its first measures with a small flutter of color and quickly finds itself in a delicate mid-air dance between curiosity and trepidation. From a graceful glide in lush paradise to uncontrolled spirals in strong winds, the flight we encounter in the work is one that imitates the butterflies we find not only in gardens but also inside ourselves. Rediscovering the flutter of butterflies within, I realized the profound beauty that comes with embracing vulnerability—the unpredictable yet exhilarating journey of feeling alive. It mirrors the journey of self-discovery and emotional rebirth. in my personal life, I thought I had lost the capacity for such emotions. It was only after this feeling resurfaced when I experienced a deep relief and a profound revelation that showed me the resilience of the human heart.\u003c\/p\u003e\n\u003cp\u003eEmphasizing the exceptional and dynamic nature of a butterfly's life, the composition draws parallels between the quartet's journey and the lifecycle of these creatures. Celebrating every ending as a new beginning, \"Butterfly\" stands as a tribute to the enduring spirit of creativity and the limitless possibilities that come with embracing change. As the quartet marks four decades of musical excellence, this composition is created to evoke a sense of wonder, introspection, and the unceasing curiosity that accompanies the anticipation of the unexplored chapters yet to unfold.\u003c\/p\u003e\n\u003cp\u003eOften times, allowing your heart to brave whatever that may come means being as helpless and futile as a butterfly in the wind. Still, like the Monarchs that embark on their strenuous migration that stretches for thousands of miles, these moments of breathtaking helplessness is something we must all take part in to survive.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45176643420239,"sku":"JAT-165-017-SP","price":43.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/301b72cbc061fe72879c0999be94ab58.webp?v=1790808236"},{"product_id":"sohn-butterfly-long-version-just-theory","title":"Sohn: Butterfly (Long Version)","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/nicky-sohn\"\u003eNicky Sohn\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Score \u0026amp; Set of Parts - \u003ca href=\"\/ja\/pages\/format-descriptions\"\u003eFormat guide\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eString Quartet (Violin I, Violin II, Viola, Cello)\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/sohn-butterfly-2024\"\u003eButterfly (2024)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094010108\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eDuration: 9'\u003c\/p\u003e\n\u003cp\u003e\"Butterfly\" is a composition inspired by the enchanting journey of butterflies and the invigorating thrill of their journey of constant new beginnings.\u003c\/p\u003e\n\u003cp\u003eMuch like the initial liftoff of a resting butterfly, the work delves into its first measures with a small flutter of color and quickly finds itself in a delicate mid-air dance between curiosity and trepidation. From a graceful glide in lush paradise to uncontrolled spirals in strong winds, the flight we encounter in the work is one that imitates the butterflies we find not only in gardens but also inside ourselves. Rediscovering the flutter of butterflies within, I realized the profound beauty that comes with embracing vulnerability—the unpredictable yet exhilarating journey of feeling alive. It mirrors the journey of self-discovery and emotional rebirth. in my personal life, I thought I had lost the capacity for such emotions. It was only after this feeling resurfaced when I experienced a deep relief and a profound revelation that showed me the resilience of the human heart.\u003c\/p\u003e\n\u003cp\u003eEmphasizing the exceptional and dynamic nature of a butterfly's life, the composition draws parallels between the quartet's journey and the lifecycle of these creatures. Celebrating every ending as a new beginning, \"Butterfly\" stands as a tribute to the enduring spirit of creativity and the limitless possibilities that come with embracing change. As the quartet marks four decades of musical excellence, this composition is created to evoke a sense of wonder, introspection, and the unceasing curiosity that accompanies the anticipation of the unexplored chapters yet to unfold.\u003c\/p\u003e\n\u003cp\u003eOften times, allowing your heart to brave whatever that may come means being as helpless and futile as a butterfly in the wind. Still, like the Monarchs that embark on their strenuous migration that stretches for thousands of miles, these moments of breathtaking helplessness is something we must all take part in to survive.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45176645451855,"sku":"JAT-165-017.01-SP","price":54.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/301b72cbc061fe72879c0999be94ab58.webp?v=1790808236"},{"product_id":"sohn-burning-just-theory","title":"Sohn: Burning","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/nicky-sohn\"\u003eNicky Sohn\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Score \u0026amp; Set of Parts - \u003ca href=\"\/ja\/pages\/format-descriptions\"\u003eFormat guide\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eString Quartet (Violin I, Violin II, Viola, Cello)\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Burning (2021)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094010085\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 26\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eDuration: 9'\u003c\/p\u003e\n\u003cp\u003eInspiration can hardly be predicted nor deliberate. It could be from opening a packet of hot sauce, watching a flame slowly flicker to an ember, saying a forever farewell, missing someone—these were my sources of inspiration for Burning, for string quartet. Winter of 2020 was a strange time for me—I am sure for many, 2020 was odd, never turning the way you'd think...\u003c\/p\u003e\n\u003cp\u003eAll the four events I've mentioned above somehow to me gave the sensation of burning. To get through the obvious, eating hot sauce and watching a fire is easily connected to burning—your tongue, desert fire. Often I feel as if I'm a person immune to goodbyes, as if I've been trained since birth to be a stoic. But when I haven't primed myself for it, if I have the uncertainty, or rather the certainty, of the goodbye being the last one, there's nothing like it. The sensation of heartache it feels physical, that tearing and searing feeling. Then missing someone, crying, feeling small in this world, hopelessness, it burns.\u003c\/p\u003e\n\u003cp\u003eWorks presented at the special exhibition, \"Wild Life of Elizabeth Murray and Jessi Reaves\", also have this spark of energy and color that to me felt like burning. My ideas often tend to be scattered and my inspiration may seem chaotic, but the burst of energy and ideas has resulted in a dynamic and lively work. This piece bends several adjectives that resemble a fire, and the process of burning: luminous, flaring, glowing, sparkling. Burning cites the changing sensation, from rapture to grief, every sound to deep, unending silence.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45176649449551,"sku":"JAT-165-016-SP","price":54.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/8e227f3c7f69a6f2d513c92f6f905eee.webp?v=1790788089"},{"product_id":"sohn-a-night-at-birdland-just-theory","title":"Sohn: A Night at Birdland","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/nicky-sohn\"\u003eNicky Sohn\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Score \u0026amp; Set of Parts - \u003ca href=\"\/ja\/pages\/format-descriptions\"\u003eFormat guide\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eWind Quintet (Flute, Oboe, Clarinet, Horn, Bassoon)\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: A Night at Birdland (2024)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094010078\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 38\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eDuration: 11'\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA Night at Birdland\u003c\/em\u003e was sparked by an unexpected source—my mind often wanders into unconventional territories, and this time was no exception. The initial commission, specifically for a bird- themed piece supported by the Houston Audubon, presented a unique challenge given my fear of birds. This prompted me to stray from the typical approach of mimicking bird sounds with woodwind instruments, finding inspiration instead in the iconic jazz musician Charlie Parker, known as ‘Bird.'\u003c\/p\u003e\n\u003cp\u003eThe composition process also took an unconventional path. Typically, I complete a piece before its premiere, but A Night at Birdland evolved over months of close collaboration with WindSync. Yardbird Suite, which became the final movement, was actually the first movement I wrote for WindSync. Delving into various renditions of the tune, I discovered its poignant lyrics, which spoke of overcoming heartbreak. Despite its seemingly jovial atmosphere, Yardbird Suite became profoundly personal, reflecting my own emotions and struggles.\u003c\/p\u003e\n\u003cp\u003eThe four movements are titled after Charlie Parker's original tunes, each serving as either a prominent focal point or subtly woven into the fabric of the movement. Collaborating closely with WindSync allowed me to understand not only their musical abilities but also their personalities and definitely helped me shape the entire work. Their trust and dedication greatly influenced the piece's development, and I am deeply grateful for their partnership.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45176650235983,"sku":"JAT-165-015-SP","price":54.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/5da6e6f7ee8d0a3751251ac47c3cbd18.webp?v=1790794371"},{"product_id":"sohn-galaxy-back-to-you-just-theory","title":"Sohn: Galaxy Back to You","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/nicky-sohn\"\u003eNicky Sohn\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Score \u0026amp; Set of Parts - \u003ca href=\"\/ja\/pages\/format-descriptions\"\u003eFormat guide\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eString Quartet (Violin I, Violin II, Viola, Cello)\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Galaxy Back to You (2024)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094010252\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eDuration: 12'\u003c\/p\u003e\n\u003cp\u003eTwo of the most exciting aspects of being a composer have become the inspirations for \"Galaxy Back to You\"—working within the parameters of each commission and drawing from my personal experiences. The Balourdet Quartet is an ensemble I have admired for years, and it was an absolute delight to finally write for them. All four of them are ecstatic players with so much character and depth, and every performance of theirs has been electric. I wanted to write a piece that showcases their powerful dynamic as a group but also highlights their individuality, with a variety of textures, moods, and energy. Each commission brings interesting, sometimes challenging objectives, and for me, parameters are the most fascinating inspirations for my creative process. They help narrow down my ideas, making the process extremely productive and effective.\u003c\/p\u003e\n\u003cp\u003eFor this project, Balourdet Quartet asked me to incorporate some aspect of AI. While AI can be seen as a threat to artists in all genres, I decided to explore various music-generating AI programs to see what they offered. Though intriguing, I wanted to create a work where I could maintain full ownership of the musical material. So, I turned to ChatGPT, arguably the most widely used AI program, to brainstorm and structure the piece.\u003c\/p\u003e\n\u003cp\u003eEarlier this year, my partner gifted me a \"galaxy\" named after me for my birthday. It was an unusual but incredibly sweet gift because he thought I deserved a whole galaxy. The galaxy he gave me is NGC 4258, discovered in 1781. It is an intermediate spiral galaxy in the constellation Canes Venatici, rich with fascinating characteristics. ChatGPT helped conceptualize seven distinct sections, each with names and musical descriptions, which I endeavored to honor with my imagination. I used the galaxy number 4258 as the main thematic idea, focusing on the intervallic relationships of those four numbers. I feel that a string quartet is the most intimate and personal genre for composers—one can truly get a sense of who the composer is through exploring their string quartet repertoire. I believe a string quartet may be the best gift a composer can offer to another (unfortunately, perhaps!). The title, \"Galaxy Back to You,\" is quite self-explanatory, as I am giving the galaxy back to my special person, but in my own musical form, for his birthday.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45176668389455,"sku":"JAT-165-035-SP","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/de25cfb0a741b5567522505e96e5579e.webp?v=1790889701"},{"product_id":"sohn-frogs-tale-just-theory","title":"Sohn: Frog's Tale","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/nicky-sohn\"\u003eNicky Sohn\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Score \u0026amp; Set of Parts - \u003ca href=\"\/ja\/pages\/format-descriptions\"\u003eFormat guide\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eWind Quintet (Flute, Oboe, Clarinet, Horn, Bassoon)\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Frog's Tale (2024)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094010269\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eDuration: 5'\u003c\/p\u003e\n\u003cp\u003e\"Frog's Tale,\" for wind quintet, draws its inspiration from the endearing Korean folktale of Green Frog (청개구리), a mischievous green frog, and his wise mother— a narrative starring a mischievous green frog and his wise mother. This timeless story, ingrained in the cultural fabric of Korea, reminded me of my own childhood, evoking reflections on my own spirited childhood.\u003c\/p\u003e\n\u003cp\u003eThe tale unfolds around a frog who acts contrary to the advice of the elders. Children often bear the affectionate nickname of \"Green frog\" in Korea if they choose to dance to their own tune, disregarding parental guidance—a label I proudly carried during my slightly mischievous, strong-willed years. ;)\u003c\/p\u003e\n\u003cp\u003eIn each section, I sought to unfold a chapter of this tale through thematic ideas and textures, capturing the sentiments and nuances of the story. The process of revisiting this cherished folktale and translating it into music became a delightful journey of creativity.\u003c\/p\u003e\n\u003cp\u003eI wrote this work during my residency at the Banff Centre for the Arts, where the frigid climate confined me indoors. Writing \"Frog's Tale\" became a joyful escape from the biting cold through the spirited energy of Greenie and his adventures.\u003c\/p\u003e\n\u003cp\u003eThe Kodan Quintet, known for their exceptional versatility, became the perfect canvas for this musical exploration. Their openness and trust allowed me to push the boundaries of my composition, resulting in a piece that encapsulates the essence of the Frog's Tale with no creative limitations.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45176668717135,"sku":"JAT-165-034-SP","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/be9b48a0efaa9e93fadab0ca58fc17cf.webp?v=1790766569"},{"product_id":"sohn-for-caio-just-theory","title":"Sohn: For Caio","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/nicky-sohn\"\u003eNicky Sohn\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eCello, Piano\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: For Caio (2024)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094010306\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eDuration: 6'30\"\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFor Caio\u003c\/em\u003e was written for cellist Caio Alves Diniz as part of his project, Impressions in Translation. Five composers were each given a specific Brazilian music genre and tasked with writing a piece inspired by that genre. I was assigned Frevo, a vibrant and energetic musical style from Northern Brazil. Frevo's bright energy and relentless forward motion align perfectly with my own musical preferences, which often emphasize rhythmic vitality and momentum. Caio's selection of this genre for me was spot on.\u003c\/p\u003e\n\u003cp\u003eThis project was more than just a composition task—it was an incredible discovery and learning experience. I delved into a genre that was entirely new to me, and I quickly fell in love with its unique characteristics. The resulting piece is not a strict interpretation of Frevo but rather a blend of my own musical style with the elements of Frevo that resonated with me.\u003c\/p\u003e\n\u003cp\u003eWhen it came time to choose a title, nothing felt more fitting than \u003cem\u003eFor Caio.\u003c\/em\u003e The piece was not only written for Caio, but also deeply inspired and commissioned by him. None of this would have been possible without his vision and collaboration.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45176671141967,"sku":"JAT-165-030-SP","price":43.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/6d914f6a51bac3d7a4d0a6f5b2be6b2a.webp?v=1790816910"},{"product_id":"sohn-cynthia-just-theory","title":"Sohn: Cynthia","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/nicky-sohn\"\u003eNicky Sohn\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Viola\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Cynthia (2024)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094010191\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eDuration: 7'\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCynthia\u003c\/em\u003e was commissioned by my dear friend and wonderful violist, Tonya Burton. This project has been one of the most moving and personal experiences I've had the privilege to be part of in years. Cynthia, Tonya's aunt, sadly passed away from metastatic breast cancer. in preparing for this piece, Tonya and I met with Cynthia's friends and supporters from her support group. Listening to them share their memories and speak about their journey with Cynthia was incredibly moving. These individuals, who cherished each day and the people in their lives, demonstrated such resilience and strength—it was a powerful reminder of the importance of appreciating what we have. Their stories brought me to tears.\u003c\/p\u003e\n\u003cp\u003eThough I never had the fortune of meeting Cynthia in her life, what I learned from those who knew her painted a picture of an extraordinary woman. Cynthia was an adventurer, a fighter, brave, independent, and resilient. She held on to her dignity and values until her very last day, and I am deeply honored to write a piece that seeks to capture her beautiful spirit.\u003c\/p\u003e\n\u003cp\u003eMy approach to this work was different from my recent compositions. Sometimes, I find myself fixated on creating music that impresses other musicians, composers, or listeners, which can lead to overly complicated or ambitious pieces. with Cynthia, I wanted to focus on creating something beautiful and personal, free from the flourishes that I sometimes lean toward.\u003c\/p\u003e\n\u003cp\u003eI am deeply grateful to Tonya for giving me this wonderful opportunity to write in memory of Cynthia, and I hope this piece captures even a small part of the remarkable person that she was.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45176671371343,"sku":"JAT-165-023-SP","price":43.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/47846bb43855a49430487eb549e7f434.webp?v=1790952794"},{"product_id":"sohn-colors-of-lifes-garden-just-theory","title":"Sohn: Colors of Life's Garden","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/nicky-sohn\"\u003eNicky Sohn\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Set of Parts - \u003ca href=\"\/ja\/pages\/format-descriptions\"\u003eFormat guide\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Oboe, Viola\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Colors of Life's Garden (2023)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094010184\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eDuration 13'\u003c\/p\u003e\n\u003cp\u003e\"Colors of Life's Garden\" is a musical reflection of the beauty and complexity of life, inspired by the magnolia trees at the estate of Rienzi with the generous commission from River Oaks Chamber Orchestra. As I observed the little buds filled with possibilities and prospects, I was struck by the cycle of life and death that these trees undergo every year. It made me reflect not only on the ups and downs of my own life, but also on the nature of love and relationships.\u003c\/p\u003e\n\u003cp\u003eLove and relationships are an integral part of our own personal journey, much like the magnolia trees undergo their own cycle of growth and decay. Even though some experiences may cause pain and heartbreak, they make us who we are today. Through embracing our past and learning from our encounters and experiences, we can grow and become the person we hope to be. The blooming of the magnolia trees is a beautiful reminder of this process, as they fully embrace their \"death\" and decay in order to bloom anew each year.\u003c\/p\u003e\n\u003cp\u003eThe composition unfolds seamlessly in three sections, each symbolizing a distinct facet of this perpetual cycle. \"Pale Beginnings\" embodies anticipation and potential, mirroring the pale magnolia bulbs in the early stages of their journey. \"Verdant Mystery\" delves into the mystery and excitement of spring, capturing the essence of watching ice melt and flower buds unfurling, echoing the vibrancy of love's renewal. \"Orange Glow\", radiating warmth like a golden sun, signifies the return of spring. It encapsulates the themes of personal growth, acceptance, and the embrace of the past, basking in the full light and warmth of the season.\u003c\/p\u003e\n\u003cp\u003eMaintaining a stylistic continuum, these sections are intentionally interconnected, played attaca without pause. The three sections are primarily provided to guide performers in understanding the structure and interpretation of the work. While less apparent to listeners, they are invited to experience the cyclical nature of life within the piece — where every beginning is also an ending. Symbolizing this, each section shares a similar texture and sentiment throughout, contributing to a cyclical, continuous structure that mirrors the perpetual flow of life.\u003c\/p\u003e\n\u003cp\u003eColors of life's garden reflects my own journey and my hope to continue to grow and learn from my experiences. Whether we are facing harsh weather or challenges, we too can endure the process and continue to grow, introducing new seasons of our lives and bringing happiness and joy to those around us. The blooming of the magnolia trees is a beautiful reminder of the resilience of nature and the power of love.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45288439087183,"sku":"JAT-165-021-SP","price":54.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/4a009fa0b5244c42a7c9052b1aa7516a.webp?v=1791110866"},{"product_id":"sohn-deer-friend-just-theory","title":"Sohn: Deer Friend","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/nicky-sohn\"\u003eNicky Sohn\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Set of Parts - \u003ca href=\"\/ja\/pages\/format-descriptions\"\u003eFormat guide\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eFlute, Piano Trio (Piano, Violin, Cello)\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Deer Friend (2021)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094010207\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eDuration: 7'\u003c\/p\u003e\n\u003cp\u003eTwenty thousand acres of stillness and a vast stretch from home, my residency at the UCross Foundation sparked the inspiration for \"Deer Friend\". My first morning was full of visitors, but not the kind I was used to—a wild turkey, a fox, small birds of all colors and song, a kaleidoscopic mix of wildlife. Unsure of whether to be skeptical of these new, unfamiliar looking loiterers, or to embrace the presence of the colorful bunch just as a Disney princess is often seen doing, my first few hours upon waking were so different from what I had known.\u003c\/p\u003e\n\u003cp\u003eAlthough I was at the highest degree of isolation that one can perhaps be at on Planet Earth, I felt sound—at home. Seeing the green unendingly stretch into the infinite horizon, rerooting my urbanized psyche into the small of the Bighorn Mountains, I was rewinding to a forgotten past where my dreams looked exactly like my reality. Out of all visitors I welcomed, my childhood was perhaps the most surprising one of them all. Writing \"Deer Friend\" was my best attempt at making that feeling a little more tangible.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45288446984271,"sku":"JAT-165-024-SP","price":54.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/697be8b7fff1edcc68468f404f458d9f.webp?v=1791181969"},{"product_id":"sohn-did-old-yeller-really-fight-a-bear-just-theory","title":"Sohn: Did old yeller really fight a bear?","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/nicky-sohn\"\u003eNicky Sohn\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eCello\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Did old yeller really fight a bear? (2020)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094010351\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eDuration: 6'\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDid old yeller really fight a bear?\u003c\/em\u003e was written during the peak of Pandemic. I was fascinated by the old Western American movies during this time and Old Yeller was one of my favorites that I watched in this period. The movie begins with a fantastic theme song that puts you right in this positive, friendly atmosphere that I really needed during the lockdown. I lived with a cellist during the quarantine period, and we were desperate to make music together. Through a very close collaboration, I was able to write the work Did Old Yeller Really Fight a Bear? I wanted to create something that we all needed during the pandemic—a little fun, and a little joy.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45288458289231,"sku":"JAT-165-025-FS","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/1dfd6cb580f30099d6bf7bf5db7ac6b7.webp?v=1791153927"},{"product_id":"sohn-disco-ball-just-theory","title":"Sohn: Disco ball","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/nicky-sohn\"\u003eNicky Sohn\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePierrot Ensembe (flute, clarinet, violin, cello and piano)\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Disco Ball (2019)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094010344\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eDuration: 6'\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDisco Ball\u003c\/em\u003e was inspired by Justin Son's original song with the same title. Justin has been one of the most influential people in my life as a brother, friend, and artist. His songs, especially the melodic and thematic materials have such an optimistic and positive sound quality to them. The opening gesture of the work was directly taken from his song, Disco Ball. The piece is mono-thematic with several variations and alternations in harmony, texture, and dynamic. Justin worked on his song during his time in Korea with me and working with him on his music was such a fond memory from the time. I began working on the piece a few weeks before he had to begin his military service in Korea. He and I used to speak nearly everyday, but this was not possible once he joined the army. Writing this work was a good compensation and made me feel that I was somehow in a conversation with him. This piece is also the first piece I wrote since moving to Houston.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45288464220239,"sku":"JAT-165-026-SP","price":54.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/76d7c38ee8a3cd2eba6f4c32d9e9fc55.webp?v=1791066632"},{"product_id":"sohn-drafts-of-a-love-letter-just-theory","title":"Sohn: Drafts of a Love Letter","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/nicky-sohn\"\u003eNicky Sohn\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eGuitar\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Drafts of a Love Letter (2023)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094010320\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eDuration: 14'\u003c\/p\u003e\n\u003cp\u003e\"Drafts of a Love Letter\" is a collection of miniatures written for solo guitar. The work was commissioned by TMTA (Texas Music Teachers Association) and written for Jiji. The three movements, \"Love Poem After the Monsoons\", \"Poem Written and Read Before Morning\", and \"Love Sleep\", are primarily based on three poems of the same title, written by my brother, Justin Son.\u003c\/p\u003e\n\u003cp\u003eLove can be a sad business that is never resolving nor peaceful. Likewise, these poems hold an endearing, loving voice, that nonetheless sounds like it has failed to reach its lover at the other end. By acknowledging the passing of a season, attempting to defy a coming sunrise, or encouraging a disheartened lover to rest, the poem begins to resemble intimate, unfinished love letters or incomplete romantic gestures to someone specific. Interestingly, however, it feels hesitant, bashful, and even lonely.\u003c\/p\u003e\n\u003cp\u003eSome of my recent pieces, such as \"The Last Smile of Love\" and \"Moonlight and Scooter\" are also works that deal with the idea of love, which, though rapturous and intense, have an unshakable sense of longing. These feelings are often dusted away before they are vocalized—they are simply left as drafts of a love letter.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45288489353295,"sku":"JAT-165-028-FS","price":32.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/2e43319784a6c5e03d0aac94cb7a6253.webp?v=1779490658"},{"product_id":"sohn-the-dragons-bamboo-flute-just-theory","title":"Sohn: The Dragon's Bamboo Flute","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/nicky-sohn\"\u003eNicky Sohn\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Flute\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: The Dragon's Bamboo Flute (2022)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094010696\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eDuration: 5'30\"\u003c\/p\u003e\n\u003cp\u003e\"The Dragon's Bamboo\" is a musical composition that draws its inspiration from the captivating Korean legend of Manpasikjeok. This ancient tale tells the story of a magical wind instrument that emerges in times of peril, bringing forth peace and prosperity to the land. The flute, known as \"Manpasikjeok\" meaning the instrument that calms all the waves, holds the power to protect a kingdom from invaders and bring tranquility when faced with trouble.\u003c\/p\u003e\n\u003cp\u003eIn this work, I sought to capture the essence of this enchanting legend, infusing it with an atmospheric and mysterious quality that pervades the entire composition. I believe that the symbolism of the magical flute and its ability to bring hope and optimism is especially relevant in today's world, where chaos and animosity often dominate.\u003c\/p\u003e\n\u003cp\u003e\"The Dragon's Bamboo\" is a testament to the human longing for a sense of magic and wonder, reminding us of the profound impact that art and music can have on our lives. Through this collaboration, I have strived to create a piece that transcends boundaries and invites listeners to embark on a journey of imagination and reflection.\u003c\/p\u003e\n\u003cp\u003eI would like to express my heartfelt gratitude to Dominique Kim for bringing this extraordinary project to fruition and for being an exceptional collaborator throughout. We aimed to instill a sense of hope and optimism, offering a respite from the challenges of our times.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45288498954319,"sku":"JAT-165-055-SP","price":32.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/21a0d3b44c66fcd7c7465438ca021aa2.webp?v=1779490898"},{"product_id":"sohn-estimated-delivery-just-theory","title":"Sohn: Estimated Delivery","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/nicky-sohn\"\u003eNicky Sohn\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Estimated Delivery (2018)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094010313\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eDuration: 13'\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEstimated Delivery\u003c\/em\u003e is a solo piano piece consisting of four movements, commissioned by my dearest friend Tomas Feng. As I have worked with Tomas several times, I was aware of his technical strengths, and this work was created to showcase such abilities. Inspired by the four stages found in online delivery of Papa John's pizza, the movements are named after each one: \"Making\", \"Baking\", \"Boxing\", and \"On Its Way\". First, \"Making\" imagines the process in which the pizza made. with kinetic scale runs that represent the sprinkling of shredded cheese, motifs that imitate the stretching of the dough, and quick range shifts that embody the tossing and throwing on toppings, each element found in this movement embodies the composition of the pizza itself. Next, \"Baking\" animates and personifies the pizza—the oven as a bedroom, a chamber of comfort, rest, warmth, and darkness. As the oven door closes, a lullaby begins. Tis second movement is lyrical and paced. Third is \"Boxing\"; this movement again continues the personification of the pizza, and imagines the pizza box as a casket. To symbolize this in a recognizable mode, Chopin's \"Funeral March\" is taken and reharmonized—the rhythmic and melodic lines, as well as the phrasing found in Chopin's piece is kept the same. Lastly, \"On Its Way\" represents the delivery car. This movement is heavily energetic and pattern oriented, depicting the countless yet routine stops the driver must make to deliver. Eventually, the piece abruptly ends, only envisioning the tale of delivery and nothing more.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45288513110095,"sku":"JAT-165-029-FS","price":32.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/84c01a8a2d9cad22c50c54add906d3fe.webp?v=1779491138"},{"product_id":"sohn-the-fish-piece-version-for-clarinet-piano-trio-just-theory","title":"Sohn: The Fish Piece (Version for Clarinet \u0026 Piano Trio)","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/nicky-sohn\"\u003eNicky Sohn\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Set of Parts - \u003ca href=\"\/ja\/pages\/format-descriptions\"\u003eFormat guide\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation (this edition)\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eClarinet, Piano Trio (Piano, Violin, Cello)\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong class=\"original-instrumentation-title\"\u003eOriginally for\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano Quintet (Piano, Violin, Viola, Cello, Double Bass)\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/sohn-the-fish-piece-2020\"\u003eThe Fish Piece (2020)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094010689\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eDuration: 6'\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Fish Piece\u003c\/em\u003e was written for Joseph Lee. I have worked with a number of different ensembles that include strings and piano, but never for this combination. This instrumentation is the most known for Schubert's D. 677, the Trout Quintet. I wanted to take this opportunity to revisit the famous work, and see what I could do with some of the materials Schubert used in the theme and variations movement. Schubert has not been an easy composer for me. I have had a harder time appreciating his music and style, and I wanted to work on his theme with a little bit of wit and twist. Several direct quotes are used from Schubert's original work throughout this piece.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45288529494095,"sku":"JAT-165-056-SP","price":54.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/645f37ebc2d0df45beb4d201c996e42b.webp?v=1791156708"},{"product_id":"sohn-the-fish-piece-version-for-piano-quintet-just-theory","title":"Sohn: The Fish Piece (Version for Piano Quintet)","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/nicky-sohn\"\u003eNicky Sohn\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano Quintet (Piano, Violin, Viola, Cello, Double Bass)\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/sohn-the-fish-piece-2020\"\u003eThe Fish Piece (2020)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094010672\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eDuration: 6'\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Fish Piece\u003c\/em\u003e was written for Joseph Lee. I have worked with a number of different ensembles that include strings and piano, but never for this combination. This instrumentation is the most known for Schubert's D. 677, the Trout Quintet. I wanted to take this opportunity to revisit the famous work, and see what I could do with some of the materials Schubert used in the theme and variations movement. Schubert has not been an easy composer for me. I have had a harder time appreciating his music and style, and I wanted to work on his theme with a little bit of wit and twist. Several direct quotes are used from Schubert's original work throughout this piece.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45288533655631,"sku":"JAT-165-056.01-SP","price":54.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/645f37ebc2d0df45beb4d201c996e42b.webp?v=1791156708"},{"product_id":"sohn-fortunes-unfolded-just-theory","title":"Sohn: Fortunes Unfolded","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/nicky-sohn\"\u003eNicky Sohn\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Score \u0026amp; Set of Parts - \u003ca href=\"\/ja\/pages\/format-descriptions\"\u003eFormat guide\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eString Quartet (Violin I, Violin II, Viola, Cello)\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Fortunes Unfolded (Cosmic Harmony Reveals Inner Self) (2023)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094010290\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eDuration: 7'30\"\u003c\/p\u003e\n\u003cp\u003eLife is full of unexpected events, and we all long for the ability to see into the future. Instability and uncertainty can create volatility and frustration in our daily lives. in those moments, we turn to various sources of comfort, whether spiritual, religious, or coping mechanisms, to guide us down unexpected paths and help us find meaning in our pain. As we search for answers and ways to overcome grief and hopelessness, we may become desperate, clinging to any sign that our pain has a greater purpose and that things will get better.\u003c\/p\u003e\n\u003cp\u003eIn the spring of 2023, my friend gifted me a deck of Tarot cards during a time when I was vulnerable and in pain from losing someone dear to me. These cards provided me with the power to move forward and helped me to cope with my situation. I pulled six cards to reflect on my past, present, and future, which became the foundation and inspiration for my piece.\u003c\/p\u003e\n\u003cp\u003eThese six cards seemed to depict a journey from darkness to light, instability to stability, and painful changes leading to a stronger community. They became the foundation and inspiration for my piece, \u003cem\u003eFortunes Unfolded.\u003c\/em\u003e Throughout the writing process, I felt a sense of moving forward, letting go, and growing.\u003c\/p\u003e\n\u003cp\u003eDespite my realizations, growth, and learning, moving on is still a difficult task. Nights without sleep, vivid dreams, and the constant longing make it challenging to move forward. The final section of my work portrays this state of mind. While being able to see the future would be a great comfort, all I can do is hope for a better tomorrow. The piece concludes with me falling asleep, symbolizing my journey towards acceptance and peace.\u003c\/p\u003e\n\u003cp\u003eI am grateful to the Bergamot Quartet for providing me with the opportunity to grow and develop, both as a composer and as a person.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45288571109455,"sku":"JAT-165-031-SP","price":43.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/3305b12ba5bc0c2bf7b18ee55edb0077.webp?v=1791188534"},{"product_id":"sohn-fresh-breath-of-hope-just-theory","title":"Sohn: Fresh Breath of Hope","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/nicky-sohn\"\u003eNicky Sohn\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano, Violin\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Fresh Breath of Hope (2021)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094010283\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.9\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.0\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eDuration: 8'30\"\u003c\/p\u003e\n\u003cp\u003e\"Fresh Breath of Hope\" was written for the wonderful violinist and close friend Mary Grace Johnson during the spring of 2021. The work was inspired by the conversations that Mary Grace and I had with the people at the Houston Women's Home, a place that strengthens women and supports them as they reclaim their stability.\u003c\/p\u003e\n\u003cp\u003eEntropy and disorder are everywhere—a law of existence—in all forms unpredictable and harsh. Likewise, each person at the Women's Home had a completely new story to tell and a different means of getting to where they were. However, in this community, everyone shared one common theme—shining in a place of darkness, a hope for the future. One client described the home as a \"fresh breath of hope\", breathing color into what was once a bleak outlook. Her passion and sincerity in which she told us her journey reflected to me that within this world of chaos ceaselessly unfolding, there are still havens that point us to the light.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45288582479951,"sku":"JAT-165-032-SP","price":43.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/c6e567b2dfff6597c615bf6e225fa83a.webp?v=1791156720"},{"product_id":"sohn-fresh-post-just-theory","title":"Sohn: Fresh Post","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/nicky-sohn\"\u003eNicky Sohn\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Set of Performance Scores - \u003ca href=\"\/ja\/pages\/format-descriptions\"\u003eFormat guide\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano Trio (Piano, Violin, Cello)\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Fresh Post (2022)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094010276\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eDuration 5'\u003c\/p\u003e\n\u003cp\u003eThe Raines Law Room, 48 W 17th Street, New York, NY. Fresh Post: gin, suze, cucumber, lime, seltzer. Shaken and served tall. You should be feeling rosy after this one.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45288586674255,"sku":"JAT-165-033-SP","price":38.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/02f93e9bdaaf73b084663374c5038ae8.webp?v=1779492098"},{"product_id":"sohn-has-the-sheepman-been-an-illusion-just-theory","title":"Sohn: Has the sheepman been an illusion?","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/nicky-sohn\"\u003eNicky Sohn\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Score \u0026amp; Set of Parts - \u003ca href=\"\/ja\/pages\/format-descriptions\"\u003eFormat guide\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eCello, Violin, Clarinet, Flute\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Has the sheepman been an illusion? (2023)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094010221\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eDuration: 5'30\"\u003c\/p\u003e\n\u003cp\u003e\"Has the Sheepman Been an Illusion?\" is a musical composition that stems from my personal exploration and creative journey. Inspired by Haruki Murakami's \"A Wild Sheep Chase\" and my immersive experience in Alaska's vast wilderness, this piece delves into the interplay between illusion and reality, contemplating the complexities of love, the search for purpose, and the profound sense of insignificance within the sublimity of nature.\u003c\/p\u003e\n\u003cp\u003eEvery day, I find myself immersed in a quest for answers, ranging from mundane concerns to the deeper questions of existence. Love, in particular, possesses a mysterious nature that often defies logic. Through the lens of an intense yet inconsistent relationship, I began to question the nature of reality and envision a world without the presence of the person. After the relationship dissolved altogether, the experience left me pondering whether it was all merely an illusion. Seeking solace and self-discovery, I ventured into the untamed wilderness of Alaska. My instincts that led me there were correct— I found inspiration and tranquility in Denali. Coincidentally, the book I had decided to take with me on this adventure was Haruki Murakami's \"A Wild Sheep Chase\", a story that explores the blurred lines between reality and imagination. My contemplation of the nature of truth and illusion depended as I read through the encounter with the enigmatic Sheep Man,\nan eccentric hermit who assumes he guise of a sheep.\u003c\/p\u003e\n\u003cp\u003e\"Has the Sheepman Been an Illusion?\" invites listeners to embark on a personal journey of introspection, resonating with the profound questions of existence, purpose, and the significance of our individual presence in the world. Through its evocative musical language, this composition weaves together the themes of illusion, love, and the universal quest for meaning. It serves as a conduit for exploring the enigmatic complexities of life and invites a deeper connection with the universal pursuit of truth and self-discovery.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45288599814223,"sku":"JAT-165-037-SP","price":38.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/25921a574be2b512869b089ba220610f.webp?v=1779492399"},{"product_id":"sohn-home-body-home-bach-just-theory","title":"Sohn: Home-Body, Home-Bach","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/nicky-sohn\"\u003eNicky Sohn\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eCello\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Home-Body, Home-Bach (2020)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094010382\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eDuration: 2'\u003c\/p\u003e\n\u003cp\u003eCommissioned by the Orchestra of St. Luke's, \u003cem\u003eHome-Body, Home-Bach\u003c\/em\u003e was written during the Covid-19 Pandemic. Because of the lockdown, the piece was written entirely in my apartment in Houston, TX, specifically at one exact spot—one small corner in the living room. Every musician's life has been altered—all social engagements including rehearsals and performances have moved virtually, and the pandemic has forced all of us to become home-bodies. The requirement for the commission was to write a 1 minute work based on the music of JS Bach, scored for solo cello. I used the well-known tune from Jesu, Joy of Man's Desiring (BWV 147) as the basis of the piece and presented the theme in my own way.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45288603811919,"sku":"JAT-165-040-FS","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/79fcb5a1c6d1bb33b7ad259f87c10bc3.webp?v=1779492519"},{"product_id":"sohn-homebody-rags-just-theory","title":"Sohn: Homebody Rags","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/nicky-sohn\"\u003eNicky Sohn\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Homebody Rags (2020)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094010399\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eDuration: 10'\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHomebody Rags\u003c\/em\u003e was written during May 2020, in the midst of the Covid-19 pandemic. To my surprise, I found creativity and inspiration during this time of isolation, remaining stagnant in the cramped spaces of my apartment in Houston—self-quarantine provided a remarkably good environment to listen closely, to discover obscure artists and explore novel sounds.\u003c\/p\u003e\n\u003cp\u003eMolly Morkoski, the commissioner of this piece, collaborated with me in the past year on my song cycle. The song cycle was inspired heavily by tunes in the cabaret style, and Molly was extremely generous to find an opportunity to collaborate on a set of ragtime pieces for solo piano. This process was one of the most enjoyable, allowing me to find personality unique to mine in an unfamiliar genre.\u003c\/p\u003e\n\u003cp\u003eThe piece includes three movements—fast, slow, and fast. Each conveys different moods and takes liberties with what is conventionally thought of as \"ragtime\", but keeps the playful attitude that is hallmark to its sound. The piece should be played without restriction; the performer should feel free to improvise, adding extra rubatos, ritardandos, and dynamics at his or her will. Small ornaments such as these are always welcome in this style of early jazz.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45288614002767,"sku":"JAT-165-041-FS","price":32.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/0646cebb1d6e27f1a379602108c0ad73.webp?v=1779492699"},{"product_id":"sohn-humidity-rag-just-theory","title":"Sohn: Humidity Rag","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/nicky-sohn\"\u003eNicky Sohn\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003ePiano\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: Humidity Rag (2021)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094010405\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eDuration: 5'30\"\u003c\/p\u003e\n\u003cp\u003ewritten by James Palmer:\u003c\/p\u003e\n\u003cp\u003eIn 2021, I launched a multi-composer commission project called \"What is a Piano Prelude?\" As an experiment, each composer involved was asked to compose a \"piano prelude\" in their own style\/vision with the goal of answering the question in the commission's title.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHumidity Rag\u003c\/em\u003e was Nicky's response to this question.\u003c\/p\u003e\n\u003cp\u003eMarked \"Sticky,\" this charming piece is essentially a written-out jazz solo for piano that easily matches in substance, originality, and difficulty the similarly-oriented writing of composers like Nikolai Kapustin. The right hand's opening motive turns out to be the main theme of the piece; this versatile motive, with slight variations, is the backbone of each Major section in a loose, small-scale sonata form. At the beginning of Humidity Rag, the main motive is situated in a murky whole-tone sound world that gives the sense of stickiness indicated by the composer. The harmonic fog begins to lift as this section continues; the theme is then presented extrovertedly atop a soulful, repeating I-IV pedal, reminiscent of the harmonic rocking-back-and-forth of twelve-bar blues.\u003c\/p\u003e\n\u003cp\u003eA short developmental section ensues, incorporating grand, virtuosic gestures that perhaps recall the ecstatic writing of Scriabin. We then re-enter the murky, sticky sound world that opened the piece, this time punctuated with short riffs and cadenzas. After landing on a dominant pedal, the music builds intensely into an impassioned statement of the main motive, marked \"Nowhere to escape.\" After this emotional climax, the music winds down, aided by the markings \"Even stickier than before\" and \"Sorry ... even stickier!\" The main theme is again the backbone for the closing material, a nostalgic, endearing dénouement to this quirky piece. Humidity Rag comes to a close with an ascending arpeggiated flourish and a spunky, sticky, sforzando chord.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45288668790863,"sku":"JAT-165-042-FS","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/0f5e1accb1ef16b2c10f442b2b4eb378.webp?v=1791178069"},{"product_id":"sohn-the-last-smile-of-love-adjustable","title":"Sohn: The Last Smile of Love","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/nicky-sohn\"\u003eNicky Sohn\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eGuitar\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: The Last Smile of Love (2020)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094010665\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 1\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eDuration: 2'\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Default Title","offer_id":45288685174863,"sku":"JAT-165-057-FS","price":16.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/e7058fd0067065dc85f5489dc361d904.webp?v=1779493780"},{"product_id":"sohn-the-magnitude-of-verticality-just-theory","title":"Sohn: The Magnitude of Verticality","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/nicky-sohn\"\u003eNicky Sohn\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong class=\"original-instrumentation-title\"\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"original-instrumentation\"\u003eString Sextet (2 violins, 2 violas, 2 cellos)\u003c\/span\u003e \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWork\u003c\/strong\u003e: The Magnitude of Verticality (2025)\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790094010641\u003c\/span\u003e\n\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eDuration: 22'\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Magnitude of Verticality\u003c\/em\u003e was commissioned by BalletCollective in collaboration with choreographer Alysa Pires and visual artist Linn Meyers.\u003c\/p\u003e\n\u003cp\u003eIn our early conversations, we kept returning to BalletCollective's theme this year: Echoes of the Invisible. We explored the unseen forces that shape our lives— both literal and metaphorical. These ranged from the microscopic (pathogens, bacteria, atoms) to the technological (AI, digital networks), and to the ineffable effects of history and memory that ripple through the present.\u003c\/p\u003e\n\u003cp\u003eFrom these discussions emerged the idea of gravity: a force so constant and omnipresent that it becomes nearly invisible to us, yet it grounds and defines every movement. for me, this force also became a metaphor for the creative process. Working with Alysa and Linn, I felt an artistic kind of gravity—an anchoring presence of trust and inspiration that is rare for a composer, whose work is often solitary.\u003c\/p\u003e\n\u003cp\u003eThe music of \u003cem\u003eThe Magnitude of Verticality\u003c\/em\u003e traces gestures shaped by gravity's pull: swirling, floating, reaching upward, surrendering downward. These musical forms mirror the paradox of living within a force that never changes, while our responses to it—our resistance, acceptance, or flight—are endlessly varied.\u003c\/p\u003e\n\u003cp\u003eI am deeply thankful to Alysa for her trust and for choosing to work with me on this special project.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Just a Theory Press","offers":[{"title":"Score \u0026 Set of Parts","offer_id":45288695332943,"sku":"JAT-165-058-SP","price":107.75,"currency_code":"USD","in_stock":true},{"title":"Full Score","offer_id":45288711487567,"sku":"JAT-165-058-FS","price":49.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/782f085f19acd693ea94112246b14f5f.webp?v=1791104046"}],"url":"https:\/\/www.ficksmusic.com\/ja\/collections\/nicky-sohn.oembed?page=2","provider":"Ficks Music","version":"1.0","type":"link"}