Liszt: Hungarian Rhapsodies I (Nos. I-IX)
New Liszt Edition - Series I - Volume 3
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- Composer: Franz Liszt (1811-1886)
- Instrumentation: Piano
- Work: Nos. 1-9 from Hungarian Rhapsodies, S. 244, LW A132
- Work Languages: English, German
- ISMN:
- Size: 9.1 x 11.8 inches
- Pages: 136
Description
Liszt was greatly influenced by the playing of the Gypsy orchestras that he heard in 1840 and 1846, when he spent a few weeks in Hungary. The music they played was mainly verbunkos (recruiting music) and czardas, Hungarian popular artsongs, and sometimes even folk songs. Liszt studied the performance style of the Gypsy musicians with the rigour of a folklorist, and in his sketchbooks he transcribed the songs that he heard with their special stylistic traits. His concerts too featured works pieced together from Hungarian melodies, which later served as proto-studies for the later Hungarian Rhapsodies.
The first 15 rhapsodies appeared in print in 1851-53, with numbers 16-19 written three decades later. Rhapsodies 1-15 and 19 can be traced back to foreign themes, while in nos. 16-18 Liszt used his own thematic ideas. By the 1880s Liszt's musical idiom had changed greatly: by then he was using a simpler, denser piano sound, but all the rhapsodies adhered to the 'lassú-friss' (slow-fast) structure.
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Liszt: Hungarian Rhapsodies I (Nos. I-IX)
