{"title":"Sheet music composed by José de Nebra (1702-1768)","description":"José de Nebra (1702-1768) was a composer from Spain. Read more on \u003ca href=\"https:\/\/en.wikipedia.org\/wiki\/Jos%C3%A9_de_Nebra\" target=\"_blank\"\u003eWikipedia\u003c\/a\u003e.","products":[{"product_id":"nebra-sinfonias-i-viii-ut-orpheus","title":"Nebra: Sinfonías I-VIII","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/jose-de-nebra\"\u003eJosé de Nebra (1702-1768)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e \u003cstrong\u003eInstrumentation\u003c\/strong\u003e: \u003cspan class=\"edition-instrumentation\"\u003eKeyboard\u003c\/span\u003e \u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: Paperback\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790215327269\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e9.1\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e12.2\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: 156\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eUrtext \/ Critical Edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ca href=\"https:\/\/www.utorpheus.com\/file\/catalog\/pdf_musiche\/hs312.pdf\" class=\"global-button global-button--text\" target=\"_blank\"\u003e \u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"16\" height=\"16\" fill=\"currentColor\" class=\"bi bi-file-pdf\" viewbox=\"0 0 16 16\"\u003e\u003cpath d=\"M4 0a2 2 0 0 0-2 2v12a2 2 0 0 0 2 2h8a2 2 0 0 0 2-2V2a2 2 0 0 0-2-2H4zm0 1h8a1 1 0 0 1 1 1v12a1 1 0 0 1-1 1H4a1 1 0 0 1-1-1V2a1 1 0 0 1 1-1z\"\u003e\u003c\/path\u003e\u003cpath d=\"M4.603 12.087a.81.81 0 0 1-.438-.42c-.195-.388-.13-.776.08-1.102.198-.307.526-.568.897-.787a7.68 7.68 0 0 1 1.482-.645 19.701 19.701 0 0 0 1.062-2.227 7.269 7.269 0 0 1-.43-1.295c-.086-.4-.119-.796-.046-1.136.075-.354.274-.672.65-.823.192-.077.4-.12.602-.077a.7.7 0 0 1 .477.365c.088.164.12.356.127.538.007.187-.012.395-.047.614-.084.51-.27 1.134-.52 1.794a10.954 10.954 0 0 0 .98 1.686 5.753 5.753 0 0 1 1.334.05c.364.065.734.195.96.465.12.144.193.32.2.518.007.192-.047.382-.138.563a1.04 1.04 0 0 1-.354.416.856.856 0 0 1-.51.138c-.331-.014-.654-.196-.933-.417a5.716 5.716 0 0 1-.911-.95 11.642 11.642 0 0 0-1.997.406 11.311 11.311 0 0 1-1.021 1.51c-.29.35-.608.655-.926.787a.793.793 0 0 1-.58.029zm1.379-1.901c-.166.076-.32.156-.459.238-.328.194-.541.383-.647.547-.094.145-.096.25-.04.361.01.022.02.036.026.044a.27.27 0 0 0 .035-.012c.137-.056.355-.235.635-.572a8.18 8.18 0 0 0 .45-.606zm1.64-1.33a12.647 12.647 0 0 1 1.01-.193 11.666 11.666 0 0 1-.51-.858 20.741 20.741 0 0 1-.5 1.05zm2.446.45c.15.162.296.3.435.41.24.19.407.253.498.256a.107.107 0 0 0 .07-.015.307.307 0 0 0 .094-.125.436.436 0 0 0 .059-.2.095.095 0 0 0-.026-.063c-.052-.062-.2-.152-.518-.209a3.881 3.881 0 0 0-.612-.053zM8.078 5.8a6.7 6.7 0 0 0 .2-.828c.031-.188.043-.343.038-.465a.613.613 0 0 0-.032-.198.517.517 0 0 0-.145.04c-.087.035-.158.106-.196.283-.04.192-.03.469.046.822.024.111.054.227.09.346z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e PDF Preview \u003c\/a\u003e \u003c\/div\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eIn a few decades José de Nebra, previously almost completely unknown to musicians and amateurs - outside a narrow circle of connoisseurs -, has become one of the most appreciated Spanish composers in history. Famous and renowned during his lifetime, his music has been forgotten - except for one composition - for more than two centuries, but the publication of a certain number of editions of his music, especially theatrical and religious, since the 1990s has contributed to giving him back a preeminent role in the history of Spanish music and to providing him with a certain presence in concert programs and recordings. As for Nebra's keyboard music, which from the start was to be his main occupation, we have a sad panorama of scattered, late sources, and often of doubtful - if not erroneous - attribution, until the appearance and subsequent study of the manuscript to which the present edition is dedicated. This notebook was discovered in the Music Archive of the Cathedrals of Zaragoza. The content of the manuscript consists of a set of thirty-one pieces grouped in eight large works in several movements, which often depart somewhat from the Scarlattian sonata model so common in eighteenth-century Iberian keyboard music and which link with other traditions of keyboard music: the purely Hispanic (in some examples of great intentos or fugues, imitative compositions derived from the ancient tientos) and also other European traditions, such as the French, detectable in numerous dance movements. Nebra gives the name ‘sinfonía' to two of these large-scale compositions in several movements, so that in this edition, respecting the name given by the author, the editor used such a name for the series of eight pieces, which could probably also have been called suites, ordres or even sonatas.\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Ut Orpheus Edizioni","offers":[{"title":"Default Title","offer_id":41902712356943,"sku":"HS312","price":67.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/a8360b9681304b0f648989a706eff5ea.jpg?v=1752075770"},{"product_id":"nebra-sacred-cantatas-volume-3-ars-hispana","title":"Nebra: Sacred Cantatas - Volume 3","description":"\u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eComposer\u003c\/strong\u003e: \u003ca href=\"\/ja\/collections\/jose-de-nebra\"\u003eJosé de Nebra (1702-1768)\u003c\/a\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eEditor\u003c\/strong\u003e: Raúl Angulo Díaz\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFormat\u003c\/strong\u003e: Full Score - \u003ca href=\"\/ja\/pages\/format-descriptions\"\u003eFormat guide\u003c\/a\u003e\n\u003c\/li\u003e \u003cli class=\"binding hidden\"\u003e\n\u003cstrong\u003eBinding\u003c\/strong\u003e: \u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eText language\u003c\/strong\u003e: \u003cspan class=\"book-language\"\u003eSpanish\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eISMN\u003c\/strong\u003e: \u003cspan class=\"book-barcode\"\u003e9790805453897\u003c\/span\u003e\n\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eSize\u003c\/strong\u003e: \u003cspan class=\"book-width\"\u003e8.3\u003c\/span\u003e x \u003cspan class=\"book-length\"\u003e11.4\u003c\/span\u003e inches\u003c\/li\u003e \u003cli class=\"book-pages hidden\"\u003e\n\u003cstrong\u003ePages\u003c\/strong\u003e: None\u003c\/li\u003e \u003c\/ul\u003e \u003cdiv class=\"row\"\u003e \u003c\/div\u003e \u003c!-- split --\u003e\n\u003cdiv class=\"row\"\u003e \u003cdiv class=\"one-half columns\"\u003e \u003ch4\u003eDescription\u003c\/h4\u003e \u003cdiv class=\"feature_divider\"\u003e\u003c\/div\u003e \u003cp\u003eContents:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA la mesa de un rey voy convidado. Cantada al Santísimo. Tiple, 2 violines y bc.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eRecitado - Aria. Andante - Recitado - Aria. Allegro\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCuando el Maná. Cantada al Santísimo con violines (1734). Tiple, oboe, 2 violines y bc.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eRecitado - Aria. Alegre no viva - Recitado - Aria. Alegre y viva\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDueño fino y amante. Cantada al Santísimo con violines. Tiple, 2 violines y bc.\n[Versión para tiple de F. P. Ramírez de Arellano del primer recitado y aria de la cantada Bello pastor]\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eRecitado - Aria. Allegro\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eYa que, Pastor clemente. Cantada al Santísimo con violines. Tiple, 2 violines y bc.\n[Versión para tiple de F. P. Ramírez de Arellano del segundo recitado y aria de la cantada Bello pastor]\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eRecitado - Aria. Allegro\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOh, profesión dichosa. Cantada de profesión (1747). Tiple, 2 violines y bc.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eRecitado - Aria. Andantino - Recitado - Aria. Allegro\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eQué amante, qué benigno. Cantada al Santísimo con violines [2 versiones]. Alto (o tenor agudo), 2 violines y bc.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eRecitado - Aria. Allegro - Recitado - Aria. Allegro\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSuavidad el aire inspire. Area a la Asumpción de Nuestra Señora. Tiple, 2 violines y bc. [Recitado para alto]\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eRecitado - Aria. Andante\u003c\/p\u003e \u003c\/div\u003e \u003c\/div\u003e","brand":"Ars Hispana","offers":[{"title":"Default Title","offer_id":46595325558863,"sku":"mv083","price":88.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0900\/1828\/files\/4460d3dbb233e3451abeb29582380fd7.jpg?v=1788278626"}],"url":"https:\/\/www.ficksmusic.com\/ja\/collections\/jose-de-nebra.oembed","provider":"Ficks Music","version":"1.0","type":"link"}